In 2004, I interviewed both Taylor Eigsti and his mother, Nancy, about what it was like to be (and to raise) a prodigy. In the four years since then, Taylor's career has continued its nearly-vertical trajectory, with two Grammy nominations, two prestigious Piano Jazz shows with Marian McPartland, three jazz magazine covers, and multiple Down Beat Magazine critics' poll recognition.Now, at the ripe old age of 23, Eigsti continues to carve his place in the jazz tradition while being very much of his own generation. For example, his MySpace blog features a list of “things that suck,” which have included “arrogant sound engineers,” people who steal cell phones, airlines, laundry, and cilantro. Eigsti also has a genuine social conscience, and will donate a rare solo performance to people who give $2500 or more to the Jazz Foundation. Eigsti and his girlfriend Ashley recently went to New Orleans, where he did a big benefit for ACORN, the non-profit community organizing group. The couple also helped restore a mural in a park in the lower ninth ward. Eigsti describes it as “a sobering experience to see all of the damage that still exists there. It looks like the hurricane hit yesterday in most parts. Unreal!”
While Eigsti outgrows the prodigy status that's dogged him for the past 15 years, his music is maturing, communicating more on a deeper level, and his astonishing energy powers a formidable technique that's an absolute delight to watch. This interview took place in May of 2008, just before his CD release party; it was held at the Jazz Standard, which may offer the best music and food and the most welcoming atmosphere in New York. Among other things he discussed his ideas about bringing jazz to the next generation, his use of “note bombs,” and what he hates about his own playing.
Read the entire interview with Taylor Eigsti at allaboutjazz.com.
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