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Monday, January 13, 2025

Sean Nelson and the New London Big Band to release of "Don't Stop Now" #jazz #music


The Lost Music of Thad Jones,

written for Harry James


Eight "brand new" charts from the pen of Thad Jones are brought back to life, including novel arrangements of familiar tunes like Tip Toe and Three and One. Alongside trumpeter Wayne Bergeron in the role of Harry James, and John Riley, longtime drummer with the Vanguard Jazz Orchestra, Thad Jones's legacy ensemble, the band has recorded these historically important compositions.


Musicians


Saxes:

Erik Elligers, Tyler Wilkins, Cedric Mayfield,

Josh Thomas, Jeff Emerich


Trumpets:

Wayne Bergeron, Don Clough, Seth Bailey,

Renée McGee, Luke Wingfield


Trombones:

Sean Nelson, Leroy Loomer,

Vince Yanovitch, Wes Mayhew


Piano: Jen Allen

Guitar: Gianni Gardner

Bass: Lou Bocciarelli

Drums: John Riley


Tuba: Adam Crowe (track 9)

Harp: Megan Sesma (track 11)



Release Date: April 25th, 2025

(All In Records)


About the Recording


The first thing to understand about the great composer/arranger/trumpeter/bandleader Thad Jones is that he was a genius. The mark of any great jazz is that it hits the ear and the brain on multiple levels: yes, there is the virtuosity of Thad’s complex voicings, his unique melodic twists, the technical challenges for the band – but his music also reaches the listener on a deeper gut level, with its bluesy, propulsive sense of underlying powerful swing and forward motion. These qualities hold true whether Thad was composing and arranging for the Count Basie Band in the 1950s, for the historic Thad Jones-Mel Lewis Jazz Orchestra that he co-led from 1966-78, in writing projects for a variety of guest solo singers or writing for his later bands in Europe.


This multi-level magnetism of Thad Jones’ little-known arrangements for the great trumpeter Harry James is no different. Harry James may be best known as a big band era trumpet virtuoso, but he was also an ardent Count Basie fan. In his later years, James entered into retainer agreements with several well-known Basie arrangers, including Thad Jones as well as Ernie Wilkins, Neal Hefti, and Bill Holman. He contracted them each for one chart a month, over a period of several years. This gave rise to no less than 25 Thad Jones compositions and arrangements, written exclusively for the Harry James Band but largely unknown or forgotten until recently. Some of these were Thad’s own takes on big band era favorites like “Cherokee,”

“Frenesi,” “Flying Home,” and “Harlem Nocturne.” Others were Thad’s own original compositions; those originals are the selections recorded so beautifully by Sean Nelson and the New London Big Band, with two virtuoso guests: the renowned trumpeter Wayne Bergeron and Vanguard Jazz Orchestra veteran drummer John Riley. It is important to note that most of these arrangements were never recorded by James himself – these are the first recordings of this music.


Most notable are Thad’s arrangements of his own tunes “Tip Toe” and “Three and One.” Both titles eventually became part of the legendary repertoire of the Thad Jones-Mel Lewis Orchestra – but these are earlier versions done for Harry James, apparently written three or four years before their famous later offspring! These early versions are shorter, less composed-out – but most definitely experimenting with the ideas that would soon become known as classics.


This is an important recording, not only because it brings to light Thad Jones’ artistic genius in these newly discovered arrangements, but also because of the high level of the New London Big Band’s performances with the great Wayne Bergeron and John Riley.



-Dr. David Demsey, Curator of the Living Jazz Archives at William Paterson University

About Sean Nelson


Sean Nelson is the leader and founder of the New London Big Band. By day, he is enlisted in the U.S. Coast Guard, where he plays trombone with the Coast Guard Band​’s concert band and jazz ensembles, serves as staff arranger​, and is music director for both the Beacons Jazz Ensemble and the Guardians Big Band.​ Sean also serves as jazz trombone instructor at the University of Connecticut.

​As an arranger and composer, Sean worked on the production team for the 2015 National Christmas Tree Lighting, creating several arrangements for guests including Andra Day, Kelsea Ballerini, and Tori Kelly. This program was performed for the Obama family and heard nationally on PBS. ​Sean composed the official song for the National Oceanic and Atmospheric Administration officer corps (one of the eight federal uniformed services), sung by all recruits at basic officer training as well as other official events. ​He has won the National Band Association Young Composers Jazz Composition Contest and is a two­ time winner of Downbeat Magazine’s Student Jazz Arranging Contest. He currently works as the arranger for Sam Houston State University Bearkat Marching Band, writing new shows each season. Sean's big band arrangements are published at iJazzmusic.com.

A native of Dallas, Texas, Sean received a Bachelor of Music degree from Sam Houston State University, studying trombone with Henry Howey, and a Master of Music degree from the University of North Texas, studying trombone with Tony Baker and jazz arranging with Paris Rutherford and Rich DeRosa. While at North Texas, he was trombonist and composer for the One O’Clock Lab Band and sang with the Jazz Singers I. Sean’s trombone quartet won the International Trombone Association Quartet Contest, and he was honorable mention in the ITA’s Frank Smith Solo Competition. He spent his summers and winter breaks playing in house bands on cruise ships for Princess Cruises and Cunard Cruises.


Sean lives in Quaker Hill, Connecticut, with his wife Megan and children Lucinda, Giles, and McCoy.

Sean is a performing artist for S.E. Shires trombones and Denis Wick mouthpieces and mutes.


About the New London Big Band


Led by trombonist and composer Sean Nelson, the Connecticut based New London Big Band is a "full bodied and polished brassy big band" (Jazz Weekly) made up of 17 of the finest musicians in New England. Formed in 2016, they play monthly to sold out crowds at the Social Bar + Kitchen in New London, where they attract professional and amateur dancers from near and far.


The band wants to show the world that big band jazz is a vibrant and joyful sound that is not just for jazz aficionados. "Nelson...has assembled a youthful, sharp, hip 17-piece ensemble as dedicated as he is to the belief that big band sounds can provide a fine musical experience — one best served up live, where the groove and excitement of the arrangements and instrumental interplay can energize and pack a dance floor across generations." (The Day of New London)



For more information, please visit:

New London Big Band Website
Facebook  YouTube  Instagram




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Smooth Jazz Chart - Weekly Top 100 - January 13, 2025 #jazz #music

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Tuesday, January 07, 2025

Brazilian pianist Ricardo Bacelar and cellist Jaques Morelenbaum explore the beauty of “Aracati” #jazz #music



The Brazilian music album drops January 31. Videos for the first two singles are out now.

             

Eager to explore and expand upon the chemistry they discovered while collaborating on multiple recordings over the last couple of years, pianist Ricardo Bacelar and cellist Jaques Morelenbaum packed up their instruments and set off on holiday together in the peaceful and exquisite coastal enclave of Aracati, Ceará in the Northeast corner of Brazil. There, the two musicians, composers, arrangers, and producers immersed themselves in the culture of their surroundings in order to craft a ten-song set titled for the cliffside oceanfront locale, “Aracati.” The Jasmin Music album comprised of nine instrumentals and one vocal track drops on January 31.

 

Bacelar and Morelenbaum enjoyed a week in Aracati before returning to Jasmin Studio, a trailblazing immersive audio production facility in Fortaleza where they spent eight days tracking the collection of Brazilian rhythms and melodies that swirl jazz and classical elements. The pair wrote three songs together while in Aracati, including the first single, “Fogueira,” which is available now accompanied by a video that captures the spirit and ethos of the recording project (https://www.youtube.com/watch?v=-evlk9hwado). The rest of the compositions were penned individually by Morelenbaum or Bacelar with two new tunes cowritten by the pianist.

 

“I set up a small studio in a room in the house where we were staying. I brought the electric piano, Jaques brought the cello, and we immersed ourselves in that environment. We spent a week amidst the dunes, the sea, and the natural beauty of Aracati. We talked and played a lot, and all of this inspired us to create this album,” said Bacelar.

 

The focal point of “Aracati” is the interplay between Bacelar’s agile, poetic, and lyrical piano expressions and Morelenbaum’s colorful cello that ranges from dramatic and impassioned to playful and celebratory illustrations. On the album, Bacelar plays acoustic piano, keyboards, vocals, accordion, Hammond organ, and percussion while Morelenbaum adds cello, acoustic piano, and keyboards. Embellishing the lavish melodies and rich harmonies are rhythmic beats and grooves skillfully constructed by percussionist Hoto Júnior and drummer Luiz Orssano.

 

The album opens with Morelenbaum’s “Correios,” which was the theme of the Academy Award nominated film “Central Station,” a best international film contender in 1999. While it is a piece from the artist’s catalogue, the track perfectly sets the tone for “Aracati” and the collaborative collection.

 

After lighting a bonfire on the beach in Aracati, the duo was inspired to write the spirited and festive “Fogueira” as a tribute to the impact made by iconic Brazilian composer Egberto Gismonti.

 

Bacelar emotes vocally on “Quando a Noite Vem,” a sultry romancer that he wrote with Giuliano Eriston set to a subtle bolero. Morelenbaum’s cello adds a comforting caress.

 

Morelenbaum conjured up a bird named Firu and wrote a song to the imagined bird’s song, which can be heard in the background throughout “Fi_Ru_Hay_Kay.” One can hear the bird’s careful, tentative, and deliberate emerging and exploring prior to taking flight.

 

The second single from “Aracati” that was released on Friday (December 13) along with a video (https://www.youtube.com/watch?v=KGolvV0mT2U), “Caminhos de Areia” is a contemplative Bacelar song about a cowboy’s spiritual journey.

 

It wasn’t all sun and fun in Aracati. One day, Morelenbaum’s belongings were carried out to sea by a mischievous wave and were later retrieved after a local fisherman dove in after them. The unlikely and miraculous adventure was set to music as “Milagres.”

 

“We went to watch the sunset on a little corner of the beach, and I left my belongings on top of a high rock. We went into the sea and when I looked back, the tide had risen and taken my things, including my cell phone. I was devastated until a native fisher who knows the region well pulled my cell phone out of the sea. The song was inspired by these unlikely events,” explained Morelenbaum.

 

Bacelar’s “Sargaço” is a sprawling seaweed inspired tale that tosses, turns, and churns into a cascading swoon through the tropical region.

 

Another Bacelar and Morelenbaum cowrite, “Voo da Graúna” is a piece inspired by the native graúna birds that proliferate Aracati and the Northeastern region of Brazil.

 

Mesmerized by the sand formations of the region that were sculpted by the ocean, wind, and rain, Bacelar wrote “Falésias” with Luciano Raulino, a song as exquisitely beautiful as the vibrant setting that inspired it.

 

Morelenbaum’s “Ar Livre” closes the set on a melancholy note of reflection interspersed with melodic rays of sunny gratitude for the time the musicians spent together in Aracati.

 

Bacelar and Morelenbaum met in 2022 while the cellist was recording a track with Gilberto Gil that was produced by the pianist. A year ago, Morelenbaum guested on a Bacelar single, “O Meio do Mundo.” More recently, Morelenbaum performed on an album by Bacelar and Leila Pinheiro titled “Donato.”

 

The Rio de Janeiro-based Morelenbaum has assembled a remarkable resume that boasts playing with seminal artists such as Antonio Carlos JobimRyuichi SakamotoSting, and David Byrne. Bacelar got his start thirty years ago as a member of Brazilian rock band Hanoi Hanoi. A copyright lawyer who helms Jasmin Music and Jasmin Studio, he’s played a role in cultivating a catalogue of Brazilian music consisting of albums and singles by Gil, Flávio VentuniniToninho HortaRoberto MenescalFlora Purim and Airto Moreira, and Delia Fischer. His prolific production slate includes an upcoming February video release with Megan Nicole titled “Love Like This” followed by album that he produced paying homage to Brazilian singer-songwriter Rita Lee, a rock project releasing in March on which he sings, plays piano, and keyboards.  

 

Bacelar is proud of “Aracati,” the unique vibe and energy of the record capturing the time he shared with Morelenbaum in the city.   

 

“This album was made with great care and carries a grand personality. The songs tell stories, coexistence and collaboration, which we celebrate through the construction of this work. I really like the end result. ‘Aracati’ is a beautiful album of new partnerships and songs that we gathered for the project,” concludes Bacelar.

 

“Aracati” contains the following songs:

 

“Correios”

“Fogueira”

“Quando a Noite Vem”

“FI_RU_HAY_KAY”

“Caminhos de Areia”

“Milagres”

“Sargaço”

“Voo da Graúna”

“Falésias”

“Ar Livre”

 

 

For more information:

https://ricardobacelar.com.br

https://ffm.to/jasmin_aracati

 

 

 

#  #  #

 

 

ABOUT JASMIN STUDIO

Ricardo Bacelar’s Jasmin Studio, located in Fortaleza, Brazil, is considered one of the most advanced Dolby Atmos certified residential facilities in the world. Opened in 2016, the world-class studio is an audio lab equipped with state-of-the-art gear and technology that combines analog and digital production capabilities - from stereo to immersive 7.1.4. For more information, visit https://jasminmus.com/jasmin-studio.




Best selling smooth jazz at amazon.com
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Smooth Jazz Chart - Weekly Top 100 - January 6, 2025 #jazz #music

Smooth Jazz Chart 
This chart from smoothjazz.com generally updates every Monday. 
When it updates, this post will be repeated with the most recent link. 






Saturday, December 28, 2024

Branford Marsalis Signs to Blue Note Records #jazz #music


Saxophonist Branford Marsalis, one of the foremost jazz artists of our time and a pacesetting creative force in the music for more than four decades, has signed to Blue Note Records, the legendary label and standard bearer of The Finest In Jazz Since 1939. Marsalis will release his Blue Note debut Belonging in Spring 2025, his first new album since 2019 with his longstanding quartet featuring Joey CalderazzoEric Revis, and Justin Faulkner. The BMQ will be touring extensively across the United States and Europe next year. Stay tuned to branfordmarsalis.com for tour updates.

“I am grateful to Blue Note for its steadfastness in preserving the music for generations,” says Marsalis. “I have listened to countless Blue Note albums over the years and look forward to making a contribution to this great library.”

“Over the last 40 years, Branford has been one of the most soulful and eloquent purveyors of a brilliant musical tradition,” says Blue Note President Don Was. “We are thrilled that his long path has finally led to the doorstep of Blue Note Records. We’re gonna do great things together!”

* * *

Branford Marsalis continues to thrill audiences around the world while racking up achievements across diverse musical platforms, even after four decades in the international spotlight. From his initial recognition as a young jazz lion, he has expanded his vision as an instrumentalist, composer, bandleader and educator, crossing stylistic boundaries while maintaining unwavering creative integrity. In the process, he has become an avatar of contemporary artistic excellence winning three GRAMMY Awards, a Tony nomination for his work as a composer on Broadway, a citation by the National Endowment for the Arts as Jazz Master, and a 2021 Primetime EMMY nomination for the score he composed for the Tulsa Burning documentary.

Growing up in the rich environment of New Orleans as the oldest son of pianist and educator, the late Ellis Marsalis, Branford was drawn to music along with siblings Wynton, Delfeayo and Jason. The Branford Marsalis Quartet, formed in 1986, remains his primary performance vehicle. In its virtually uninterrupted three-plus decades of existence, this celebrated ensemble is revered for its uncompromising interpretation of a kaleidoscopic range of both original compositions and jazz and popular classics. But Branford has not confined his music to the jazz quartet context. He recently augmented the quartet with seven Hungarian musicians for a folk music project Ősz fele van az idő (Autumn is coming) featuring music commissioned by Müpa Budapest, and his recent classical composition, Kalamazoo Suite, was commissioned by and premiered with the Kalamazoo Symphony Orchestra. A frequent soloist with classical ensembles, Branford is regularly sought after as a featured soloist with acclaimed orchestras around the world, performing works by composers such as Copeland, Debussy, Glazunov, Ibert, John Williams, Mahler, Milhaud, Rorem, Vaughan Williams and Villa-Lobos. And his legendary guest performances with the Grateful Dead and collaborations with Sting have made him a fan favorite in the pop arena.

Branford’s screen credits as a composer include original music for: Rustin starring Colman Domingo, the History Channel’s documentary Tulsa Burning: The 1921 Race MassacreMa Rainey’s Black Bottom starring Viola Davis and the late Chadwick Boseman, The Immortal Life of Henrietta Lacks starring Oprah Winfrey, and Spike Lee’s Mo’ Better Blues. His work on Broadway has garnered a Drama Desk Award and a Tony nomination for the acclaimed revival of Fences. He recently arranged and orchestrated the music for a new Broadway production on Louis Armstrong, A Wonderful World, and his previous Broadway efforts include music for the revivals of Children of a Lesser God and A Raisin in the Sun, as well as The Mountaintop which starred Angela Bassett and Samuel L. Jackson.

Branford is also committed to the development of the next generation of musicians. He enjoys working with students and has formed an extended relationship with North Carolina Central University where he has been teaching for the past eighteen years. He has also taught at Michigan State University and San Francisco State University and continues to conduct workshops throughout the world.

In the wake of the devastation wrought by Hurricane Katrina, Branford, along with friend Harry Connick, Jr., conceived of “Musicians’ Village,” a residential community in the Upper Ninth Ward of New Orleans. The centerpiece of the Village is the Ellis Marsalis Center for Music, honoring Branford’s father. The Center uses music as the focal point of a holistic strategy to build a healthy community and to deliver a broad range of services to underserved children, youth and musicians from neighborhoods battling poverty and social injustice. In January 2024, following in his father’s footsteps, Branford was appointed Artistic Director at the Center and in this capacity, he will shape the artistic trajectory and steer the organization’s creative vision for the future



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Tuesday, December 24, 2024

A Very Merry Christmas from JazzHQ #jazz #music

Our very best wishes to all of you who took the time to visit JazzHQ during the year, whether at jazzhq.blogspot.com, twitter.com/jazzhq, or facebook.com/jazzhq. White Christmas - The Drifters (Video/cartoon) Sung by The Drifters. Cartoon by Joshua Held. Featuring Bill Pinkney on lead bass and Clyde McPhatter on tenor. Sing along:

Ooh
Doop doop, doop doo doop
Ooh
Doop doop, doop doo doop

I'm dreaming of a white Christmas,
Just like the ones I used to know,
Where those treetops glisten, and children listen,
To hear sleigh bells in the snow, the snow.

Then, I-I-I am dreaming of a white Christmas,
With every Christmas card I write,
May your days, may your days, may your days be merry and bright,
And may all your Christmases be white.

I-I-I am dreaming of a white Christmas,
Just like the ones I used to know,
Where the treetops glisten, and children listen,
To hear sleigh bells in the snow.

I-I-I am dreaming of a white Christmas,
With every Christmas card I write,
May your days, may your days, may your days be merry and bright,
And may all your Christmases be white.

Jingle bells, jingle bells, jingle bells all the way.
Ooooh.

Monday, December 23, 2024

Jazz vocalist Sherine Wong shares her love of the Great American songbook on "3 & More" #jazz #music


A distinctly American art form, jazz has a rich history in Asia. Hong Kong’s lively jazz scene has launched the career of jazz vocalist Sherine Wong, who recently released her first album for American audiences, “3 & More,” via Universal Music Hong Kong.

 

Wong is enamored by the Great American songbook. On her third album, “3 & More,” she interprets ten standards taken from the timeless catalogue. At the core of the collection is Wong accompanied by an acoustic jazz trio. However, on some tracks, her accompaniment swells instrument by instrument, maxing out at ten pieces.

 

Launching the album with a concert performance at Hong Kong’s Fringe Club, Wong employed the same concept in her performance as exhibited on the album, starting with tunes on which a trio backed her. As she went deeper into her setlist, one by one she brought out an additional musician that added another instrumental voice until her ensemble grew to ten players illuminating her renditions of songs penned by iconic composers George & Ira GershwinRichard Rogers, and Bill Evans while reimagining songs made famous by such legendary jazz figures as Ella FitzgeraldBillie HolidayDinah WashingtonChet BakerTony BennettBill EvansMiles DavisSonny RollinsNancy WilsonFred AstaireMel TorméBucky Pizzarelli, and Julie London.

 

Choosing the Fringe Club was strategic as the venue’s mission aligns with Wong’s own mission to win the hearts of American jazz fans. The Fringe Club’s mission is “to help emergent artists, promote Hong Kong artists abroad through cultural exchange and overseas touring, and conserve and develop Hong Kong cultural heritage.”

 

Expanding her reach after delivering two albums for the Hong Kong market to targeting the global audience, Wong surrounded herself with world-class producers, musicians, arrangers, and engineers to fulfill her vision for “3 & More.” Thelonious Monk International Jazz Guitar Competition winner Jesse van Ruller, Japanese vocalist and flugelhornist TOKU, trombonist Dree Peremans, guitarist Eugene Pao, trumpeter, flugelhornist, and drummer Stéphane Belmondo; and Paul Pouwer (Power Sound Studios) were part of Wong’s team to craft the new album that was mastered by three-time GRAMMY® winner Bernie Grundman. The results are exquisite. Each track is arranged to be warm, open, and airy, even as the orchestrated layers of instrumentation thicken. The production is masterful, embellishing Wong’s urbane yet impassioned singing, marked by poised delivery, dexterous control, and genuine emotion.       

 

Three singles, “On Green Dolphin Street,” “Tenderly,” and “Moonglow,” previewed the arrival of “3 & More.” In conjunction with the album’s release date in Hong Kong, Wong performed at the Hong Kong West Kowloon Jazz Festival on a festival marquee topped by  GRAMMY-winning pianist Herbie Hancock. She participated on an extensive Hong Kong media tour, appearing on various television and radio programs in addition to being featured in multiple print and online publications. Now, her sights are set on cracking the US market and getting the opportunity to sing in American clubs, theaters, concert halls, and performing arts centers.  

 

Wong studied, trained, and learned the art of jazz singing from top musician mentors in Hong Kong, Japan, Europe, and New York City, leading to the release of her self-titled debut album in 2018. Three years later, she returned with her sophomore set, “Two For The Road (Duo Concept Album),” a project primarily composed of duets. Upping the focus to trios and beyond, “3 & More” showcases Wong’s evolution as an artist.

 

The Hong Kong-based Wong is from Kuala Lumpur, Malaysia and is a former Miss Malaysia Universe winner. A model and an actor, she has been the face in print and television ads for such global brands as HSBCVidal SassoonLevi’sSamsungShiseido, and the Malaysian Tourist Board.

 

For more information: https://www.sherinewong.com https://umhk.lnk.to/3andMoreOD?lf_source=qr

https://lnk.bio/umhkinternational