Christian McBride & Ursa Major “Points of Light” October 30th #jazz #music

11x GRAMMY® Award-Winning
Christian McBride Announces Highly Anticipated Debut Album
From Newest Ensemble
Christian McBride & Ursa Major

Points of Light out October 30 via Mack Avenue Records
Produced by 8x GRAMMY® Nominated Terrace Martin

Ursa Major Is:
Saxophonist Nicole Glover, Guitarist Ely Perlman,
Pianist Mike King, and Drummer Savannah Harris

11x GRAMMY® Award-winning bassist, composer, and bandleader Christian McBride announced Points of Light, the debut album from his newest ensemble Ursa Major. The group features an extraordinary lineup of next-generation jazz musicians: saxophonist Nicole Glover, guitarist Ely Perlman, pianist Mike King, and drummer Savannah Harris. Produced by Terrace Martin (Kendrick Lamar, Snoop Dogg, Stevie Wonder, Herbie Hancock), Points of Light will be released on October 30 via Mack Avenue Records. Alongside the announcement, McBride has released his rendition of George Duke’s “No Rhyme, No Reason,” with incredible soundscapes and vocoder from Terrace Martin.

Over the years, Christian McBride has led a number of vibrant bands, each with its own singular identity — from the vintage acoustic jazz of Inside Straight and the boisterous swing of the Christian McBride Big Band to the classic rhythm section sound of the Christian McBride Trio, the experimental audacity of New Jawn, and his sweeping Civil Rights opus The Movement Revisited. But McBride found himself missing the anything-and-everything-goes freedom of a band that could weave together those multifarious strands. So in 2022, he began assembling the quintet that came to be known as Ursa Major, with that expansive vision in mind. “I had been itching to put together a new band, what I like to call a ‘hybrid band,’ for some time,” McBride explains. “I didn’t know at first what form that band would take, but I knew that it had to be a young band.”

The resulting quintet brings together drummer Savannah Harris, saxophonist Nicole Glover, guitarist Ely Perlman, and pianist Mike King — four young musicians McBride selected for their flexibility, fearlessness and individuality. Harris was recommended by a number of colleagues as someone who could bring the swing, funk and freedom McBride was looking for, while Glover came to his attention through the musicians’ grapevine as “one of the most heralded voices in jazz.” Perlman caught McBride’s ear at the Jazz Aspen Snowmass summer program, where he serves as Artistic Director, and King emerged as the unanimous recommendation of Harris and Glover when McBride asked them to suggest potential pianists.

Ursa Major’s debut album, Points of Light, captures the boundless spirit that has defined the band from the beginning. The title reflects the luminous individuality McBride sees in his bandmates. “I have four young stars here,” he recalls thinking. For the album’s sonic direction, McBride called in multi-instrumentalist, singer, rapper, and producer Terrace Martin, whose boundary-stretching approach bridges the band’s jazz foundation with McBride’s deep history across funk, soul, hip-hop, and pop. Martin captured the band’s live feel in the studio before adding a layer of studio wizardry alongside GRAMMY-winning producer and multi-instrumentalist Quintin Gulledge, incorporating synths, keyboards and vocoder without interfering with the sound, vibe and camaraderie the group had forged onstage. The album consists of original contributions from every member of the band, with the sole cover — George Duke’s 1992 single “No Rhyme, No Reason” — arising spontaneously from conversations in the control room.

“This album is basically an extension of what we’ve been doing live for the last four years,” McBride concludes. “It’s been fun to watch a band develop and grow and progress when everything is so wide open. They don’t say no to anything, which is a wonderful thing.”

Photo Credit: Evelyn Freja

Christian McBride & Ursa Major Tour Dates:

Sep. 12-13: San Francisco, CA – SFJAZZ – Miner Auditorium
Sep. 16-18: Tokyo, Japan – Blue Note Tokyo
Sep. 19: Takasaki, Japan – Takasaki City Theatre
Sep. 21: Kanazawa, Japan – Kanazawa Jazz Street Festival @ Akabana Concert Hall
Sep. 22: Noto, Japan – Ishikawa Nanao Art Museum – Art Hall
Sep. 24: Osaka, Japan – Billboard Live
Sep. 28-29: Athens, Greece – Gazarte
Sep. 30: Istanbul, Turkey – AKM İstanbul
Oct. 1-2: London, UK – Ronnie Scott’s
Oct. 4: Utrecht, Netherlands – TivoliVredenburg
Oct. 5: Heidelberg, Germany – Enjoy Jazz Festival
Oct. 6: Zurich, Switzerland – Moods
Oct. 7: Nancy, France – Nancy Jazz Pulsations
Oct. 21: Boston, MA – Berklee PAC
Oct. 22: Amherst, MA – Bowker Auditorium @ UMASS
Oct. 23-25: Richmond, VA – Modlin Jazz Fest
Oct. 26: Greensboro, NC – UNCG School of Music
Oct. 29: Athens, GA – UGA
Oct. 30: Palm Beach, FL – Glazer Hall

Follow Christian McBride:
Website – Facebook – Instagram – Twitter – YouTube

Keyboardist Bob Coate offers “Reflections” of gratitude and hope on new contemporary jazz single #jazz #music

Keyboardist Bob Coate entered the contemporary jazz space after retiring, bringing with him a grateful heart and an optimistic outlook for what lies ahead. That mindset fuels his invigorating new single, “Reflections,” which he wrote and is now garnering airplay across the globe.

 

In addition to Coate’s jubilant keyboard work, “Reflections” features saxophonist Peter Herold, who pours passion and joy into the track produced by Peet Ferencz and Sandy Shore. Ferencz adds guitar, piano, and drum programming, and the chemistry he and Herold bring to the production is sparked by their long-running collaboration in Peet Project, the Budapest-based pop‑jazz‑funk band.

 

While many people look back with sadness, regrets, or disappointment, Coate — a former information technologist — is forward‑thinking and brimful of confidence. He’s energized by the opportunity to compose and record music in a second career.

 

“The inspiration for ‘Reflections’ came from thinking about the many people, places, and experiences that shape our lives,” said Coate, who resides in Leesburg, Virginia near Washington, DC. “As I looked back on the journey that has brought me to this point—from my career and family to my unexpected later‑in‑life journey into contemporary jazz—I realized that memories don't have to be about sadness or longing. They can remind us how fortunate we've been, inspire gratitude for the moments we've shared, and give us confidence to embrace whatever comes next. I wanted to capture that feeling in music.”

 

A musical mixologist who blends contemporary jazz, chillout, and funk, Coate first appeared on the scene five years ago with the single “Super Smooth,” which spent five weeks on the Radiowave chart. After writing, recording, and releasing ten singles entirely on his own, Coate began collaborating with accomplished professionals, elevating his music to the next level. He first teamed up with GRAMMY®‑nominated producer SONIX (David Bowie, Lauryn Hill) for the single “Sasha.” Now, his collaboration with Ferencz is appearing on playlists around the world.

 

Composing and crafting singles rooted in melody and groove, Coate hopes his music connects in a meaningful way while lifting moods. His new single was conceived to foster appreciation for the past and eagerness for the promise of tomorrow.

 

“‘Reflections’ blends reflective, sometimes bittersweet melodies with an optimistic undercurrent, inviting listeners to look back with gratitude while moving confidently toward the future.”

 

For more information, visit www.bobcoate.com.

 

 

The Kensington Market Jazz Festival Returns September 18 -20 With Alex Bird, Hilario Duran, Robi Botos, Rich Brown, Jane Bunnett, Marc Jordan, Robert Priest + More #jazz #music

 

 

The Kensington Market Jazz Festival Returns for Its 11th Year, September 18 to 20, 2026, With First Artists Confirmed: Alex Bird, Hilario Duran, Robi Botos, Rich Brown, Jane Bunnett, Marc Jordan, Robert Priest

The Kensington Market Jazz Festival (KMJF) is coming back. Now in its 11th year, the festival returns to the streets, stages, patios and intimate venues of one of Toronto's most storied neighbourhoods on September 18, 19 and 20, 2026. More announcements are coming, but the festival is kicking things off with five of the biggest names in Canadian jazz: Alex Bird, Hilario Duran, Robi Botos, Rich Brown, Jane Bunnett, and book readings from Marc Jordan and Robert Priest, including the premiere of a new event – the Poetry Slam.

Since its inaugural weekend in September 2016, when over 200 Toronto musicians filled 9 Kensington Market venues and the Globe and Mail called it "wildly successful," KMJF has operated by a principle that sets it apart from every other festival in the country: Better, Not Bigger. No massive sponsorship infrastructure, no distant stadium stages. Instead, year after year, the festival brings hundreds of Canadian musicians into the cafes, courtyards, community halls and open-air patios of Kensington Market, including the new addition of the iconic El Mocambo, giving audiences experiences that feel genuinely intimate, spontaneous and alive. Over 11 years, KMJF has presented more than 500 Canadian artists across dozens of venues, powered entirely by over 100 dedicated volunteers and sustained by a community that believes deeply in what the festival represents.

KMJF was founded by Molly Johnson, O.C., collaborating with Tracy Jenkins of Lula Lounge and the 2025 Shaw Festival, and remains artist driven and volunteer powered in every sense of those words. Johnson, a two-time JUNO Award winner, Officer of the Order of Canada, Chevalier de l'Ordre des Arts et des Lettres and 2023 Governor General's Performing Arts Award recipient for Lifetime Artistic Achievement, grew up in Kensington Market and built the festival from a deeply personal vision of what a community arts event could be. "I started KMJF to showcase the cultural tapestry of our market," Johnson has said. "Your support makes this celebration possible."

That vision has never wavered, and as Johnson continues to be one of the most creatively active figures in Canadian music, her new EP 'Long Time Running' features a soulful reimagining of The Tragically Hip's iconic anthem alongside Jim Cuddy of Blue Rodeo, as well as a striking new collaboration with JUNO Award winning rapper Haviah Mighty, KMJF heads into its 11th year with its founder at full creative force.

The first five artists confirmed for 2026 reflect exactly the kind of connected, community-built lineup KMJF has always stood for, several with direct ties to Johnson herself. Two-time JUNO nominated vocalist Alex Bird brings his swinging take on the Great American Songbook to the festival alongside pianist Ewen Farncombe and The Jazz Mavericks, the duo behind Canada's Thanksgiving anthem, "The Sweetest Moments." Cuban born, Toronto based pianist Hilario Duran, a two- time JUNO winner and Grammy nominee who once succeeded Chucho Valdes in Cuba's famed Orquesta Cubana de Musica Moderna, returns to the festival alongside longtime collaborator Jane Bunnett, the five time JUNO Award winner, Order of Canada recipient and soprano saxophonist whose decades long exploration of Afro-Cuban jazz began the same year Duran first appeared on her JUNO winning album 'Spirits of Havana.' JUNO winning pianist Robi Botos, the last protege of Canadian jazz legend Oscar Peterson and Molly Johnson's own pianist of choice for close to 15 years, joins the lineup alongside acclaimed bassist and composer Rich Brown, JUNO nominated for his album 'Abeng' and another longtime collaborator of Johnson's, rounding out a first announcement built on the same web of relationships and mutual respect that has defined KMJF since its founding.

A typical KMJF weekend sees more than 100 Toronto-based Canadian musicians performing across 10 venues in over 100 shows, drawing upwards of 5,000 engaged audience members and generating meaningful foot traffic for the more than 240 independent businesses that call Kensington Market home. The festival's programming has always extended beyond performance, encompassing the KMJF Kids Music Series in the park sponsored by Long & McQuade, artist recording initiatives, seasonal music series and a busking programme that brings live music to corners of the neighbourhood that rarely see a stage. Tickets are available for cash at the door, ranging from $20 to $25, and audiences are always encouraged to arrive early: these are intimate shows, and they fill up.

Last year's 10th anniversary edition was a landmark moment for the festival, bringing together a lineup that included Jane Bunnett, Afro-Cuban piano master Hilario Duran, powerhouse vocalist Alana Bridgewater, JUNO winning reggae-jazz fusionist Jay Douglas and festival favourite Alex Pangman, among many others.

This year sees the return of a live painting by Jared Olsever made the 2025 weekend one the community will not soon forget. The 2026 edition builds on that momentum, and this first wave of artists is only the beginning.

As a registered charitable arts organisation since 2021, KMJF relies on the generosity of its community to keep the music going year after year. Donations above $25 are tax deductible and can be made at kensingtonjazz.com. Volunteers are also a vital part of everything the festival does. If you would like to be part of the team that makes KMJF happen, volunteer sign up is open now at kensingtonjazz.com.

This year's festival is made possible with the help of Canada Council, City of Toronto, Ontario Creates, Canada Life, Slaight Family Foundation, Long & McQuade, Yamaha, and KMBIA.

GRAMMY® winners and Billboard hitmakers help contemporary jazz guitarist Les Sabler shape ten songs for his tenth album, Ten, arriving October 9 #jazz #music

Contemporary jazz guitarist Les Sabler has spent the last two years building toward his milestone tenth album by releasing a series of singles crafted with GRAMMY®‑winning and Billboard chart‑topping producers. The aptly titled Ten arrives October 9.

 

Sabler began the project in 2024 with hitmaker Greg Manning, cowriting and producing three tracks that now anchor the album. Their first single, the funk‑charged “Hot Chicken,” is slathered in spicy horn section parts. It was followed by Sabler’s first Billboard No. 1 hit, “Patches’ Groove,” featuring trumpeter Michael “Patches” Stewart — a sultry, sophisticated cut that became Billboard’s No. 2 Smooth Jazz Song of the Year in 2025. The brisk and buoyant “Drive” completed the trio also climbed the charts.

 

A fourth Sabler–Manning collaboration, “Boomerang,” emerged from a second session shortly after the prolific run that produced “Hot Chicken,” “Patches’ Groove,” and “Drive.” It will be released as a single and begin collecting playlist adds on September 7.

 

“Greg and I came up with this song which started out with a completely different vibe,” said Sabler. “I left it alone for an extended time before revisiting it and came up with a different concept which Greg expanded on. We successfully reimagined the song, and it really came to life after Eric Valentine (drums), Mel Brown (bass), and Luis Conte (percussion) added their parts,” said Sabler.

 

Sabler then reunited with two‑time GRAMMY® winner Paul Brown (Boney James, Al Jarreau, Norman Brown), who produced his Tranquility (2021) and Flying High (2023) albums. Together with GRAMMY® nominee Brian Bromberg and Jeffrey Smith, they wrote “Café On The Square,” the mid‑tempo single that has already spent over six months on the charts, along with two additional tracks on Ten: “Once In A Lifetime” and the soulful R&B‑pop standout “Fly Away.”

  

To expand the album’s soundscape, Sabler sought fresh creative energy from Nelson Braxton, who has landed Billboard No. 1 singles as half of the Braxton Brothers.

 

“Expanding the sonic palette through a collaboration with Nelson added a brilliant new dimension to the project,” said Sabler, who cowrote “Corner Pocket” and “Sunset Comfort” with Braxton, who produced. Sabler reunites with pianist Allon Sams on “Corner Pocket” who appeared on his Bridge The Gap album

 

The album closes with “Serengeti,” which Sabler reimagined to pay tribute to legendary Canadian guitarist Sonny Greenwich, who he first saw perform in the late 70s.

 

“Completing this project with a tribute to Sonny Greenwich brings my journey full circle, as his music had a profound influence in my youth and continues to inspire my creative path today. I wanted to pay homage to Sonny for decades of inspiration, encouragement, and friendship,” said Sabler, who produced the track with Braxton (keyboards) and is joined by GRAMMY®-winning drummer Gregg Bissonette, upright bassist Brian Allen, pianist David Garfield, and Conte on percussion.

 

Across Ten, Sabler plays electric guitar with fervor — ripping runs and riffs with dexterity and alacrity. On “Sunset Comfort” and “Serengeti,” he shifts to expressive nylon‑string guitar and adds 12‑string acoustic textures on the latter. The album’s melodies are lively, its grooves soulful, and its production richly constructed.

 

Sabler grew up in Montreal, studying jazz at Concordia University before attending graduate studies at the University of Miami. He debuted in 1990 with Hidden Treasure and his breakthrough came with his third album, Bridge the Gap. The title track became his first No. 1 single in Canada and earned Album of the Year and Guitarist of the Year nominations at the Canadian Smooth Jazz Awards.

 

Throughout his career, Sabler has collaborated with elite musicians — GRAMMY® winners Jeff Lorber, Vinnie Colaiuta, and Jerry Hey, and GRAMMY® nominees Eric Marienthal and Alex Acuna. He has continually pushed himself creatively, from recording exclusively on nylon‑string guitars for Crescent Shores to singing in Portuguese on his elaborately orchestrated Jobim Tribute collection. Last year, Sabler’s music earned 6.6 million Spotify plays, contributing to more than 21.6 million streams to date.

 

With Ten complete, Sabler is eager to share the next chapter, which will be his first album available on vinyl.

 

“I am thrilled to share this album which features an immersive variety of songs that flow together seamlessly. It is deeply meaningful to me that I am continuing to create and release new music so vibrantly infused with inspiration.”

 

Ten contains the following songs:

 

“Drive”

“Boomerang”

“Corner Pocket”

“Hot Chicken”

“Patches’ Groove”

“Once In A Lifetime”

“Café On The Square”

“Sunset Comfort”

“Fly Away”

“Serengeti”

 

 

Pre-save Ten: https://myiesstore.com/lessabler/product/ten-digital-download/

 

For more information: https://lessabler.net  

Eva Cassidy – New Jazz Single “It Don’t Mean A Thing” #jazz #music

Eva Cassidy It Don't Mean A Thing (If It Ain't Got That Swing) Impacting September 18th, 2026 Format: Classical, Jazz

Get It Now!

Eva Cassidy Vocal With Sensational New Big Band Arrangement!   The first release from the forthcoming album JAZZED, It Don’t Mean A Thing (If It Ain’t Got That Swing) showcases Eva Cassidy at her most exhilarating. Long celebrated for her interpretations of folk, blues and contemporary classics, this remarkable new recording reveals another side of Eva's extraordinary artistry – a jazz vocalist of exceptional imagination, virtuosity and swing. Originally written by Duke Ellington and Irving Mills in 1931, the song is transformed by Eva's uniquely expressive voice and instinctive musicality, creating a performance that feels both timeless and entirely original. Her effortless phrasing, infectious sense of rhythm and joyful spontaneity reaffirm her reputation as one of the great interpreters of American song. Complementing Eva's tour de force vocal performance is a spectacular new big band arrangement by composer Christopher Willis. Instantly transporting listeners back to the golden age of American vocal jazz, the arrangement revels in the wit, energy and exuberance of the classic Sinatra era, drawing inspiration from the legendary work of Nelson Riddle and Billy May while allowing Eva's voice to remain firmly centre stage. It Don't Mean A Thing (If It Ain't Got That Swing) is the perfect introduction to JAZZED – an extraordinary new collection celebrating Eva Cassidy's jazz performances and her unique ability to transcend era, style and fashion. Timeless, joyful and irresistibly swinging, it offers a fresh perspective on one of the twentieth century's greatest songbooks while reminding us why Eva Cassidy remains one of music's most captivating voices.

 

New Single from Boney James & Ledisi "I Belong To You" on Concord Records / Concord #jazz #music

FOUR-TIME GRAMMY NOMINEE + MULTI-PLATINUM SAXOPHONE ICON BONEY JAMES ANNOUNCES MILESTONE 20TH STUDIO ALBUM  A SIMPLE MAN OUT OCTOBER 2 VIA CONCORD RECORDS BONEY JAMES SHARES NEW SINGLE “I BELONG TO YOU” FEAT. LEDISI IMPACTING NOW

Twenty albums into a career built on deep groove and a saxophone voice all his own, Boney James is still finding new ground. Today, the four-time GRAMMY nominee and multi-platinum saxophonist, composer and producer announces new album A Simple Man, arriving October 2 via Concord Records, alongside the new single and official music video “I Belong To You” featuring Ledisi. Vinyl editions of the album will be available November 6.

Boney James - I Belong To You feat. Ledisi (Official Music Video)   A warm, contemporary R&B duet, “I Belong To You” reunites James and Ledisi more than two decades after they first appeared together on the Luther Vandross tribute album Forever, For Always, For Luther. Co-written by James and Ledisi with BeatsMadeByFresh and Rex Rideout, the song pairs her commanding vocal with the expressive tenor playing that has made James one of instrumental music’s most recognizable voices. Its intimate video keeps the focus on that exchange, moving between the two artists against a dark, minimalist backdrop.

Produced by James, A Simple Man is a soulful collection shaped by his growing desire for clarity. The title began with a song, then became a reflection of how he now approaches both his work and his life: removing distraction so that the essential elements can come through more clearly. “I don’t need a lot of things to make me happy,” says James. “As I’ve gotten older, I’ve wanted to drop the extraneous things. The simple life is something I crave, and that spirit found its way into this album. A Simple Man is about getting closer to what feels essential, both in the music and in my life.”   That focus does not make the record restrained. Instead, it gives James room to move freely across the musical language he has spent decades developing, with R&B feeling at its center and jazz tradition always within reach. The album opens with “Dreams,” featuring a rare flute performance from James. “Morocco” brings him together with acclaimed trumpeter Marquis Hill for a layered meeting of live instrumentation and electronic texture. “The Midnight Sun” grew from a spontaneous soundcheck jam that James captured on his phone before rebuilding it in the studio.   Elsewhere, “The Wire” draws from the mood of 1970s soul soundtracks. Legendary guitarist Larry Carlton joins James on the Steely Dan-influenced “Storybook,” while Duke Ellington’s “In a Sentimental Mood” is reimagined over a supple, D’Angelo-inspired groove. The hopeful “Things Are Looking Up” and the nature-minded closing track “Birdsong” give the album a sense of forward motion.   James’ path to this point began on the road. After turning professional at 19, he spent years as a sideman, first touring with Morris Day before working with The Isley Brothers, Teena Marie, Randy Crawford, Ray Parker Jr., Sheena Easton and Bobby Caldwell. Between gigs, he made demos and developed a musical identity of his own, eventually stepping forward with his 1992 debut, Trust. The decades since have brought constant touring and an expansive run of collaborations, with James recording alongside artists including George Benson, Al Jarreau, George Duke, Faith Evans, Bilal, Lalah Hathaway, Raheem DeVaughn and October London. Those relationships reflect the breadth of his sound, as well as the deep foundation in R&B that has shaped his approach from the beginning.   That long road has produced a level of longevity few artists reach. James’ catalog now spans 20 studio albums and has generated more than two billion on-demand streams in the United States, along with four million U.S. album equivalents. His honors include four GRAMMY nominations, three NAACP Image Award nominations, four RIAA Gold-certified records and a Soul Train Award. In 2024, he became the first artist to score 20 No. 1 singles on the Billboard Smooth Jazz chart. Recent vocal collaborations have also extended his reach at Adult R&B radio, where he has earned two Top 10 hits.   James is currently performing across the country. Upcoming appearances include the Hollywood Bowl and Sony Hall, followed by dates at The Fillmore New Orleans, House of Blues Houston and Yoshi’s. Full routing is below.

Tour Dates: 8/7 – Louisville, KY – Louisville Jazz Festival 8/8 – Cincinnati, OH – Ludlow Garage 8/9 – Cleveland Heights, OH – Cain Park, Evans Amphitheater 8/30 – Los Angeles, CA – Hollywood Bowl 9/11–9/18 – Fort Lauderdale, FL – The Smooth Jazz Cruise 9/20 – Pensacola, FL – Pensacola Community Maritime Park 10/4 – Temecula, CA – Thornton Winery 10/16 – Rehoboth Beach, DE – Rehoboth Beach Jazz Festival 10/17 – Annapolis, MD – Rams Head On Stage 10/18 – Red Bank, NJ – Vogel Theatre at the Count Basie Center 10/23 – Newport Beach, CA – Hyatt Regency Resort 10/24 – Napa, CA – Blue Note Napa Summer Sessions at Meritage Resort 10/25 – Lancaster, CA – Lancaster Performing Arts Center 10/29 – Alexandria, VA – The Birchmere 10/30 – Lansdowne, PA – Lansdowne Theater 10/31 – Boston, MA – City Winery Boston 11/1 – New York, NY – Sony Hall 11/3 – Pittsburgh, PA – City Winery Pittsburgh 11/4 – Pittsburgh, PA – City Winery Pittsburgh 11/6 – Carmel, IN – The Palladium 11/7 – Fort Wayne, IN – The Clyde Theatre 11/8 – Chesterfield, MO – The Factory 11/12 – Hampton, VA – Hampton Roads Convention Center 11/14 – Charlotte, NC – Knight Theater 11/19 – Columbus, OH – Southern Theatre 11/20 – Detroit, MI – Sound Board at MotorCity Casino Hotel 11/21 – Chicago, IL – City Winery Chicago 11/22 – Chicago, IL – City Winery Chicago 11/24 – Minneapolis, MN – Dakota 12/4 – New Orleans, LA – The Fillmore New Orleans 12/6 – Houston, TX – House of Blues 12/11 – Seattle, WA – Dimitriou’s Jazz Alley 12/12 – Seattle, WA – Dimitriou’s Jazz Alley 12/13 – Seattle, WA – Dimitriou’s Jazz Alley 12/29 – Oakland, CA – Yoshi’s 12/30 – Oakland, CA – Yoshi’s 12/31 – Oakland, CA – Yoshi’s   BONEY JAMES ONLINE Official Website: https://boneyjames.com/ Instagram: https://www.instagram.com/boneyjames01/ Facebook: https://www.facebook.com/boneyjames YouTube: https://www.youtube.com/user/TheRealBoneyJames Twitter: https://x.com/boneyjames

Get It Now!

# Artist and Track Title Time 1. Boney James - I Belong To You [Feat. Ledisi] 03:59