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Thursday, May 30, 2019

Leon Redbone, An Unusual Singer From A Bygone Era, Has Died

Leon Redbone, the perpetually anachronistic, famously mysterious artist who rose to prominence as a performer on Toronto's folk circuit in the early '70s, died Thursday while in hospice care in Bucks County, Pa.
Redbone's family confirmed his death through a publicist. No cause was given, and Redbone's age was a subject of speculation for decades.
"I've heard he's anywhere from 25 to 60," Bob Dylan told Rolling Stone in 1974, "and I can't tell, but you gotta see him." That same year, when asked about his age by Rolling Stone, Redbone replied: "Of course I don't know. It's just something I vaguely recall. I can't say for sure." In the news release announcing his death, Redbone's age was cited as 127.
The only things known — ostensibly — of Redbone's origins were revealed by Toronto Star columnist George Gamester in the 1980s: that he was a Cypriot named Dickran Gobalian, who emigrated to Ontario in the 1960s and changed his name after arriving in Canada.
Redbone's obscurantist tendencies, including his ever-present, masking uniform of sunglasses, bushy mustache and Panama hat, gave Redbone the aura of a quixotic time-traveler, someone who simply stepped onto the stage fully formed.
And Redbone was a man happily — or at least, authentically — out-of-time. He played dusty classics — from Tin Pan Alley and ragtime to blues and country — with a loose fidelity, always anchored by his casually lovely and always wry voice.
Dylan's endorsement, made at the apex of his and Rolling Stone's cultural footprints, was a defining moment for Redbone and helped widened interest in him from stars of the era, including Bonnie Raitt and John Prine.
His commercial success, according to the Billboard charts, peaked in 1977 when the album Double Time reached the top 50 — helped, in part, by two performances during Saturday Night Live's debut season. But Redbone remained a cultural presence for decades, singing the theme song for '80s sitcom Mr. Belvedere and appearing as "Leon the Snowman" in the now-classic Christmas film Elf in 2003.
In 2015, Redbone announced his retirement from touring, with a rep citing health concerns. He followed that retirement up with another album, Long Way Home, composed of his earliest recordings and released by Jack White's label, Third Man Records.
When asked by NPR's Lynn Neary in 1984 whether he enjoyed his performances, Redbone responded with a wink: "I never have a good time ... but I try."
Source: NPR
https://www.npr.org/2019/05/30/728315252/leon-redbone-an-unusual-singer-from-a-bygone-era-has-died

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June Bisantz & Alex Nakhimovsky, "Love’s Tango" #jazz

This Latin/jazz CD is Brazilian in feel, and romantic in style. Love, in its many forms, is celebrated in these happy tunes, through bossa nova, samba, and one unique tango.

Vocalist JUNE BISANTZ has co-written and produced several collections of original vocal jazz, all of which have received national recognition.



She has toured internationally, most recently in Japan and South Korea, and has performed and recorded with distinguished jazz musicians including Steve Swallow, Bob Moses, Paul Brown, Lew Soloff, Jerry Neiwood, Mike Stern, Steve Davis & Will Lee. Reviews and articles about her work have appeared in publications including People Magazine, USA Today, JazzQuad.Ru, Jazziz Magazine, Jazz Podium Magazine, Jazz USA, the New York Times, New York Newsday & the Boston Globe.


The CD features bossa novas, sambas, a Rachmaninoff-inspired string quartet prelude and one unique tango, from which the project gets its name. Also featured along with the many accomplished musicians on this recording, are renowned trombonist Steve Davis and smooth jazz guitarist Norman Johnson.

Love’s Tango celebrates the many ways we experience love - romantically, exuberantly and philosophically - with its Latin rhythms, classical ideas and jazz improvisations, and has already received excellent reviews from publications including Audiophile, JazzWeekly, Staccatofy, All About Vocals, JazzQuad.ru, JazzSensibilities and others.


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Wednesday, May 29, 2019

Smooth Jazz Chart - Weekly Top 20 - May 27, 2019 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - The Rippingtons - "Open Road" - (Peak Records/EOne Music
2 - 2 - Norman Brown - "The Highest Act of Love" - (Shanachie Entertainment)
3 - 3 - Brendan Rothwell - "Sentiment" - (Independent)
4 - 6 - Paul Hardcastle - "Hardcastle VIII" - (Trippin 'N' Rhythem
5 - 4 - Kim Scott - "Free To Be" - (Innervision Records)
6 - 7 - Jazz Funk Soul - "Life And Times" - (Shanachie Entertainment)
7 - 13 - Jessy J - "Live At Yoshi's" - (Changi Records LLC)
8 - 8 - Eric Darius - "Breakin' Thru - (SagiDarius Music)
9 - 12 - U-Nam - "Future Love" - (Skytown)
10 - 10 - Jeff Ryan - "Embrace" - (Woodward Avenue)
11 - 5 - Keiko Matsui - "Echo" - (Shanachie Entertainment)
12 - 9 - Paul Brown - "Uptown Blues" - (Woodward Avenue)
13 - 22 - Cindy Bradley - "I'm All Ears" - Trippin 'N' Rhythm)
14 - 14 - Euge Groove - "Groove On" - (Shanachie Entertainment)
15 - 16 - Rheza Kahn - "Next Train Home" - (Painted Media)
16 - 11 - Blake Aaron - "Color And Passion" - (Innervision)
17 - 17 - Steve Oliver - "Illuminate" - (SOM)
18 - 25 - Walter Beasley - "Going Home" - (Affable)
19 - 21 - Adam Hawley - "Double Vision" - (Kalimba)
20 - 15 - Gregory Goodloe - "Stylin'" - (Hip Jazz)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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Sunday, May 26, 2019

A Memorial Day Worth Remembering



Andy Rooney On How Memorial Day Should Be Celebrated

The following is a weekly 60 Minutes commentary by CBS News Correspondent Andy Rooney.

"There is more bravery at war than in peace, and it seems wrong that we have so often saved this virtue to use for our least noble activity - war. The goal of war is to cause death to other people."



Tomorrow is Memorial Day, the day we have set aside to honor by remembering all the Americans who have died fighting for the thing we like the most about our America: the freedom we have to live as we please.

No official day to remember is adequate for something like that. It's too formal. It gets to be just another day on the calendar. No one would know from Memorial Day that Richie M., who was shot through the forehead coming onto Omaha Beach on June 6, 1944, wore different color socks on each foot because he thought it brought him good luck.

No one would remember on Memorial Day that Eddie G. had promised to marry Julie W. the day after he got home from the war, but didn’t marry Julie because he never came home from the war. Eddie was shot dead on an un-American desert island, Iwo Jima.

For too many Americans, Memorial Day has become just another day off. There's only so much time any of us can spend remembering those we loved who have died, but the men, boys really, who died in our wars deserve at least a few moments of reflection during which we consider what they did for us.

They died.

We use the phrase "gave their lives," but they didn’t give their lives. Their lives were taken from them.

There is more bravery at war than in peace, and it seems wrong that we have so often saved this virtue to use for our least noble activity - war. The goal of war is to cause death to other people.

Because I was in the Army during World War II, I have more to remember on Memorial Day than most of you. I had good friends who were killed.

Charley Wood wrote poetry in high school. He was killed when his Piper Cub was shot down while he was flying as a spotter for the artillery.

Bob O'Connor went down in flames in his B17.

Obie Slingerland and I were best friends and co-captains of our high school football team. Obie was killed on the deck of the Saratoga when a bomb that hadn’t dropped exploded as he landed.

I won’t think of them anymore tomorrow, Memorial Day, than I think of them any other day of my life.

Remembering doesn’t do the remembered any good, of course. It's for ourselves, the living. I wish we could dedicate Memorial Day, not to the memory of those who have died at war, but to the idea of saving the lives of the young people who are going to die in the future if we don’t find some new way - some new religion maybe - that takes war out of our lives.

That would be a Memorial Day worth celebrating.

Written By Andy Rooney © MMV, CBS Broadcasting Inc. All Rights Reserved.
This segment was originally broadcast on May 29, 2005.

Thursday, May 23, 2019

Pieces Of A Dream - "On Another Note" - Release on Shanachie 5/24/19 - #jazz

The fact that Pieces Of A Dream are already releasing their 24th album is a clear sign of consistency and popularity, which is particularly noteworthy in the field of smooth jazz. Pieces Of A Dream are Curtis Harmon (keyboards, drums, percussion) and James K. Lloyd (keyboards).



Both are joined on the new album by Tony Watson Jr.(sax), Chris Harris (guitar), Elec Simon (drums), Bennie Sims, George Granville, Tony Watson Jr. (keyboards) on selected tracks. Curtis and James have essentially shared the compositional work, with assistance also received from Tony Watson Jr. and Bennie Sims on some songs.

Since their album Peaces (1997) the group has solidified their style based on the still popular smooth jazz. On Another Note doesn't make a difference when James Lloyd quickly reaches into the piano keys to a groovy shuffle beat. James likes to shine with his virtuoso interludes. With Tony Watson Jr. on the saxophone, the sound becomes full and rounded.

Floating grabs immediately your attention with a high emotional dreamlike flow. Chris Harris on acoustic guitar and Tony Watson Jr. on sax eloquently define the romantic factor. Kickin' & Screamin' is a funky retrospective to the time of George Duke, Johnny "Guitar" Watson or George Clinton. Remarkable are Tony Watson's powerful sax including his superb horn arrangement and Chris Harris wild guitar performance delivering pure authentic Funk feelings.

We already know from his solo albums that James Lloyd is not only a gifted composer but also a true talent as a multi-instrumentalist. Take Me There gives an impressive testimony for it. Tony Watson Jr. and Curtis Harmon celebrate Latin American-inspired smooth jazz on A Pieces FiestaImages Of Peace meets the emotional vein from the selection of the instruments, the tune leading and the way of playing, simply a beautiful soothing melody.

Rolling Along is the aptly title of this typical James Lloyd piano piece with a toe tapping groove. Smooth Dreams is special because a total of four keyboardists are involved in the sound, while in the foreground saxophonist Tony Watson Jr. is the main interpreter. Tony also shoulders the next song Real To Me, where he even sings the chorus with Curtis. While Tony burns on the final Last Call, James showcases his skills anew with impressing piano runs.

Pieces Of A Dream's On Another Note is graced with flawless musicianship. Fresh music for the smooth jazz genre. Did we expect anything different from these both?

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Monday, May 20, 2019

Smooth Jazz Chart - Weekly Top 20 - May 20, 2019 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - The Rippingtons - "Open Road" - (Peak Records/EOne Music
2 - 2 - Norman Brown - "The Highest Act of Love" - (Shanachie Entertainment)
3 - 7 - Brendan Rothwell - "Sentiment" - (Independent)
4 - 5 - Kim Scott - "Free To Be" - (Innervision Records)
5 - 3 - Keiko Matsui - "Echo" - (Shanachie Entertainment)
6 - 6 - Paul Hardcastle - "Hardcastle VIII" - (Trippin 'N' Rhythem
7 - 4 - Jazz Funk Soul - "Life And Times" - (Shanachie Entertainment)
8 - 8 - Eric Darius - "Breakin' Thru - (SagiDarius Music)
9 - 9 - Paul Brown - "Uptown Blues" - (Woodward Avenue)
10 - 10 - Jeff Ryan - "Embrace" - (Woodward Avenue)
11 - 13 - Blake Aaron - "Color And Passion" - (Innervision)
12 - 14 - U-Nam - "Future Love" - (Skytown)
13 - 16 - Jessy J - "Live At Yoshi's" - (Changi Records LLC)
14 - 11 - Euge Groove - "Groove On" - (Shanachie Entertainment)
15 - 12 - Gregory Goodloe - "Stylin'" - (Hip Jazz)
16 - 17 - Rheza Kahn - "Next Train Home" - (Painted Media)
17 - 21 - Steve Oliver - "Illuminate" - (SOM)
18 - 26 - LEBRON - "Undeniable" - (Trippin 'N' Rhythm)
19 - 23 - Darren Rahn - "Moxified" - (Side 2 Music)
20 - 19 - Brian Simpson - "Something About You" - (Shanachie Entertainment)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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Thursday, May 16, 2019

BT ALC Big Band "The Search For Peace"


Part Superfly, part Cotton Club. Part James Brown, part Count Basie. All rhythm, all groove. Meet BT ALC Big Band (https://btalc.com), the 19-piece outfit on a quest to put a fresh spin on the art of big band jazz orchestras by adding funk to the horn-powered sound. The high-energy collective that also makes music education part of their mission drops “The Search For Peace” this Friday. The album release will be celebrated Friday evening with two sold-out concerts at City Winery in Boston.


Brian Thomas and Alex Lee-Clark lead BT ALC Big Band, flexing the muscle of five saxophonists, four trumpeters and four trombonists in its high-octane arsenal. Thomas and Lee-Clark wrote the music on “The Search For Peace,” which incorporates some African funk and reggae/ska in the mix of what the duo call “big band funk.” Soulive’s Alan Evans produced the collection, taking an old-school, 1960s-70s approach with the objective of showcasing the band’s combustible raw energy. The retro sound was created by putting the entire band in the same recording studio and letting them loose on the seven tunes, using one omnidirectional microphone to record the tracks live.

For Thomas and Lee-Clark, their goals for BT ALC Big Band are two-part: revive and expand the possibilities for big bands, making them relevant again and move the art form forward through music education. In addition to making their charts available for study, the two musicians are busy clinicians throughout New England, teaching, conducting workshops and performing with students.             

After Friday’s album release concert, BT ALC Big Band will begin a monthly residency on May 20 at Sally O’Brien’s near Boston with shows booked through September. Their roots in the area are deep with Thomas and Lee-Clark having met while studying music at UMass Amherst. Their band dropped its debut album, “Superhero Dance Party,” in 2013 followed by the two-volume “The Herd Sessions” three years ago. The new record takes its name for “everyone's personal struggle to find peace in their own lives and with each other, specifically in this moment in history. There's so much instability as ‘the future’ is being formed around us in real time, and it can feel like you don't have a say in any of it - politically, economically, environmentally or any other aspect of the human experience. ‘The Search For Peace’ is really about the struggle to find your own corner of stability in an unstable world.”

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Tuesday, May 14, 2019

Back on a limitless mission: classical pianist Victoria Fatu resumes her career with her Los Angeles debut on May 22


She’s performed for seven presidents, the Pope and Queen Elizabeth, but never a full-scale concert in Los Angeles. A year after making her Carnegie Halldebut, award-winning classical pianist Victoria Fatu will make her West Coast premiere on May 22 when she plays Boston Court Pasadena at an invitation-only VIP showcase and she will do so with a personal agenda. After being told by a host of classical music powerbrokers - including top agencies and promoters - that her career was finished when she took a hiatus to have children, the Russian-trained artist of Armenian descent returns to centerstage determined to pick up where she left off ten years ago in defiance of out-of-date industry practices.  

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With support from Steinway & Sons Pasadena, Fatu has crafted a solo piano repertoire for the evening with the theme of reflection. The captivating redhead has a personal connection to each composition that she will perform, the stories of which will be shared during the recital as part of her “different approach to the classical music ethos.” Charismatic and gregarious by nature, Fatu loves to talk, which is seldom done on classical music stages. She thrives on interacting with audiences and improvises her between song monologues injected with humor. A passionate and physical performer, her goal is for audiences to leave her concerts inspired.

“One of the pieces that I’ll be performing represents that it is never too late to begin something great later in life. This program was carefully curated to represent my life’s journey - my joys, struggles and the pain I’ve faced and overcome. The music stirs reflection, what I represent and my life experiences. I am determined to break the standards and challenge my mind and body to its limits. My motto and the sentence I use to describe myself is ‘Limitless in the world of limitations,’” said Fatu, who moved to Los Angeles last year after her then five-year-old daughter, Sophie Fatu, stole the show when singing jazz standards on “America’s Got Talent,” “Ellen,” and “Little Big Shots.”   

Fatu earned her bachelor’s and master’s degrees at the Moscow State Conservatory. She has won a slate of international competitions and received multiple grants from major music foundations in the US, Russia, Ukraine and Armenia, and was added to the “Golden Book of Russian Federation” by the President. Fatu would like classical music to be a timeless artform without all the conservative restrictions like having to dress a certain way or play a certain way. Her Instagram (@victoriafatu) page is filled with bright photos of the magnetic beauty, both alluring and maternal, which are a far cry from the image typically associated with her genre.

“I want to be the first female classical pianist who is uncompromising when it comes to career and family. I can fully share what I have to give to the world creatively while loving and raising my children.”   

For more information about Fatu, please visit https://www.extraordinaryartists.com/artists-page. The May 22 performance begins promptly at 7:30pm after a VIP reception that starts at 6:30pm. Boston Court Pasadena is located at 70 N. Mentor Avenue in Pasadena, California.


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Gerry Gibbs’ Sonic Masterpiece Our People To be released on June 7, 2019 #jazz

“[Our People] sounds like the soundtrack to the heavens opening up the gates! My brother Gerry is always pushing the envelope and being unapologetically himself!” - Robert Glasper


“It’s a beautiful journey and a really enjoyable listen… very well thought of and fun!” -Thundercat

Whaling City Sound is pleased to announce the June 7th, 2019 release of Our People, the 12th album as a leader from renowned drummer/composer Gerry Gibbs. With the commercial success of Gibbs’ last four solo records (all of which reached #1 on the international jazz radio Jazz Week charts), Gibbs took some advice from legendary pianist Billy Childs who simply asked Gibbs “Why don’t you make your next album doing whatever you want?”  With this ideology in mind, Gibbs recorded an epic, genre-defying masterwork, unlike anything the multi-instrumentalist has ever produced before. The result is a magnificent sonic tapestry that pays tribute to our worlds’ many cultures and people over the course of 19 compositions.

Our People sounds like a full orchestra but is, in fact, the work of five gifted multi-instrumentalists, two of which are part of Gerry’s versatile Thrasher People band. Acting as the principal soloist on the album, Alex Collins plays several keyboard parts as well as the marimba, vibes, soprano and alto saxophone, acoustic guitar, accordion, lead and background vocals and percussion. Gianluca Renzi performs all bass and string parts as well as background vocals and miscellaneous percussion. Gerry himself recorded all percussion parts (drum set, congas, timpani) as well as auxiliary percussion, glockenspiel, electronic soundscapes, keyboards, and some vocals. In addition to composing and performing on Our People, Gibbs engineered and mixed the tracks himself. Rounding out the group are two very special guests: Mayu Saeki, who performs all woodwind parts, vocals and percussion, and Kyeshie Gibbs, who, alongside Saeki and Collins, contributes the majority of the vocal parts with some percussion.

Extraordinarily, these five artists are responsible for a total of 40 instruments on Our People. A true labor of love, Gibbs spent two consecutive 16-hour days composing and arranging all 19 compositions for different instruments, including an impressive vocal choir.

While Our People harkens back to the classic jazz-rock albums created by Chick Coreain the late 70’s, the influences present run the gamut.  “We all channeled all the people that we, collectively, have known from all over the world. We were influenced by everyone’s different ethnicities, heritages, life experiences, culture, and customs, as well as the time periods they came from,” said Gibbs. In short, Our People is a celebration of diversity, and the many influences that are reflected within the jazz idiom.

Our People pays homage to artists who have brought their own singular sound to the artform. Dedications include: 
  • “Scene 3 (Music from the Universe)” to Peter Erskine
  • “Scene 7 (Oh Yeah!)” to Pharaoh Sanders
  • “Scene 10” to Chick Corea, and named after him
  • “Scene 15 (Mike & Lenny)” to Mike Clark & Lenny White
  • “Scene 13 (Flying on The Wings of Fantasy)” to Wayne Shorter.
Additionally, one can’t help but hear the influence of iconic vibraphonist Roy Ayers in the serene vibes solo section in “Scene 3 (Music from the Universe),” and the funky HeadHunters influences on “Scene 6 (The Streets).”  The title track: “(Scene 4) Our People,” features a virtuosic vibraphone melody expertly performed by Collins.  Steeped in metric modulation and intense polyrhythmic interplay, the intensity cannot be understated. Kyeshie Gibb’s vocals impress, driving the finely tuned operatic harmonies over the rhythmic invention of the stellar rhythm section.  The amalgamation of styles and influences create a universally significant sound that seems to transcend genre.

While paying homage to an array of living legends of the art form, and exploring musical influences from around the globe, Gerry Gibbs’ new album makes an important statement about unity and the human condition and reminds the listener that we should view all people as “Our People.”

More about Gerry Gibbs
Gerry Gibbs is a Grammy-nominated drummer, producer, bandleader, composer & arranger. Gibbs has released 12 albums as a leader.  His first, back in 1996, Gerry Gibbs Sextet – The Thrasher featured saxophonist Ravi Coltrane with Quincy Jones as executive producer and his second release First Visit, with the Third Trio from The Sun, featured 7-time Grammy winning producer Greg Kurstin (producer of Adele’s megahit “Hello”). More recently Gibbs released Gerry Gibbs & The Thrasher Dream TrioWe’re Back and Live In Studio which featured jazz luminaries Ron Carter & Kenny Barron. These celebrated trio recordings featured many special guests including Cassandra Wilson and Roy Hargrove. In 2014 and 2015, all three trio recordings topped the National Jazz Radio Charts; spending 15 weeks between the three CD’s at #1 while The Thrasher Dream Trio received a Grammy nomination in 2014. In November 2015 The Gerry Gibbs Thrasher Dream Trio once again returned to #1 on the Jazz Week Jazz Charts as the most played jazz CD across the country for several weeks.  After performing with this legendary trio, Gibbs created the Thrasher People band with the release of the double CD Weather or Not, that featured Gibbs’ acoustic jazz arrangements of Weather Report compositions as well as original material.  Regarding the group’s seminal project, Wayne Shorter, co-founder of the legendary Weather Report exclaimed, “Nice to hear graphically arranged material of Weather Report. Keep up with your creative mission!” Gibbs is excited to continue his creative mission with Thrasher People with the upcoming release of Our People.

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Monday, May 13, 2019

Smooth Jazz Chart - Weekly Top 20 - May 13, 2019 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - The Rippingtons - "Open Road" - (Peak Records/EOne Music
2 - 2 - Norman Brown - "The Highest Act of Love" - (Shanachie Entertainment)
3 - 3 - Keiko Matsui - "Echo" - (Shanachie Entertainment)
4 - 4 - Jazz Funk Soul - "Life And Times" - (Shanachie Entertainment)
5 - 6 - Kim Scott - "Free To Be" - (Innervision Records)
6 - 7 - Paul Hardcastle - "Hardcastle VIII" - (Trippin 'N' Rhythem
7 - 5 - Brendan Rothwell - "Sentiment" - (Independent)
8 - 8 - Eric Darius - "Breakin' Thru - (SagiDarius Music)
9 - 9 - Paul Brown - "Uptown Blues" - (Woodward Avenue)
10 - 13 - Jeff Ryan - "Embrace" - (Woodward Avenue)
11 - 15 - Euge Groove - "Groove On" - (Shanachie Entertainment)
12 - 24 - Gregory Goodloe - "Stylin'" - (Hip Jazz)
13 - 14 - Blake Aaron - "Color And Passion" - (Innervision)
14 - 10 - U-Nam - "Future Love" - (Skytown)
15 - 11 - Adam Hawley - "Double Vision" - (Kalimba)
16 - 37 - Jessy J - "Live At Yoshi's" - (Changi Records LLC)
17 - 19 - Rheza Kahn - "Next Train Home" - (Painted Media)
18 - 17 - Brian Bromberg - "Thicker Than Water" - (Mack Avenue Records)
19 - 32 - Brian Simpson - "Something About You" - (Shanachie Entertainment)
20 - 16 - Julian Vaughn - "Black Dynamite" - (Trippin 'N' Rhythm)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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Esperanza Spalding's "12 Little Spells" Released on Concord Records - #jazz

Esperanza Spalding has released her “truly intoxicating” (NY Times) new project 12 Little Spells (Concord Records).  It is available in physical and download formats for the first time and arrives with an additional four new song-spells that were recently recorded.  For this album, Spalding conjured a series of song-spells inspired by parts of the body as an exploration of the healing powers of art.  A new music video, for “Lest We Forget,” has debuted. 

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She will also discuss the new project and her career with award-winning actor, playwright, and professor Anna Deavere Smith at The Strand Rare Book Room in New York City on Friday, May 17, at 7PM: https://www.strandbooks.com/event/esperanza-spalding
12 Little Spells was first penned by Spalding while on a writing retreat at a castle in Italy.  She recorded the album with her band in just a few days, and then released each spell with its own video on her Facebook, Instagram and YouTube pages over the course of 12 days.  The videos have garnered a combined 4 million views and counting to date.  In November and December she unveiled a completely new live concert – with a customized stage design, gowns designed for her by Diego Montoya, choreography and projected images – limited to just 12 performances.
After 12 Little Spells was released on streaming services in October, it appeared on several Best Of 2018 lists including NY Times, Rolling Stone and Billboard, and received effusive praise.
Order 12 Little Spells, including packages that range from signed test pressings and USB drives, colored vinyl and more: http://esperanzaspalding.limitedrun.com/
Watch a recent performance on the public radio show Live From Herehttps://www.youtube.com/watch?v=FkzS0qPUJ3Q
PRAISE FOR ‘12 LITTLE SPELLS’
“Truly intoxicating”
New York Times / Top Albums and Best Jazz Albums of 2018
“[Spalding] is well over a decade into one of the most fruitful and strikingly original
careers in contemporary pop…the conceptual hook of 12 Little Spells only hints at
the radically inventive nature of the songs themselves”
Rolling Stone / Best Albums of 2018
Best Jazz of 2018 – Billboard
“Magic…pure imagination and also incredibly tactile” – NPR Music
“Spalding unearths a haunting, R&B-styled side” – Time Magazine
“‘12 Little Spells’ joins a long line of her goddess foremothers in their innovation” – Paste“The sound of a woman conjuring the contradictions, beauty, strangeness, and power
of her body is deeply moving and very possibly magic” – Boston Globe
“Pure magic” – Mother Jones
“Dazzling” – Essence
“Esperanza’s most appealing album yet” – Brooklyn Vegan
12 Little Spells track list including 4 new bonus spells:
  1. 12 Little Spells – Thoracic Spine
  2. To Tide Us Over – Mouth
  3. Til the Next Full – Eyes
  4. Thang – Hips
  5. Touch in Mine – Fingers
  6. The Longing Deep Down – Abdominal Portal
  7. You Have to Dance – Feet
  8. Now Know- Solar Portal
  9. All Limbs Are – Arms
  10. Readying to Rise – Legs
  11. Dancing the Animal – Mind/Brain
  12. With Others – Ears
  13. Lest We Forget – Blood
  14. How To – Hair
  15. Move Many – Joints
  16. Ways Together – Shoulders

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Friday, May 10, 2019

The Philippe Saisse Trio’s “The Body and Soul Sessions” remastered for release on vinyl, CD and digital on June 21. #jazz

Back in “Sessions”
The Philippe Saisse Trio’s hit-filled “The Body and Soul Sessions” gets remastered by
Grammy winner Colin Leonard for release on vinyl, CD, and digital on June 21.

An acoustic jazz trio and a multiple Grammy-winning mastering engineer who has plied his deft touch to records by Alessia CaraJay-ZJustin BieberKhalid, and others totaling over 100 million in album sales may seem like strange bedfellows at first. But keyboardist Philippe Saisse has a history with Colin Leonard dating back a few years and now calls upon him to master all his recording projects. Leonard had been itching to get into a vinyl release after having recently acquired a lathe cutting machine that presses vinyl albums thus Saisse’s idea to revisit his trio’s 2006 release, “The Body and Soul Sessions,” instantly intrigued Leonard. The remastered album drops June 21 for the first time on vinyl and will also be available as a CD and in digital form on the Bandar-Log Music label.       
An eclectic collection of a dozen pop, R&B and jazz covers, “The Body and Soul Sessions” spawned four singles, including No. 1 hits “Do It Again” and “September.” With Saisse’s spirited and nimble piano, Fender Rhodes and keyboards, David Finck’s bouncy and probing acoustic bass, and Scooter Warner’s crackling drum and percussion rhythms, Saisse describes the swinging, buoyant Goh Hotoda-produced set as “a fun, party record that was a really successful album.” Revamping the mix of contemporary and straight-ahead jazz for release on vinyl required editing and sacrifice.

“A vinyl album can only contain twenty minutes of music per side and the original album was fifty minutes long. We had to remove one song (“The Dolphin”) and edit each track to get the album down to forty minutes. As it turned out, the limitations of the technology actually made it a better, more concise album,” said Saisse, who first tapped Leonard to master his trio’s 2017 album, “On The Level.”

All twelve songs appearing on the original version will be on the CD and digital release of “The Body and Soul Sessions Remastered.” Later this month, the disc’s groovy, 1960s retro “Constant Rain” will be serviced to radio and online outlets for playlist adds.

Part of what inspired Saisse to reboot the album came from his desire to keep the good times going after working the past couple years with Grammy-winning guitar legend Nile Rodgers of Chic. Saisse wrote, produced and played keys on a song called “State of Mine” with Rodgers for the debut album by The Allen Carman Project, “Carmanology,” a project Saisse developed and produced with percussionist Gumbi Ortiz that was released last month. Rodgers liked the song so much that he included it on Chic’s 2018 album, “It’s About Time,” swapping out the original rhythm tracks for Chic’s rhythm section.

The French-born, Los Angeles-based Saisse was a Grammy nominee for his 2011’s contemporary jazz outing, “At World’s Edge.” His first recording date was 40 years ago with jazz fusion guitar giant Al Di Meola with whom he has continued to tour throughout the years. Saisse launched his solo recording career in 1988 with “Valerian.” The busy keyboardist-composer-producer has forged a unique and diverse career working with superstars David Bowie and The Rolling Stones, touring the globe in astute power trio PSP with Simon Phillips and Pino Palladino, and crafting tracks and albums for contemporary/smooth jazz royalty Dave KozKirk WhalumPeter WhiteRick BraunMarc Antoine, and BWB among many more. Known for his sweeping arrangements and cinematic compositions, Saisse pens music for film, video games, commercials and television such as “Madam Secretary” and the Jesse Owens biopic, “Race.”       

“The Body and Soul Sessions Remastered” contains the following songs:

“Do It Again”
“September”
“Lady Madonna”
“Harley Davidson”
“Lovely Day”
“Fire and Rain”
“Constant Rain”
“The Dolphin”
“Comment Te Dire Adieu”
“Body and Soul”
“We’re All Alone”
“If I Ever Lose This Heaven”
                     

For additional information, please visit https://www.philippesaisse.com.

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