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Friday, August 07, 2020

Guitarist Norman Brown to Release New Album “Heart to Heart” on Aug. 7th, 2020 | LISTEN to New Single “Heading Wes”! #jazz

GRAMMY WINNING GUITARIST NORMAN BROWN OFFERS A HEART TO HEART EVOKING PRINCIPLES OF UNITY ON NEW RECORDING OUT AUGUST 7, 2020

“I wrote and recorded Heart To Heart as a message to my fellow Beings to remember that the essential quality of our nature was made divine, as one race, governed by one world. We must abandon the perception that we are made to exist independently, therefore, not unified, divided by selfishness, creating greed to fulfill our quest for survival,” explains the multi-platinum selling, chart-topping and Grammy award-winning guitarist Norman Brown. Norman whose love affair with the guitar began at age eight was dubbed by George Benson as “one of the greatest and most articulate guitarists out there.” Brown’s charisma and versatility has afforded him the opportunity to collaborate with a cross-section of Jazz and R&B stars including George Benson, Brian McKnight, Kirk Whalum, Jeff Lorber, Miki Howard, Gerald Albright, Rick Braun, Peabo Bryson, and Chanté Moore, to name a few. At a time where there is so much divisiveness, Norman Brown asks each of us to search within to recognize our own divine light and to receive the divine wisdom that surrounds us every day. “All of us are made from the same source making us interconnected, interrelated and therefore interdependent,” shares the Atlanta based musician. “We have to exchange love, Heart To Heart in order to achieve world salvation and loving peace on earth.” At the core of Brown’s work based on the principles of universal law, wisdom from the Ancient Egyptian Spiritual System “The Paut Neteru Of Anu,” The Tree of Life which focuses on peace, truth, balance, order, harmony, morality and justice. Brown’s spiritual way of being is undoubtedly an attribute that has endeared him to an ever-growing and devoted fan-base. He affectionately calls his fans Normantics!




On August 7, 2020, Shanachie Entertainment will release Heart To Heart, Norman Brown’s 12th recording as a leader and third for the label. Shanachie Entertainment VP of Jazz A&R, Danny Weiss, states, “At the risk of being blasphemous, Norman is the true successor to Wes Montgomery and George Benson. Like them, he’s a jazz musician of the highest order, but you hardly notice because you’re having so much fun listening to him.” Heart To Heart is a gorgeous collection of originals composed by Brown and various album personnel, that fuse the best elements of Jazz, R&B, Pop, Blues and beyond. It is a soul-stirring and heart-warming journey fitting for this time of uncertainly. The introspective guitarist says, “We have been given the golden opportunity of having the Earth stop. We all have wanted to stop the grind and catch our breath, refresh our thoughts and learn something new. This halting of everything is really the silver lining and an opportunity to find our ‘Master Key’ to the rich quality this life blesses us to experience.”
Heart to Heart is an all-star affair that affirms the adoration and respect that Norman Brown holds amongst his peers. Great bandleaders are like chemists. They go into the laboratory and utilize all the right elements in order achieve the desired outcome. It is knowledge and cooperation working in the highest order. With this dynamic in mind, Brown assembled an enviable collective of creative spirits to bring to life Heart To Heart. Brown’s special formula follows the golden rule. “What I do to you, I in turn do to myself,” explains Norman. “Let’s take care of each other through the acknowledgement that we must treat one another in joyful peace and with acts of giving unconditional love.” Heart To Heart joins Brown with guitarists Peter White and Paul Brown, keyboardists Jeff Lorber, Chris “Big Dog” Davis, Gregg Karukus, Phil Davis, Lew Laing and Jeff Carruthers, bassist Roberto Vally, Tres Gilbert, Lee Thornberg, Sean Michael Ray and Nate Kearny, drummers Lil’ John Roberts, Gary Novak, Sonny Emory and Teddy Campbell, saxophonists David Mann and Greg Vail and percussionist Lenny Castro. Brown shares that each individual played a significant role in bringing the album to fruition. “It was an honor and pleasure to be joined by all of these divine beings who nourished the music and brought the perfect seasoning to this album.”
My Dad loved Wes (Montgomery) and inspired me to learn that style by allowing me to have the car on Saturday night if I learned his favorite Wes tunes like ‘Bumping On Sunset’ and ‘Down Here On The Ground.’ Frankly I would have learned them based on my own love of his playing. His technique, beautiful chord soloing and his signature octave expression was wonderfully original and innovative.” – Norman Brown
Heart to Heart opens with the recording’s first single “Heading Wes,” a tribute to Brown’s father as well as the iconic guitar hero Wes Montgomery, who transformed the language of guitar harmonically, melodically and technically. “My Dad loved Wes and inspired me to learn that style by allowing me to have the car on Saturday night if I learned his favorite Wes tunes like ‘Bumping On Sunset’ and ‘Down Here On The Ground,’ recalls Norman. “Frankly I would have learned them based on my own love of his playing. His technique, beautiful chord soloing and his signature octave expression was wonderfully original and innovative.” The intoxicating sway and melodic beauty of the album’s title track features fellow guitarist Peter White, who Brown refers to as “a joyously gentle journeyman.” Brown shifts gears for the euphoric up-tempo and smoking “Unconditional,” highlighting and penned by keyboardist Jeff Lorber whose energetic creativity Brown says is “perpetually gifting us timeless ideas.” Another standout on the album is the moving and devotional gem “Amen” co-written with hit making producers Vassel Bedford and Chris “Big Dog” Davis (who is featured on keys). Norman by the way returns the favor and appears on Davis’ new Shanachie release Focus.
Heart To Heart showcases the genius and flair that has landed Norman Brown at the top of the charts time and time again on the finger snapping “Just Groovin.” Norman wrote the song with fellow guitarists Paul Brown and Jeff Caruthers, who both join him on the composition. The beautiful “Brighter My Light Shines,” co-written with keyboardist Phil Davis, is the perfect example of the timeless anthems Brown is known for. He wrote the latter with keyboardist Phil Davis who is also showcased on the memorable tune. The radiant grace and sweetness of this song kisses you every note. David Mann offers a gritty horn arrangement to the funky “She’s Mine” which shines a spotlight on Brown’s agile blues chops and sharp-witted hooks. Brown’s crisp articulation and funk-laced lines take center stage on “I Miss Your Groove,” offering another view of the blues that will have you saying “Mercy, Mercy, Mercy!” Norman conjures up a dipping bronze sun, disappearing behind a crimson sunset while the salted air gently caress your cheeks on “Ocean Breeze,” co written by Jeff Lorber. The guitarist also urges us to “Keep The Faith” with the forward momentum groove of his stunning original. “Faith is the substance of things not yet seen but the evidence of things to come. Part of this energy aids in the law of attraction,” declares the guitarist. A reward to taking the journey on Heart To Heart is the surprise ethereal and rock-tinged track “Outside The Norm,” featuring the keys of Phil Davis and drums of Lil’ John Roberts. But then again, not a surprise from a man who can play it all!
Watching his older brother play, Norman was stopped by the energy radiating from the musical sound of what he now calls his “Spirit Catcher,” the stings on his guitar. Waiting for his brother “Popsicle” to leave, Norman couldn’t wait to get his hands on his brother’s six string carefully stored in the closet. Influenced early on by Jimi Hendrix and the Isley Brothers, it was not long before Brown was drawn in by one of his father’s favorite guitarists, Wes Montgomery. A graduate of the Musician’s Institute in North Hollywood, where Brown would go on to teach, the guitarist landed his first deal, as the flagship artist debuting his career and launching Motown’s Mojazz label. In 1992, he recorded the albums Just Between Us, the Gold selling, Soul Train award winning After The Storm and Better Days Ahead. Having recorded a string of successful albums including 1999’s Celebration (in which he teamed up with Paul Brown), 2002’s Just Chillin’ (featuring vocalists Michael McDonald, Miki Howard and Chanté Moore) scored a Grammy win. The same year, Brown joined forces with saxophonist Kirk Whalum and trumpeter Rick Braun forming the group BWB, recording their debut album Groovin’. In 2013 they released Human Nature, a tribute album to Michael Jackson, that was followed by their third collaboration BWB in 2016. Brown continued a trail of critically heralded albums including West Coast Coolin’ (2004), Stay With Me (2007), Sending My Love (2010) and Grammy nominated 24/7 with saxophonist Gerald Albright. 2017 saw the release of Norman Brown’s anticipated and well-received Shanachie debut, Let It Go and The Highest Act Of Love followed in 2019.
Brown concludes, “Heart To Heart is the greatest power we can harness. This dialogue empowers each person in the entire world to win! It’s all about the power generated from learning the lessons of spiritual growth that helps us to achieve the goal of evolution which is the enjoyment of life.” Brown’s new recording is vital listening for our current times. Its message rings loud and clear and is a reminder that even though we may be “socially distance” we are indeed together and need one another now more than ever.
Shanachie Entertainment


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Thursday, August 06, 2020

The Carr Center Presents Terri Lyne Carrington and Danilo Pérez in "Duets" Concert Streaming LIVE 8/8/20 @ 8PM ET

JazzCorner is very pleased to begin our new relationship with The Carr Center starting with streaming LIVE Terri Lyne Carrington and Danilo Pérez in performance on our Facebook page on Saturday August 8 starting at 8PM ET.

Fresh off her 2020 Downbeat Critics Poll triple win as Jazz Artist of the Year, Jazz Album of the Year and Jazz Group of the Year, The Carr Center's Artistic Director Terri Lyne Carrington performs with the GRAMMY® Award winning and Smithsonian Legacy Artist, jazz pianist, Danilo Perez in a very special musical collaboration which includes original compositions and arrangements by both artists. Among the music they'll be performing will be; "Beloved (for Toni Morrison),” "Alternate Reality," a Pérez composition written in honor of Dr. Angela Davis, and the performance debut of a composition written by Terri Lyne Carrington celebrating Charlie Parker’s centennial entitled, "Elk Dreams."

Co-presented by the Chamber Music Society of Detroit and DPTV/Detroit Performs. While this concert is FREE and can be viewed worldwide, we ask if you can please register here




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Wednesday, August 05, 2020

WORLD-RENOWNED KEYBOARD ARTIST AND PRODUCER DAVID GARFIELD SET TO RELEASE “SIR CHARLES” #jazz

First single from the upcoming star-studded album
Stretchin’ Outside The Box features guitarist Grant Geissman (“Feels So Good”) 
and saxophonist Brandon Fields (The Rippingtons)
Track premiere for “Sir Charles” at JAZZIZ
For Immediate Release – “Sir Charles,” the new single from famed keyboardist David Garfield’s upcoming Stretchin’ Outside The Box album follows several contemporary jazz hits such as “Sweetness,” “Go Home,” “Jamming” and “One Like You,” all of which dominated the radio waves as well as the charts. The world-class keyboardist, producer and composer has teamed up with one of his favorite guitarists and long-time friend, Grant Geissman, best known for his dynamic performance on the classic hit “Feels So Good” to perform this new original song. The track also includes a guest performance by saxophonist Brandon Fields (original founding member of The Rippingtons).

Jazziz has the track premiere for "Sir Charles" here: https://www.jazziz.com/new-music-monday-idris-ackamoor-the-pyramids-david-garfield-more/

“Sir Charles” is a sweet summer song with a tropical island vibe, perfect for sunny day hangs by the pool sipping frozen fruit-infused beverages. A definite party hit for this summer. Garfield, who leads the band on piano and keyboards, also produced and arranged the track.
 
“‘Sir Charles’ is a song inspired by my dear friend Vince Charles’ (Neil Diamond/Herb Alpert) steel pan drumming,” Garfield says. “He was a key mentor of mine and turned me on to all the great tropical music styles.”
 
Garfield began his five-decade career in straight-ahead jazz as a teenager playing behind bebop trumpeter Freddie Hubbard. Since then many of the greatest artists of our time, including members of the Zac Brown Band, Steely Dan, Tom Petty’s Heartbreakers, The Doors, Chicago, Toto, Tower of Power and The Meters, have been featured on his albums.
 
Garfield has scored and recorded for films (“Annie,” “Always” with J.D. Souther), television (“Fame” and its five accompanying “Kids from Fame” recordings), and commercials (Coca Cola, McDonald’s, Seven Up, Mitsubishi). He’s produced over 50 albums and worked with such icons as Cher, Boz Scaggs, Larry Carlton, Spinal Tap, The Manhattan Transfer, Keiko Matsui, The Rippingtons and Smokey Robinson; performed with Earl Klugh, Michael McDonald, Nancy Wilson, Oleta Adams, Brenda Russell, Dianne Reeves and Michael Bolton; was musical director for George Benson (from 1986-90, 2000-2004), as well as writing, arranging and producing for him (2007-2018); appeared on The Tonight Show, Jimmy Kimmel Live, The Ellen DeGeneres Show and Soul Train; and has composed and recorded hundreds of original compositions.
 
One of world’s most accomplished keyboard players, David Garfield’s mission statement is “I make music.” Whether working with other artists or performing or recording with one of his own bands, Garfield (known to some as “Creatchy”) is constantly and consistently involved in creating music for the listening enjoyment and pleasure of music lovers everywhere.
 
“Sir Charles” is available on iTunes, Amazon and all digital sales and streaming sites.
 
David Garfield on the web:
Official Site: www.creatchy.com
Facebook: https://www.facebook.com/david.garfield.161
YouTube: https://www.youtube.com/profile?user=CreatchyRecords
Twitter: https://twitter.com/creatchy

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Monday, August 03, 2020

Smooth Jazz Chart - Weekly Top 20 - August 3, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


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This chart is valid for this week only if there is a new chart published next Monday.


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Monday, July 20, 2020

Smooth Jazz Chart - Weekly Top 20 - July 20, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


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This chart is valid for this week only if there is a new chart published next Monday.


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Tuesday, July 14, 2020

Jazz clarinetist Eddie Daniels captures the heart of another Brazilian great #jazz

"Night Kisses: A Tribute To Ivan Lins" featuring Dave Grusin and Bob James drops August 7

"It's jazz, it's beauty and it opens the heart." That is how six-time GRAMMY-nominated horn player Eddie Daniels describes his forthcoming album, "Night Kisses: A Tribute to Ivan Lins." Slated to drop July 31 on Resonance Records, the new collection is the second chapter in a trilogy devoted to iconic Brazilian composers and the follow up to the 2018 GRAMMY-nominated "Heart of Brazil: A Tribute to Egberto Gismonti." Both albums were produced by the series' conceptualizer George Klabin.


Daniels, who is best known as a clarinetist and tenor saxophonist accomplished in both jazz and classical music, has a long history of playing Brazilian and Latin music. However, he admitted to "being kind of a dummy about the specific great Brazilian composers that I was about to tackle when George approached me with the idea for the trilogy, but I have this clave (Afro-Cuban groove) in my body as much as anyone because I just love this music so much."

Klabin selected a dozen tunes from Lins' songbook for "Night Kisses," which closes with an original composition by GRAMMY and Emmy winner Bob James, "Ivante," inspired by and named for Lins. When Klabin sent the music to Daniels, the multi-hornplayer only knew one song, "Amor," and the material itself presented a challenge.

"I was kind of befuddled because I loved the music, but I didn't know if I could live up to the kind of heart that Ivan puts into the music that is so soulful. He became so special to me because of his singing, the heart - it's raw, beautiful and emotional. I kept saying ‘How am I going to live up to this on a clarinet or a saxophone?' The great thing about George is that he wanted to do music that was not so popular, that was older music by Ivan Lins, so you could say that most of this music I knew nothing of," said Daniels, a New Yorker who has lived in Santa Fe for several decades.

Coming off the success of "Heart of Brazil," Daniels was looking to bring something special to "Night Kisses" when fate intervened. Dental work prevented him from playing clarinet in the weeks prior to the recording sessions held in Klabin's Los Angeles studio so Daniels did something he hadn't done in 30 years: he started playing flute, an instrument he played and studied extensively in the early portion of his lengthy career. Daniels calls the reappearance of flute in his music "the surprise of the album" that is evenly divided between four flute tunes, four clarinet tunes and four tenor sax tunes.

Daniels is accompanied by the same rhythm section he had on "Heart of Brazil": pianist Josh Nelson (who also contributed three arrangements), bassist Kevin Axt and drummer Mauricio Zottarelli. Kuno Schmid plays piano on the romantic "Cantor Da Noite" and wrote a handful of arrangements for the album. The Harlem Quartet fills the album with lavish string section accoutrements. But the highlights are the appearances by James and Academy Awards and 10-time GRAMMY winner Dave Grusin, each of whom wrote two arrangements and played on two tracks. Incredibly, their collaboration on "Ivante" is the first time the two contemporary jazz piano giants ever recorded together with Grusin featured on acoustic piano and James on electric.

"Bob and Dave know Ivan Lins very well. Ivan is on one of Dave's early albums, ‘Harlequin.' He basically introduced Ivan Lins to the American public with that album. I thought their appearances would make this record a little bit different. Dave and Bob were both very, very generous with wanting to be on the album. I was a guest on a lot of their albums. Dave hired me to do seven albums on GRP Records. When I was in the studios in the 1970s doing all the CTI recordings, Bob always called me to be one of the reed players on his albums. I got a chance to have two of my bosses and idols be on this album. I'm so glad because my history is with them. For me, it's kind of a summation of everything I've done through my life up to now," said Daniels.

James said, "It was the highlight of my year to have the opportunity to contribute some music to this beautiful project. I've always loved the artistry of Ivan Lins and working alongside Eddie Daniels and Dave Grusin was a big pleasure and very stimulating."

Klabin first became enchanted by Lins' music while visiting family in Brazil in the 1970s. His heart is deeply rooted in Brazilian music. The veteran jazz producer, Resonance Records president and founder of Rising Jazz Stars Foundation has already begun sending Daniels music for the final disc in the trilogy: an album paying tribute to Milton Nascimento. In the meantime, he is immensely proud of "Night Kisses," calling it "The most meaningful and satisfying production of jazz I have ever worked on in my entire career."

Daniels concurs. "I feel that too because sometimes when you don't try too hard, you get it right. When people hear it, they frequently comment on the album's musicality. I like the album for this time with what we're all going through. Because of this virus and we're all stuck at home, maybe people will sit at home and listen to the entire album. Nobody really listens to a whole body of work. People download one tune. I feel that this album is a uniquely whole work."

Now in his late 70s, Daniels hears growth and maturity in his hornplay on "Night Kisses."

"My playing was always described as too busy in my early days - my 30s. Your inner being changes as you mature. This album is kind of a high point in terms of maturity of emotion, of being able to play simply and get my point across lovingly and economically. This album isn't bebop. It's all about the heart," said Daniels before reflecting on current events.

"In these days when we are struggling with coronavirus, politics and protests, we need to warm our hearts and get us back to love. ‘Night Kisses' does just that. When I hear it, it has a great calming effect...a way to get to our hearts and block out the noise of the world."

"Night Kisses: A Tribute To Ivan Lins" contains the following songs:

"A Voz De Povo" (The Voice Of The People)
"Pano De Fundo" (Backdrop)
"Manos De Afeto" (Hand Of Affection)
"D'Aquilo Que Eu Sei" (That Which I Know)
"Velas Icadas" (Hoisted Sails)
"Dinorah, Dinorah" (The Call Girl)
""Cantor Da Noite" (The Night Singer)
"Quadras De Roda" (Children's Folk Dance)
"Amor" (Love)
"Lembra" (Remember)
"Depois Dos Temporais" (After The Storms)
"A Noite" (The Night)
"Ivante"


Preorder "Night Kisses: A Tribute To Ivan Lins" through the following retail sites:

Resonance Records
Bandcamp
Amazon


The album's "D'Aquilo Que Eu Sei" (That Which I Know) is available now: "D'aquilo Que Eu Sei"


For more information, please visit http://eddiedanielsclarin....

# # #

More Information: http://eddiedanielsclarinet.net
Submitted By:
Great Scott PR




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Monday, July 13, 2020

Smooth Jazz Chart - Weekly Top 20 - July 13, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


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This chart is valid for this week only if there is a new chart published next Monday.


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Monday, July 06, 2020

Smooth Jazz Chart - Weekly Top 20 - July 6, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


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This chart is valid for this week only if there is a new chart published next Monday.


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Saturday, July 04, 2020

Have A Happy And Safe 4th Of July [Video] #jazz



Barbecues and fireworks, flags and parades, Independence Day evokes so many images of the American summer. Its original purpose to celebrate the birth of the American nation on July 4th, 1776 has given way to festivities that celebrate both America and the lives and freedoms that the accomplishments of American Independence have allowed. The commemoration of the signing of the Declaration of Independence is a time not only to reflect on what happened at America's founding but also to look again at the nation's values and recommit oneself again to those ideals.

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Wednesday, July 01, 2020

Clivia Tanisi Debut Release 5-Song EP from Autumn Hill Records July 3rd - #jazz



ITALIAN VOCALIST CLIVIA TANISI MAKES HER DEBUT WITH A GORGEOUS, PROFOUNDLY PERSONAL 5-SONG EP PRODUCED BY HER HUSBAND, MASTER DRUMMER DAVE WECKL

Love’s Way Back, due out July 3, 2020 via Autumn Hill Records, marks Tanisi’s miraculous return to music after a two-decade hiatus, featuring an all-star band with Weckl, George Whitty, Tom Kennedy and Bob Franceschini

Although Love's Way Back marks the recording debut of Clivia Tanisi, the 5-song EP also represents a long-delayed return to a life in music for the Italian vocalist. Despite her lifelong passion for singing, Tanisi set her career aside for nearly 20 years to focus on raising her two daughters. Now, with the help and encouragement of her husband and producer, master drummer Dave Weckl, she finally shares her gift with the rest of the world.

Italian Vocalist Clivia Tanisi Makes her Debut With LOVE'S WAY BACKDue out July 3 from Autumn Hill Records, Love's Way Back is not only a deeply personal passion project for Tanisi, but it carries a message of hope and courage for anyone who's long harbored a secret dream. Rich with soulful melodies and lush, layered harmonies, the project features a stunning all-star band assembled by Weckl, who also served as recording and mixing engineer in addition to his role as producer. The drummer is joined by bassist Tom Kennedy, saxophonist Bob Franceschini, and keyboardist George Whitty, who also arranged and mastered the music.

With a life's worth of favorite songs to choose from, Tanisi selected five classic songs for the first steps along her musical journey. Each one is transformed into a vehicle for the singer's spiritual, optimistic interpretations, together conveying a heartfelt theme of following the dictates of the soul, facing down fear and self-doubt to be true to one's own self.

"I was born singing," Tanisi says. "Ever since I was a baby it's been a need, something in my blood. So when I stopped singing, it felt like a kind of death."

Tanisi was born in Switzerland and raised in Salento, a small area in the Puglia region of Southern Italy in the heel of the boot. As a child she would serenade her neighbors from the terrace of her parents' home. "All over the town, everyone could hear me singing," she recalls, the joy of such free, unfettered expression still evident in her voice.

At the age of 8 she began performing in the Parish Choir of the church in her hometown. By the age of 12 she was singing professionally at weddings. Two years later her life was changed when a friend introduced her to jazz. "When I was young I was listening to pop music like Duran Duran," she explains with a laugh. "Then one of my friends played me this song with trumpets and everyone improvising; it was wonderful. I had goosebumps. From there I fell in love with jazz: Ella Fitzgerald, Sarah Vaughan, all the greats."

At just 14 Tanisi became a jazz singer, performing at piano bars as well as with jazz and blues gigs around the south of Italy. After the birth of her first daughter 21 years ago, Tanisi found herself struggling to balance the demands of motherhood with her increasingly demanding schedule.

"I was working a lot, so I would go without seeing my daughter for days," she laments. "In the morning I'd be singing in the church, then I'd be performing at a wedding in the afternoon and have a gig the same night. That forced me to search into my soul and decide, 'Do you want to be a mother or a singer?' I didn't know how to manage both, so I felt that for me, it was better to be a mother."

While she has no regrets about that decision, treasuring her strong relationship with two wonderful daughters as its outcome, Tanisi reveals that the loss of her primary passion was a constant struggle. The break was necessarily a complete one. "I didn't even sing in the shower," she explains. "It was really like a death inside. Music, of course, is life, so when I didn't have that part of me anymore, I just never felt right. I would cry rivers every time I talked about music."

Meeting Weckl more than a decade ago not only brought a new romance into her life but also reintroduced music into her existence at the highest level. Weckl has been one of the most revered drummers in jazz, pop and rock circles for more than 35 years. He's perhaps best known for his Grammy-winning tenure with Chick Corea's Elektric and Akoustic Bands, along with his own prolific career as an innovative bandleader. Their shared love of music certainly played a part in forging the bond between Weckl and Tanisi, though it took several years of loving encouragement and hard work for the singer to finally regain her voice.

"Clivia worked very hard," Weckl says. "At the end of the day it was a lot of fun and a very emotional situation for both of us. When we finally listened back to what we'd recorded, we were both in tears."

Originally planned as a simple, intimate duo session for voice and guitar, the project soon took on a more elaborate form. Tanisi's rapid development and obvious dedication to her craft led Weckl to call on some of his closest friends and longtime collaborators to lend their estimable talents, in particular Whitty's arranging skills. Each of the EP's five songs was chosen for its own beauty as well as its contribution to the overall message of the album. The album opens with "Learning How to Fly," with its lovely evocation of taking steps towards an improbable dream. The tune links the project to another husband-and-wife team, Tuck & Patti, who originally recorded it for their 1995 album of the same name.

"Love You Inside Out" wholly reimagines the Bee Gees song, while "Let's Stay Together" uses the Al Green classic to celebrate Tanisi's bond not only with her husband but with her daughters and other blood relatives who have proved so supportive of her choices throughout life. The tune is highlighted by Bob Franceschini's emotive tenor solo. The late Bill Withers' "Grandma's Hands" is meaningful as Tanisi never knew any of her own grandparents, all of whom passed away too soon. She has since witnessed the deep love between her daughters and their multiple sets of grandparents. Finally, "The Smiling Hour" connects Tanisi with one of her earliest inspirations, as the Brazilian song is probably best known for Sarah Vaughan's gorgeous rendition.

Love's Way Back is a new beginning, certainly, but it's also the end result of a lifetime of personal growth and evolution for Clivia Tanisi. The meaning with which she imbues each song can only come from a reflection on the past and a positive outlook for the future. "I feel like I'm just reawakening," she says. "Being able to do this has been more than a miracle. It's magic."

Clivia Tanisi on the web:
Instagram: (coming soon)


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Chris "Big Dog" Davis New Album FOCUS Released on Shanachie #jazz

Few artists are equally captivating behind the scenes and on the stage. It requires a certain amount of vision, keen musicianship and discipline. On Focus, all of these skills coalesce to create a thrilling 11– track experience that demonstrates the type of magic that multi Grammy nominated keyboardist and producer Chris “Big Dog” Davis’ has brought to other artists as a producer. His Midas touch has added finesse to endeavors by Brian McKnight, George Clinton, Will Downing, Syleena Johnson, Chanté Moore, Maysa, and numerous others. 


As he takes center stage for the first time on recording, his wizardry blesses an entire album of inspirational and moving originals. “This experience has really been exciting and rewarding. My hope is that people will enjoy coming into my musical world and getting a deeper glimpse into who I am and all of the music that has influenced me from Jazz, Funk Gospel and Pop,” says Davis, who has produced 17 #1 hits on the Contemporary Jazz charts. Danny Weiss, VP of Jazz A&R states, “Chris has been our go-to producer for everyone from Kim Burrell to Maysa to Norman Brown, just to name a few. 


We're thrilled to be releasing his first solo album, so that the world can witness the full expression of his artistic talent.” The Waterbury, CT native draws from diverse influences like Miles Davis, Chaka Khan and George Duke and even his own Zen rooted philosophy to living life on Focus due out on June 26, 2020. The CD joins Davis with a cadre of the best working artists in Contemporary Jazz including Kim Waters, Gerald Albright, Rick Braun, Dave Koz, Maysa, Bluey and Nick Colionne. “It is so humbling to have all of these artists join me on this project. Every single one of them came bearing gifts that make this album so special,” shares the keyboardist.


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