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Saturday, June 30, 2018

Stanley Clarke - "The Message" - Released June 29 via Mack Avenue Records - #jazz


45 years after his album debut, four-time Grammy® Award-winning bassist Stanley Clarke shows he is still unapproachable on both the electric and acoustic, wielding a vision of fusion and funk, breakbeats and bass-interpreted cello suites with a little help from friends like rapper/beatboxer Doug E. Fresh and trumpeter Mark Isham. Backed by a young versatile band and a collection of tunes written in the midst of a tumultuous tour of Europe, The Message, released yesterday via Mack Avenue Records) swells with an abundance of strength, soul and astounding musicianship.





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Wednesday, June 27, 2018

"Out of the Blues" Finds Boz Scaggs Applying His Iconic Voice And Gritty Guitar Skills To A Set Of Vintage Classics #R&B #jazz

Legendary Singer/Songwriter/Guitarist’s July 27 Release
Features a Stellar Group of Studio Aces

It’s been a life of music – five decades in the case of Boz Scaggs, and spread far and wide with remarkable range in style and influence. From his early West Coast rock and soul bands, through his smooth '70s Hollywood years with hits like "Lowdown" and "Lido Shuffle," to his more recent explorations in R&B, jazz and the Great American Songbook, the versatile singer/songwriter/guitarist has created a highly personal, unfailingly soulful repertoire. The latest edition, Out of the Blues, set for release on July 27, 2018 on Concord Records, finds Scaggs, born in Ohio and raised in Texas and Oklahoma, reconnecting with his earliest musical loves.


This album marks the final piece of an unofficial trilogy for Scaggs, which began with the Steve Jordan-produced albums Memphis and A Fool to Care.  "I'm a child of the '50s," he explains, "and grew up on the music of my parents’ generation - the post war swingers, the Hit Parade era, the semi-classical Gershwin albums and the American songbook of show and film music.  Then came early rock radio; with Elvis, Fats Domino, Chuck Berry and Little Richard, the high-watt late night radio out of Nashville and Chicago and doowop out of the East Coast.  All the same stars that dotted the musical heaven our generation grew up under. Particular to my coming of age in the Southwest was hearing that crazy stuff out of south Texas and Louisiana.  It was something different from that which my fellow teenyboppers in other areas were hearing.  These albums, to some degree, are an exploration of those early influences, tracked through different periods of my experience.”

The self-produced Out of the Blues finds Scaggs applying his iconic voice and gritty guitar skills to a set of vintage classics by such blues greats as Bobby "Blue" Bland, Jimmy Reed and Magic Sam, an unexpected and stirring reading of Neil Young's "On the Beach" and original compositions by the songwriter Jack Walroth.

For the occasion, Scaggs assembled a star-studded studio band including such prestigious players as guitarists Doyle Bramhall II, Ray Parker Jr. and Charlie Sexton, bassist Willie Weeks, drummer Jim Keltner and keyboardist Jim Cox, as well as Boz himself on guitar, bass and vocoder, and longtime friend Jack Walroth on harmonica.

"This project is sort of a manifestation of where I am in my life," Scaggs comments. "I've been doing a lot of shows these last years and have zeroed in on my voice and guitar in a way that only comes with lotsa live.”

"I'm basically a rhythm guitar player, and not that good technically, but I love the instrument and have my own style, one that ranges from seriously ragged to very infrequently bad-ass… At least in my dreams. But it’s the basic blues that have allowed me a foot in the door to a broader range of thrills as a player and inspired me to call Ray and Doyle and Charlie for these sessions.  (I stay, quite naturally, and wisely in the background guitar-wise.)
"We recorded the rhythm tracks in four days, and then I left to go on tour, and I intentionally didn't listen to them until I got home a few months later. From the first playback though, I felt like we'd hit one out of the park."

Out of the Blues also features four songs written or co-written by Scaggs' longtime friend and kindred musical spirit Jack Walroth, a left-of-center bluesman who Scaggs met in the '60s, when both lived in Madison, Wisconsin, and who relocated to San Francisco at around the same time as Scaggs.
"He's a prolific writer, and he's influenced by a lot of the same music that got to me," Scaggs says of Walroth. "I had been interested in producing Jack for many years. During a period back in the '90s, we'd get together on these Tuesday-night sessions with a variety of players and record Jack's songs with the aim of making an album on him.  Trouble was that whenever I'd get a handful of songs to wrap it up he'd come in with another batch. I had several albums worth of tracks, and the album never got done. So when I was searching out material for this album, I realized that I had this backlog of great songs that I really dug and already had a handle on. Out of the songs on this album and its bonus tracks, I recorded seven of Jack’s songs and co-wrote another one with him. Thanks, man."

Scaggs is currently in the midst of a personal musical renaissance. Liberated from the old-school album/tour cycle, he's worked on his own terms this decade to create a series of eclectic, highly personal recordings that showcase his mastery of multiple musical genres, including the jazz standards collections But Beautiful and Speak Low, which topped the Billboard Jazz charts, the soul-inflected Memphis and the bluesy A Fool to Care, each hitting #1 on Billboard's Blues charts.

"Out of the Blues, from its very onset, feels like one of the most special of my career," Scaggs asserts. "It just came so easily, and the sessions fell into place so effortlessly. Sometimes you assemble your dream team and it doesn't work. But in this case, the chemistry was right and it all came together beautifully. It was a complete joy from beginning to end, and I'm really happy with it."

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Tuesday, June 26, 2018

Keyboardist David Garfield boxes himself into a jam #jazz

Surrounded by a stellar cast that boasts George Benson, David Sanborn, Smokey Robinson, Michael McDonald, Natalie Cole, Ray Parker Jr. and many more, his “Outside the Box” series continues with “Jammin’ Outside the Box,” dropping July 20.
 
Indulging his passion for R&B-pop on the second volume of his five-part, multi-genre “Outside the Box” series, keyboardist David Garfield will release “Jammin’ Outside the Box” on July 20 on Creatchy Records. Like the first disc, the straight-ahead jazz exploration “Jazz Outside the Box,” Garfield produced, arranged and played piano, Fender Rhodes, Wurlitzer electric piano and synthesizers on a carefully-selected set list with purposefully-chosen collaborators that spotlights sessions with seminal icons, Grammy winners, chart-toppers and prominent players. Garfield has a personal connection and meaningful history with every song and each musician he selected for the groove rich, soul-jazz album, crucial elements that position the ambitious “Outside the Box” anthology towards becoming an enduring, career-capping collection.  
 
Two of the singles that prefaced “Jammin’ Outside the Box,” “Go Home” and “Jamming,” peaked in the Billboard Top 10 and the recently-released third single, “Stay” featuring George Benson, David Sanborn and singer-songwriter Moon Calhoun, aims to follow suit. In addition to the three original Garfield tunes, including “One Like You,” which he wrote with Smokey Robinson, who plies his trademark falsetto complimented by Michael McDonald on background vocals, Garfield redesigned R&B, funk and pop classics made famous by Stevie Wonder, Bob Marley, Adele, Sting, Aretha Franklin, Toto, Isley Brothers, Rufus, Minnie Riperton, Bobby Caldwell and one of his keyboard mentors, Joe Sample. To do so, Garfield gathered members of the Zac Brown Band, Steely Dan, Tom Petty’s Heartbreakers, Chicago, Toto and Tower of Power along with an army of noteworthy soloists including Ray Parker Jr., Kirk Whalum, Rick Braun, Marcus Miller, Paul Jackson Jr., Eric Marienthal, Tom Scott, Vinnie Colaiuta, Greg Phillinganes, Steve Jordan, Freddie Washington, Will Lee, Tony Maiden, Rickey Minor and Lenny Castro.
 
“One of the things I have always loved to do is keep the spirit of old-school R&B fresh and alive for new generations of listeners. This explains my longstanding tradition of creating interesting and sometimes stylistically off-the-beaten path reimaginings of songs by legendary soul artists. It was a thrill doing these songs, adding a jazz touch with improvisation that take the songs ‘outside the box.’ What was also special for me is that this album features a lot of people I work with or have worked for, from Smokey and George to David Sanborn and Natalie Cole, but now I got to have them as guests on my thing,” said Garfield, a Los Angeles-based musician’s musician who grew up in St Louis on a steady diet of R&B and jazz.
 
An example of the poignancy that proliferates “Jammin’ Outside the Box,” one can look at “The Highways Of My Life,” which features an introduction by Cole. Garfield toured with her for two years. During their first trek together, she introduced him to the Isley Brothers’ original and asked him to craft an arrangement for her. Before they could perform it live together, Garfield was summoned to return to his long-held gig as Benson’s music director. But Cole performed his arrangement nonetheless. When Garfield hatched the “Outside the Box” concept a few years ago, he reached out to Cole to have her sing it. Unfortunately, she passed away prior to the recording date. Admirably filling in for her are Oleta Adams and Phil Perry, who masterfully reposition the song as a moving duet. Cole’s voice is heard introducing the song, creating a divine moment.  
 
“The final touch was having a 24-piece string section arranged by Grammy winner John Clayton. This takes the song to the high and luxurious level a tribute to Natalie deserves. I owe this track to Natalie. It was one of her favorite songs and that’s why it’s an important part of this collection.”
 
“Jammin’ Outside the Box” con
tains the following songs:
 
“Go Home”
“Chasing Pavements”
“Please Don’t Go”
“Stay”
“Lovin’ You”
“Fragile” (instrumental)
“Jamming”
“One Like You”
“Waiting For Your Love”
“Rainbow Seeker” (electric)
“The Highways Of My Life”
“Rock Steady”
“What You Won’t Do For Love”
“Harvest Time” (electric)
 
 
For more information, please visit www.DavidGarfield.com.
 

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Monday, June 25, 2018

Smooth Jazz Chart - Weekly Top 20 - June 25, 2018 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Vincent Ingala - "Personal Touch" - (Shanachie Entertainment)
2 - 4 - Euge Groove - "Groove On" - (Shanachie Entertainment)
3 - 2 - Nils - "Play" - (Baja/TSR Records)
4 - 3 - Jessy J - "Live ?At Yoshi's" - (Changi Records LLC)
5 - 9 - Lindsey Webster - "Love Inside" - (Shanachie Entertainment)
6 - 6 - Nick Colionne - "Be Urself - (Trippin 'N' Rhythm)
7 - 5 - Jeff Ryan - "Up And Up" - (Woodward Avenue)
8 - 14 - Chris Standring - "Sunlight" - (Ultimate Vibe)
9 - 20 - Dave Koz & Friends - "Summer Horns II: From A to Z - (Concord)
10 - 8 - Patrick Bradley - "Intangible" - (Patrick's Song Factory)
11 - 16 - Gerald Albright - "30" -(Bright)
12 - 13 - Michael Lington - "Silver Lining" - (Copenhagen)
13 - 10 - Marion Meadows - "Soul City" - (Shanachie Entertainment)
14 - 12 - Basia - "Butterflies" - (Shanachie Entertainment)
15 - 7 - Brian Culbertson - "Colors Of Love" - (BCM)
16 - 11 - Manhattan Transfer - "The Junction" - (BMG)
17 - 17 - Michael Franks - "The Music In My Head" - (Shanachie Entertainment)
18 - 19 - Bob Baldwin - "Never Out Of Season" - (City Sketches)
19 - 18 - Carol Albert - "Fly Away Butterfly" - (Carol Albert Music)
20 - 23 - Eric Darius - "Breakin' Thru" - (SagDarius Music)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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Friday, June 22, 2018

Urban-jazz guitarist dee Brown remembers his late fiancée with songs of love and joy #jazz


His fourth album is a celebration of life chronicling their time together with fun and spirited songs such as the new chart-bound single, “Pop the Question.”

Two years ago, soul-jazz guitarist dee Brown was preparing for a summer wedding to his fiancée, gospel singer Shaunia Edwards. When her young life was tragically cut short by an unexpected illness, he was devastated, leaning on his strong faith to endure. Shifting his mindset from a mourning period during which he sought meaning by asking “Why?” to a perspective of positivity, Brown turned to writing, honoring the sweet, lasting memories of Edwards and their romance by composing lively, intimate and playful stories of love, laughter and hope. He shares his fond remembrances via the ten new songs that constitute his fourth album, “Remembering You,” his second release for Innervision Records.


Determined to make “Remembering You” a joy-filled affair, Brown imparts his charming recollections by setting his lyrically expressive, loose and improvisational cool jazz fretwork amidst ebullient pop nuances, pulsating dance beats and sensual R&B grooves. He picks, plays and scats soulfully throughout, inspired to celebrate his season with Edwards by deriving meaning from her lingering place in his heart, not in the loss of her physical presence.   

“Shaunia was the reality of my dreams, a woman heaven sent to make me whole. ‘Remembering You’ celebrates her life and our life together. It’s purposely an upbeat celebration, not a mourning. The meaning that I derived from this experience and a message I think everyone can relate to is that we should exalt those in our lives as well as remember those who are no longer in our lives for whatever reason. Tomorrow is coming, but not necessarily for you. Share our love with those with us in the here and now because tomorrow is not guaranteed,” said Brown, who coproduced nine of the album’s tracks.

A loving, encouraging greeting from Edwards opens “Hey Baby,” the sweeping, feel-good first single illuminated by fervent guitar and alto sax banter on the cut that presaged the set’s arrival. Brown’s frequent writing and producing partner, pianist-keyboardist-programmer Valdez Brantley (Usher’s former music director), uses the vocoder to tantalize and tease on “Pop the Question,” the current chart-bound single that appears on the record in both album and d-Funk remix versions. Other noteworthy contributions are made by keyboardist Bob Baldwin, who also produced and cowrote the sleek and sophisticated “I Will”; Althea Rene, who adds fanciful flute flourishes to the vibrant escapade “Our Summer”; and keyboardist Nate Harasim, cowriter and producer of the sultry reflection “Beauty Within.”        

A Detroit born and based guitar man who got his start in music as a vocalist, Brown launched his solo career in 2007 with “No Time To Waste.” Teaming with Valdez and Kern Brantley (Lady Gaga’s former music director and bassist who plays on “Remembering You’s” opener, “I Want You Too”) two years later for his sophomore outing, “A Little Elbowroom,” proved formative to his sound and style. Brown dropped his first recording for Innervision Records in 2014, “Brown Sugar Honey-Coated Love,” spawning the Top 15 Groove Jazz Musicchart single, “Natural Love.”       
                                                        
Brown performs regularly on the Motor City music scene backed by Valdez Brantley, saxophonist Dezie McCullers Jr. and drummer Ron Otis, his core band that appears on the new album. Brown is looking forward to performing cuts from “Remembering You” in a big setting at the River Raisin Jazz Festival on August 11held in nearby Monroe, Michigan. One week later, his summer wedding will finally take place when he takes marriage vows with “a beautiful child of God.”     

Brown’s “Remembering You” album contains the following songs:

“I Want You Too”
“Hey Baby”
“Pop the Question”
“Our Summer”
“I Will”
“Follow You”
“So Much”
“Pop the Question” (d-Funk remix)
“Beauty Within”
“Remembering You”


For more information, please visit http://deebrownmusic.com.

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Monday, June 18, 2018

Smooth Jazz Chart - Weekly Top 20 - June 18, 2018 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Vincent Ingala - "Personal Touch" - (Shanachie Entertainment)
2 - 4 - Nils - "Play" - (Baja/TSR Records)
3 - 3 - Jessy J - "Live ?At Yoshi's" - (Changi Records LLC)
4 - 2 - Euge Groove - "Groove On" - (Shanachie Entertainment)
5 - 10 - Jeff Ryan - "Up And Up" - (Woodward Avenue)
6 - 5 - Nick Colionne - "Be Urself - (Trippin 'N' Rhythm)
7 - 6 - Brian Culbertson - "Colors Of Love" - (BCM)
8 - 9 - Patrick Bradley - "Intangible" - (Patrick's Song Factory)
9 - 11 - Lindsey Webster - "Love Inside" - (Shanachie Entertainment)
10 - 7 - Marion Meadows - "Soul City" - (Shanachie Entertainment)
11 - 8 - Manhattan Transfer - "The Junction" - (BMG)
12 - 12 - Basia - "Butterflies" - (Shanachie Entertainment)
13 - 13 - Michael Lington - "Silver Lining" - (Copenhagen)
14 - 31 - Chris Standring - "Sunlight" - (Ultimate Vibe)
15 - 14 - Threestyle - "Ready To Go" - (Welovemusic)
16 - 15 - Gerald Albright - "30" -(Bright)
17 - 41 - Michael Franks - "The Music In My Head" - (Shanachie Entertainment)
18 - 18 - Carol Albert - "Fly Away Butterfly" - (Carol Albert Music)
19 - 17 - Bob Baldwin - "Never Out Of Season" - (City Sketches)
20 - 21 - Dave Koz & Friends - "Summer Horns II: From A to Z - (Concord)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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Monday, June 11, 2018

Dori Rubbicco Stage Door Live Available on Amazon June 22, 2018 – Pre Order Available Now #jazz

Dori Rubbicco and the John Harrison Quintet release STAGE DOOR LIVE!
 

Dori Rubbicco’s musical marriage with John Harrison is the perfect arrangement. While Dori explores the nearly spiritual meaning of some of her well-chosen covers and original compositions, Harrison does his own exploration on piano, laying down lovely melodies for Rubbicco to fall back on. Harrison and his band are wonderful here, and Rubbicco’s interpretive styles serve as the ideal complement.

Emotional, magical, and unmistakably original, STAGE DOOR LIVE! was recorded at New Bedford’s intimate Zeiterion Theater. The backdrop is ideal for such a captivating live session. As a singer-songwriter inspired by the likes of Joni Mitchell—which makes perfect sense given her penchant for ambitious musical searching—as well as vocal stylists like Ella Fitzgerald and Sarah Vaughan, Dori understands the power of both style and substance and her performance conveys that power to the audience. Her set list is full of unique interpretations and elegantly imagined covers, revealing an artist able to both compose and interpret with equally successful results.

The band, Harrison’s quintet, is excellent; full of melodic romanticism and jazzy chops. Bill Miele plays the bass, Yoron Israel on drums, Donn Legge on guitar, Bryan Steel on the saxes, and Ian Rubbico Legge (notice the surnames!) on cello. Harrison leads with his customary elegance. It’s traditional without being too staid. Straight-up without being reserved. It helps that Dori finds her way through the instruments with her probing vocals.

Both Dori and Harrison have performed across the country, together and separately. Rubbicco has worked as a solo singer-songwriter and with groups, including the Miami Jazz Ensemble, the Gerald Wiggins Trio, and the Blues Train Band. Her work here with Harrison brings out the best in both artists, with Harrison’s extraordinary piano laying lush melodies down for Dori to revel in, on covers like “Imagine” and “I Can See Clearly,” and Jobim’s “Two Kites,” as well as an entertaining original, “Right Here Waiting.”

Love the band’s dulcet tones as they cascade over the audience and then hit “Repeat.”

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Thursday, June 07, 2018

Saxophonist Michael Paulo calls upon friends to celebrate "Beautiful Day" #jazz

Saxophonist Michael Paulo calls upon friends to celebrate “Beautiful Day”
 
Ray Parker Jr., Paul Brown, Peter White, David Benoit, Paul Jackson Jr. and Brian Simpson are among his buddies illuminating the new soul-jazz album. The first single, “Who You Gonna Call?,” impacts radio.


From beginning to end, saxophonist Michael Paulo’s “Beautiful Day,” is a celebration of love, friendship and the Aloha spirit. Opening with the title track inspired by the joyous news that he was going to become a grandfather and closing with the timeless Carole King ode to friendship, “You’ve Got A Friend,” Paulo’s eleventh solo disc dropped on the Apaulo Productions imprint. The collection is comprised of eight Paulo compositions and five modern classics produced by Paulo with two tracks helmed by two-time Grammy winner Paul Brown. The first single presently collecting radio spins and playlist adds spotlights guitarist Ray Parker Jr. on the aptly titled “Who You Gonna Call?”  
 
Inherent in Paulo’s soulful play emoted through tenor, soprano and alto saxes on “Beautiful Day” is an effervescent spirit, a hallmark that perhaps emanates from the DNA of his Hawaiian blood. A genuine sense of gratitude is another vital element present in his recordings. With that ethos, Paulo crafted a set list that enabled him to record with and feature some of his accomplished friends the likes of which include guitarists Parker Jr., Brown, Peter White and Paul Jackson Jr.; pianist David Benoit, keyboardist Brian Simpson, bassists Freddie Washington and Roberto Vally, percussionist Lenny Castro, and drummers Gorden Campbell and Michael White.

I truly have the best friends in life that always are there to support me. ‘You've Got A Friend’ represents why I am able to do what I do. I hope this record will touch people emotionally. My approach to playing has always been about expressing feeling and emotion and drawing the listener in so that they forget all the stress in their lives. I hope it renews their spirit, so they can continue to be happy and express love. When I perform live, my biggest gratification is when I feel that I have uplifted people emotionally and they can go home feeling good about themselves and life in general. That’s our gift as musicians and I am so blessed to be able to do what I do,” said Paulo.
 
The album also showcases Paulo’s touring band - a trio of Hawaiians comprised of Kimo Cornwell (keyboards), David Inamine (bass) and Fred Schreuders (guitar) along with drummers Land Richards and Sergio Gonzalez – which will take the stage with Paulo at SoCal hotspot Spaghettini on July 21 to celebrate the release of “Beautiful Day.”
 
Paulo’s professional career spans more than forty years, and includes gigs playing alongside R&B, pop and jazz headliners Al Jarreau, James Ingram, Patti Austin, Jeffrey Osborne, Kenny Loggins, Johnny Mathis, Bobby Caldwell and Rick Braun. He debuted as a solo artist in 1977 with the Japan-only release of “Tat’s in the Rainbow,” an album that highlighted Herbie Hancock on keyboards. Paulo continues his dual career as a solo artist and as a first-call session player-sideman. He also produces concerts and jazz festivals in Hawaii and in the long-time California resident’s home state. These days, Paulo tours frequently with Peter White, who plies his signature delicate acoustic guitar nuances in addition to contributing to the arrangement for “Beautiful Day’s” profound version of Sting’s “Fragile.” The saxman’s longest touring association was with Jarreau, with whom he shared the stage throughout the late crossover crooner’s glory days.
 
“I recorded ‘Your Song’ as a tribute to Al, who gave me my big break when he hired me for his touring band in 1983. We toured the world together for eleven years and he featured me on his ‘Live in London’ album. I used his arrangement of ‘Your Song’ and David Benoit delivered a heartfelt piano performance. I miss Al.”              
 
Paulo’s “Beautiful Day” album contains the following songs:
 
“Beautiful Day” featuring Paul Brown
“Mr. Magic” featuring Paul Brown
“Europa”
“Back with the Funk” featuring Paul Jackson Jr.
“Your Song” featuring David Benoit
“Who You Gonna Call?”
“#FromtheHeart”
“Fragile”
“Keiko’s Groove”
“Galaxia”
“Mysterious”
“Fire Dance”
“You’ve Got A Friend”
 
 
For more information, please visit www.MichaelPaulo.com.

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Monday, June 04, 2018

Smooth Jazz Chart - Weekly Top 20 - June 4, 2018 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Lindsey Webster - "Love Inside" - (Shanachie Entertainment)
2 - 3 - Jessy J - "Live ?At Yoshi's" - (Changi Records LLC)
3 - 2 - Marion Meadows - "Soul City" - (Shanachie Entertainment)
4 - 8 - Vincent Ingala - "Personal Touch" - (Shanachie Entertainment)
5 - 5 - Euge Groove - "Groove On" - (Shanachie Entertainment)
6 - 4 - Nils - "Play" - (Baja/TSR Records)
7 - 6 - Patrick Bradley - "Intangible" - (Patrick's Song Factory)
8 - 7 - Nick Colionne - "Be Urself - (Trippin 'N' Rhythm)
9 - 9 - Brian Culbertson - "Colors Of Love" - (BCM)
10 - 10 - Basia - "Butterflies" - (Shanachie Entertainment)
11 - 14 - Jeff Ryan - "Up And Up" - (Woodward Avenue)
12 - 12 - Manhattan Transfer - "The Junction" - (BMG)
13 - 20 - Bob Baldwin - "Never Out Of Season" - (City Sketches)
14 - 15 - Eric Darius - "Breakin' Thru" - (SagiDarius Music)
15 - 13 - Boney James - "Honestly" - (Concord Music Group)
16 - 21 - Carol Albert - "Fly Away Butterfly" - (Carol Albert Music)
17 - 16 - Michael Lington - "Silver Lining" - (Copenhagen)
18 - 19 - Threestyle - "Ready To Go" - (Welovemusic)
19 - 24 - Special EFX - "Deep As The Night" - (Trippin 'N' Rhythm)
20 - 11 - Adam Hawley - "Can You Feel It" - (Kalimba)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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