Saxophonist Branford Marsalis, one of the foremost jazz artists of our time and a pacesetting creative force in the music for more than four decades, has signed to Blue Note Records, the legendary label and standard bearer of The Finest In Jazz Since 1939. Marsalis will release his Blue Note debut Belonging in Spring 2025, his first new album since 2019 with his longstanding quartet featuring Joey Calderazzo, Eric Revis, and Justin Faulkner. The BMQ will be touring extensively across the United States and Europe next year. Stay tuned to branfordmarsalis.com for tour updates.
“I am grateful to Blue Note for its steadfastness in preserving the music for generations,” says Marsalis. “I have listened to countless Blue Note albums over the years and look forward to making a contribution to this great library.”
“Over the last 40 years, Branford has been one of the most soulful and eloquent purveyors of a brilliant musical tradition,” says Blue Note President Don Was. “We are thrilled that his long path has finally led to the doorstep of Blue Note Records. We’re gonna do great things together!”
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Branford Marsalis continues to thrill audiences around the world while racking up achievements across diverse musical platforms, even after four decades in the international spotlight. From his initial recognition as a young jazz lion, he has expanded his vision as an instrumentalist, composer, bandleader and educator, crossing stylistic boundaries while maintaining unwavering creative integrity. In the process, he has become an avatar of contemporary artistic excellence winning three GRAMMY Awards, a Tony nomination for his work as a composer on Broadway, a citation by the National Endowment for the Arts as Jazz Master, and a 2021 Primetime EMMY nomination for the score he composed for the Tulsa Burning documentary.
Growing up in the rich environment of New Orleans as the oldest son of pianist and educator, the late Ellis Marsalis, Branford was drawn to music along with siblings Wynton, Delfeayo and Jason. The Branford Marsalis Quartet, formed in 1986, remains his primary performance vehicle. In its virtually uninterrupted three-plus decades of existence, this celebrated ensemble is revered for its uncompromising interpretation of a kaleidoscopic range of both original compositions and jazz and popular classics. But Branford has not confined his music to the jazz quartet context. He recently augmented the quartet with seven Hungarian musicians for a folk music project Ősz fele van az idő (Autumn is coming) featuring music commissioned by Müpa Budapest, and his recent classical composition, Kalamazoo Suite, was commissioned by and premiered with the Kalamazoo Symphony Orchestra. A frequent soloist with classical ensembles, Branford is regularly sought after as a featured soloist with acclaimed orchestras around the world, performing works by composers such as Copeland, Debussy, Glazunov, Ibert, John Williams, Mahler, Milhaud, Rorem, Vaughan Williams and Villa-Lobos. And his legendary guest performances with the Grateful Dead and collaborations with Sting have made him a fan favorite in the pop arena.
Branford’s screen credits as a composer include original music for: Rustin starring Colman Domingo, the History Channel’s documentary Tulsa Burning: The 1921 Race Massacre, Ma Rainey’s Black Bottom starring Viola Davis and the late Chadwick Boseman, The Immortal Life of Henrietta Lacks starring Oprah Winfrey, and Spike Lee’s Mo’ Better Blues. His work on Broadway has garnered a Drama Desk Award and a Tony nomination for the acclaimed revival of Fences. He recently arranged and orchestrated the music for a new Broadway production on Louis Armstrong, A Wonderful World, and his previous Broadway efforts include music for the revivals of Children of a Lesser God and A Raisin in the Sun, as well as The Mountaintop which starred Angela Bassett and Samuel L. Jackson.
Branford is also committed to the development of the next generation of musicians. He enjoys working with students and has formed an extended relationship with North Carolina Central University where he has been teaching for the past eighteen years. He has also taught at Michigan State University and San Francisco State University and continues to conduct workshops throughout the world.
In the wake of the devastation wrought by Hurricane Katrina, Branford, along with friend Harry Connick, Jr., conceived of “Musicians’ Village,” a residential community in the Upper Ninth Ward of New Orleans. The centerpiece of the Village is the Ellis Marsalis Center for Music, honoring Branford’s father. The Center uses music as the focal point of a holistic strategy to build a healthy community and to deliver a broad range of services to underserved children, youth and musicians from neighborhoods battling poverty and social injustice. In January 2024, following in his father’s footsteps, Branford was appointed Artistic Director at the Center and in this capacity, he will shape the artistic trajectory and steer the organization’s creative vision for the future
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