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Wednesday, December 24, 2025

A Very Merry Christmas from JazzHQ #jazz #music

Our very best wishes to all of you who took the time to visit JazzHQ during the year, whether at jazzhq.blogspot.com, twitter.com/jazzhq, mastodon.social/@JazzHQ, or facebook.com/jazzhq. 

White Christmas - The Drifters (Video/cartoon) Sung by The Drifters. Cartoon by Joshua Held. Featuring Bill Pinkney on lead bass and Clyde McPhatter on tenor.  

Sing along:

Ooh
Doop doop, doop doo doop
Ooh
Doop doop, doop doo doop

I'm dreaming of a white Christmas,
Just like the ones I used to know,
Where those treetops glisten, and children listen,
To hear sleigh bells in the snow, the snow.

Then, I-I-I am dreaming of a white Christmas,
With every Christmas card I write,
May your days, may your days, may your days be merry and bright,
And may all your Christmases be white.

I-I-I am dreaming of a white Christmas,
Just like the ones I used to know,
Where the treetops glisten, and children listen,
To hear sleigh bells in the snow.

I-I-I am dreaming of a white Christmas,
With every Christmas card I write,
May your days, may your days, may your days be merry and bright,
And may all your Christmases be white.

Jingle bells, jingle bells, jingle bells all the way.
Ooooh.

Saturday, December 20, 2025

Contemporary jazz guitarist Chris Standring embraces a new chapter on a nostalgic new album #jazz #music


“Time of Change,” dropping March 20, will be previewed by the jazz-funk single “Hollywood Hustle” on February 2.

 

 

Getting married for the first time and the passing of his father have signaled a time of change for Billboard chart-topping contemporary jazz guitarist Chris Standring. With nostalgia on his mind and life changes shaping the third act of his life, Standring wrote and produced eleven new songs for “Time of Change,” which arrives on March 20 from Ultimate Vibe Recordings.

 

The album of ‘70s-inspired cool jazz and retro rhythm-and-blues grooves will be advanced by the first single, “Hollywood Hustle,” an up-tempo horn-tinged strut that begins collecting playlist adds and airplay on February 2.

 

“As I get a little older, it's easy to reflect and reminisce about the past, the innocence of youth, the naïveté of decisions, good or bad, and perhaps idolize some of the glory days. This album is all about that with a sentiment that is wildly reflected in the music. Much of the writing harks back to a familiar time, a nostalgic time. And things in life are different now. I lost my father and after living in Los Angeles for 35 years, it is time to settle in a quieter, more remote part of the world with my lovely wife, Erica. I’m ready to embrace my third act with all the enthusiasm, joy, and wonder I have lived with until now. It's an exciting time of change,” said Standring, who grew up in England.

 

The core foursome featured on “Time of Change,” Standring’s eighteenth album, is Standring (guitars, keyboards, programming, horn and string arrangements), bassist Andre Berry, drummer Chad Wright, and percussionist Lenny Castro. Four tracks on the album are bolstered by a horn section comprised of Brandon Fields (tenor sax), Tom Saviano (alto sax), Michael Stever (trumpet), and Erik Hughes (trombone). Other musicians contributing to the album are GRAMMY-winning bassist Brian BrombergGeorge Whitty (piano), Dave Karasony (drums), and Rodney Lee, the keyboardist who partnered with Standring in the innovative band Solar System thirty years ago at the start of his recording career.

 

“Time of Change” opens with “Photographs,” a snapshot that sets the stage for the collection. Throughout the album, Standring’s electric jazz guitar work blends agility, alacrity, and atmospheric expressiveness. On this cut, he invites Whitty to deliver an impassioned and poetic piano solo.

 

“When I hear this song, I can imagine sitting next to a bay window looking out into the pouring rain contemplating life. It probably wasn't raining when I wrote it, but the nostalgic and reminiscent feeling was definitely with me,” said Standring, who released a retrospective book of photographs titled “A Jazz Life in Pictures,” on Monday (December 15) that captures his life from early childhood to present day.

 

Berry and Wright carve a taut rhythmic pocket on the bouncy “Magnetic,” a tune built from two simple chords that reminded Standring of early Yellowjackets. Standring said the downtempo “Slippin’ In These Streets” “might have been good on the soundtrack to a ‘70s cop show.” The retro vibes return with another feel-good tune, “All The Good Times,” which is expected to be the second single from the new set. The tempo drops back down on “Where Were You When,” which introduces strings.

 

“It’s one of my favorites on this album, especially the second verse with the entrance of those beautiful violas and cellos. That is where I live (musically) these days. It's snuggly and warm and full of space,” said Standring.

 

After “Hollywood Hustle” and its funky ‘70s vibe comes “A Good Game.” Standring said his production and arrangement on “Time of Change” was influenced by an iconic GRAMMY-winning legend. 

 

Quincy Jones is a producer I always looked up to for inspiration. This track has a very sensual vibe that is also nostalgic and thought-provoking. It took a lot of discipline from me to not have a regular snare beat but use finger snaps instead. This produces an intimacy in the song. The voices also give it that warm and cozy feel in the choruses,” said Standring.

 

On the vibrant “One Of These Days,” Standring channeled Tom Scott’s horn and string arrangements on Steely Dan records. Standring returns to the bay window to get pensive again on “Remember The Day,” which also contemplates what’s to come, a sentiment underscored by Fields’ poignant saxophone solo.

 

Originally planned as the album closer, “All That To Say” offers a feeling of closure with a reassuring hint of hope.

 

“There is a sadness to this song, too. It’s very contemplative. It's probably still raining outside,” Standring surmised.

 

“Time of Change” closes with an emotional tribute to Standring’s father on “A Song For Alistair.”

 

“When Brian Bromberg came into my studio to record his upright bass on this track, he told me he thought this was the most beautiful song I'd ever written. He might be right. I must have been in a reflective mood when I penned this song. It's very sad and if you listen to it knowing where the sentiment comes from, try to hold back the tears. I loved this melody so much I didn't want to improvise a guitar solo on it. I just wanted to state the melody and end the song. That statement was enough in my mind. As if I wanted to simply respect the song. Just like my father, Alistair,” said an introspective Standring.

 

Standring debuted as a solo artist in 1998 with the album “Velvet,” which spawned his breakthrough hit, “Cool Shades.” He went on to notch more than fifteen Billboard top ten singles, including eight No. 1 hits. Last year’s “As We Think” album scored a Billboard No. 1 hit with “Top Hat & Tails.”

 

A popular concert performer at theaters, clubs, and festivals at home and abroad, Standring has a handful of concert dates already booked to support “Time of Change,” including an album release preview show on February 7 at Spaghettini south of Los Angeles.

 

“Time of Change” contains the following songs:

 

“Photographs”

“Magnetic”

“Slippin’ In These Streets”

“All The Good Times”

“Where Were You When”

“Hollywood Hustle”

“A Good Game”

“One Of These Days”

“Remember The Day”

“All That To Say”

“A Song For Alistair”

 

To pre-order “Time of Change,” go to Chris Standring, Chris Standring, Chris Standring - Time of Change - Amazon.com Music.

 

For more information, visit www.chrisstandring.com.



Jazz from Amazon.com

Thursday, December 18, 2025

Christopher McBride's "The Hang, The Hustle, The Path" climbs jazz charts as the saxophonist enters a new life chapter #jazz #music


Saxophonist Christopher McBride is entering a pivotal new chapter — both personally and artistically. As he prepares for his wedding next week, his new album, “The Hang, The Hustle, The Path,” continues its ascent up the jazz charts, reaching No. 19 on JazzWeek and breaking into the Top 10 on the North American College & Community Radio Chart. The CR McBride Music project is drawing new listeners with its unique fusion of bebop, swing, straight-ahead, and contemporary jazz with R&B, hip-hop, gospel, and Latin influences.

 

As a composer, producer, arranger, and alto saxophonist, McBride draws deeply from the global Black music tradition. The ten originals and two reimagined covers on his third album — the first installment of a planned trilogy — showcase his saxophone as a lyrical storyteller, illuminating the people, places, and experiences that have shaped his life.

 

Continuing the wedding motif, McBride’s “best men” on the album are his bandmates, The Whole ProofJon Thomas (piano, keyboards, organ), Barry Stephenson (acoustic and electric bass), and Michael Piolet (drums). The extended ensemble includes trumpeters Josh Evans and Wayne Tucker, guitarist Marcus Machado, and vocalists Charles Turner and J. Hoard. The album was recorded over three days in a Brooklyn studio.

 

“Every original song on this record was inspired by a person, place, or moment in my life. This album is a complete reflection of my path so far. As I enter this new phase by getting married, I’m certain it will shape the next album in the trilogy,” said McBride, who recorded a version of Sade’s “Kiss of Life” as his original “A Downpour Of Beauty” in honor of his fiancée.

 

After the release of the “The Hang, The Hustle, The Path,” McBride launched a four-city tour through his hometown of Chicago followed by Los Angeles, Atlanta, and his longtime home of New York City. Audiences packed each venue as McBride and the band introduced the new material. In addition to performing, McBride — a dedicated educator — led workshops at high schools and colleges.

 

The album’s first video, “Saxophone at Night,” has earned more than eleven thousand views on YouTube. The clip captures McBride’s charismatic presence and his distinctive jazz aesthetic. The song and video nod to an era when musicians and dancers collaborated freely in nightclubs — a practice disrupted by the 1944–1965 U.S. federal tax on venues that hosted dancing. The video is available on YouTube, TikTok, X, and Instagram.

 

McBride will end the year and ring in the New Year at the Blue Note Hawaii where he will be accompanying iconic rapper Big Daddy Kane on December 30 and 31. He’ll be back with The Whole Proof for shows at The Jazz Club at Aman in New York City on January 14 and February 13. The group will play The Side Door Jazz Club in Old Lyne, CT on February 6 and will headline a weekend at Smalls Jazz Club in New York City on February 27 and 28. Additional concert dates will be announced.

 

For more information, visit www.crmcbridemusic.com




Jazz from Amazon.com

Wednesday, December 17, 2025

For Review: Jazz trumpeter-vocalist Ilya Serov celebrates "Christmas with Friends" retro style #jazz #music


The new album of holiday classics available now features Dave Koz, Aubrey Logan, Casey Abrams, Ariana Savalas, and Dylan Chambers. Serov launched a U.S. concert tour with Peabo Bryson, Sheena Easton, and Ruben Studdard.

 

Jazz trumpeter-vocalist Ilya Serov has a busy holiday season planned with friends. He collaborated with a handful of friends – ten-time GRAMMY® nominee Dave KozAubrey LoganCasey AbramsAriana Savalas, and Dylan Chambers - on his first Christmas album, “Christmas with Friends,” which was released last Friday (November 28) by Neo Sound Records. On Saturday (November 29), Serov embarked on an 18-city U.S. concert tour with friends Peabo BrysonSheena Easton, and Ruben Studdard.

 

Indulging a long-held desire to record a holiday album, the question for Serov was what kind of an album to record. His catalog consists of a variety of jazz and pop spanning standards culled from the Great American Songbook, straight-ahead instrumental and vocal jazz, soulful R&B-pop, and contemporary jazz instrumentals. As a devout fan of the treasured Christmas recordings by Bing CrosbyFrank SinatraNat King Cole, and Perry Como, Serov decided to pay tribute to those timeless records. Producing the album himself, he brought in keyboardist, arranger, orchestrator, and conductor Nick Petrillo to help realize his vision of creating a retro-style collection. Swinging cadences, big band horn section, sweeping strings, and bebop ornamentation form the decorative backdrops for Serov’s debonair vocal delivery. Crooning with charisma, clarity, and elegance, he also plays trumpet and jazzohorn - the latter being a unique sounding instrument that he helped pioneer, which is a hybrid that is part flugelhorn and part saxophone - throughout “Christmas with Friends.” 

 

“As we were working on the album, writing the arrangements, and seeing these songs come to life, I started hearing and imagining the sound of some of my friends who I absolutely admire and whose sound I was confident would open up and elevate these tracks. I feel so blessed and grateful that I got to collaborate with friends on this project: Ariana Savalas (vocals), Aubrey Logan (vocals and trombone), Casey Abrams (vocals and bass), Dylan Chambers (vocals and guitar), and one of my long-time musical heroes and mentors, Dave Koz (tenor saxophone), who introduced me to all these amazing artists. Each one of these artists has a distinct artistic voice and charisma and matches the vibe of the song and the arrangement so perfectly. Working with them made the process in the studio so special, unforgettable, and so much fun,” said Serov about “Christmas with Friends” that was primarily recorded at the legendary Henson Studios in Hollywood, which is now owned by GRAMMY-winning singer-songwriter-guitarist John Mayer who popped in during the recording sessions to offer support.

 

Serov and his duet partners were backed on “Christmas with Friends” by a collective consisting of Gary Matsumoto (piano and keyboards), Shane Savala (guitar), Cooper Appelt (bass), Greg Sadler (drums), and Jose Perez (percussion). The horn section was comprised of Michael Stever (trumpet), Bob Lawrence (trombone), Dan Kaneyuki (tenor saxophone and flute), and Tim McKay (baritone saxophone). Enhancing the tracks was the LA All-Star String Ensemble.

 

“Everything on this album was recorded live with real musicians and traditional acoustic instruments, which was typical for that era. It was especially important to me to make this record pure, performed by great musicians straight from the heart,” said Serov who is based in Austin, Texas, where additional recording sessions for the project took place.

 

Selecting a set list of traditional holiday songs and carols, Serov makes them his own with fresh arrangements, lush instrumentation, and spirited retro cool performances. Koz is featured on a keen medley blending “Skating” and “O Christmas Tree.”

 

Serov gifts listeners on “Christmas with Friends” with two originals: a new song that he wrote with Petrillo and Myah Marie, “That Christmas Feeling,” and “Angel,” a previously unreleased song written by a friend.

 

“My three-year-old son, Caden, loves Christmas music. I wrote ‘That Christmas Feeling’ to become part of the legacy that I want to leave for him. I hope he will grow up with this song and appreciate it. ‘Angel’ is an incredibly special song that was written by my dear friend, Laura Hagen, and her late husband, Earle Hagen. Earle was a legendary Hollywood composer, scoring music for television shows and films such as ‘I Spy,’ ‘The Dick Van Dyke Show,’ ‘Mod Squad,’ ‘Planet of the Apes,’ and many more. ‘Angel’ was originally written for a television series as an instrumental composition but was never used. Laura later wrote the lyrics for it and this album is the song’s official premiere,” explained Serov.

 

Serov costars on the Home for the Holidays concert tour that launched on Saturday in Wilkes-Barre, Pennsylvania. He shares the marquee with two-time GRAMMY® winners Bryson and Easton and GRAMMY® nominee Studdard. The tour’s seasonal-themed set list presents holiday standards and a curated assortment of hits from the artists’ R&B, adult contemporary, and pop repertoire.  

 

Friends served as an earlier muse for Serov who has a history with Koz that spans records and performing on the popular saxman’s annual jazz cruises. Koz appeared on Serov’s third album, 2021’s “Just Friends,” which was a mix of songs from the Great American Songbook and original tunes that peaked at No. 12 on the Billboard chart. Serov was joined on the outing by keyboardist Greg Manning, who has notched over a dozen Billboard No. 1 hits, along with guitarist Kay-Ta Matsuno, vocalist Matt Cusson, and saxophonist Alex Hahn.

 

Serov issued his debut album, “September in the Rain,” in 2013, which was a big band date made up of jazz standards. Five years later, his sophomore disc, “Back in Time,” offered classic cuts and contributions from noteworthy artist including GRAMMY-winning piano legend Roger Kellaway, two-time GRAMMY-winning saxophonist Eric Marienthal, and GRAMMY-winning percussionist Poncho Sanchez. Last year’s “Colors” album included music produced by two-time GRAMMY winner Paul Brown, multiple GRAMMY nominee Darren Rahn, and Billboard hitmaker Adam Hawley. GRAMMY-winning bassist Hussain Jiffry and Billboard chart-toppers Jeff Ryan and Oli Silk were featured soloists. On the big screen, Serov has crafted music and performed on the film score for “Creed II,” “Deadpool 2” and “Addams Family 2.” 

 

“Christmas with Friends” contains the following songs:

 

“Let It Snow”

“Baby It’s Cold Outside” featuring Ariana Savalas

“Home For The Holidays”

“It’s Beginning To Look A Lot Like Christmas”

“Skating/O Christmas Tree” featuring Dave Koz

“The Christmas Song”

“Holly Jolly Christmas” featuring Casey Abrams

“Angel

“That Christmas Feeling”

“Have Yourself a Merry Little Christmas” featuring Aubrey Logan

“Rockin’ Around The Christmas Tree” featuring Dylan Chambers

“Silent Night”

 

 

The complete itinerary for the Home for the Holidays tour with Ilya Serov, Peabo Bryson, Sheena Easton, and Ruben Studdard appears below:

 

November 29 Wilkes-Barre, PA

November 30 Collingswood, NJ

December 1    Old Saybrook, CT

December 3    Morristown, NJ

December 4    Lynn, MA

December 5    Waukegan, IL

December 6    Salamanca, NY

December 7    Detroit, MI

December 9    Elkhart, IN

December 10 Cincinnati, OH

December 12 St. Louis, MO

December 13 El Cajon, CA

December 14 Cerritos, CA

December 16 San Francisco, CA

December 17 Phoenix, AZ

December 19 Arlington, TX

December 21 San Antonio, TX

December 22 Abilene, TX

 

 

For more information, visit https://www.ilyaserov.com.



Jazz from Amazon.com

Friday, December 12, 2025

Chieli Minucci and Special EFX packages "The Hits" past, present, and future (hopefully) #jazz #music


The jazz fusion band will drop an all-star collection on February 6 comprised of their Billboard No. 1s, remastered favorites, and three new songs bound to be hits.

 

When you’ve been fronting a band for forty-four years as Emmy-winning guitarist Chieli Minucci has for GRAMMY® nominated jazz fusion group Special EFX, you learn how to read audiences and give them what they want. The music industry has changed dramatically over those decades and Minucci noticed that since there’s now a scarcity of radio stations that play contemporary jazz, audiences aren’t as familiar with his band’s new music as they should be - even when those singles climb to the top of the national charts. Minucci recognizes that his audiences crave nostalgia and heeding the demand to “play the hits,” he assembled a collection of Special EFX’s remastered favorites and seven of their Billboard No. 1 singles along with three new songs that bode to become hits. “The Hits” is available for pre-orders now ahead of its February 6 release from Chieli Music.

 

Minucci, who founded Special EFX with Hungarian percussionist George Jinda, curated the 14-song “The Hits” from the band’s 25 albums that has scored eight Billboard No. 1 hits and a GRAMMY® nomination for 1985’s “Modern Manners” album. Even prior to Jinda’s passing in 2002, Special EFX albums have always been all-star projects featuring solos and performances by prominent recording artists and first-call session musicians. The list of GRAMMY® winners and nominees, chart-toppers, and noteworthy players on “The Hits” includes Warren HillEric MarienthalPaul BrownMichael PauloElan TrotmanNicholas ColeLin RountreeOli SilkDavid MannRoberto VallyGreg VailShane TheriotRon KingOmar Hakim, and Lionel Cordew.

 

Musically, “The Hits” highlights Special EFX’s distinct brand of contemporary jazz, fusion, world music, and blues. Minucci wrote and produced the album except for “Lavish,” which Cole wrote and produced.

 

“The Hits” opens with a new recording of one of Special EFX’s best known songs, the fusion heavy “Uptown East.” 

 

“I recreated the piece using the template of the original. It's a live-in-the-studio recording with slight variations from decades of playing it live in concert. I recorded it with my East Coast EFX band: Joel Rosenblatt on drums, Jerry Brooks on bass, and Jay Rowe on keyboards,” said the New York City-based Minucci.

 

“Blue Lagoon” was the first hit that was performed entirely by Minucci as a one-man-band. His cool electric jazz guitar floats amidst an island vibe over a reggae rhythm.

 

Playing nylon-string guitar, Minucci’s first collaboration with two-time GRAMMY-winning producer Brown is “Cool Summer,” which was a Billboard No. 1 hit last year and appears on an album for the first time.  

 

Mann’s saxophone is a prominent voice on “Kickin’ It Hard,” punching and counterpunching Minucci’s electric guitar hits.

 

The first new composition on “The Hits” is “Waterfall,” a rousing fount of cascading melody and excitement inducing rhythms.

 

“It’s a brand-new piece I wrote as a live concert opening number. It's a wonderful fusion of styles, a pop instrumental. When we played this at The Funky Biscuit in Boca Raton, Eric Marienthal wailed on his alto sax. I saw the crowd get up on their feet and cheer. So, here he is again, rocking out in a way folks don’t often hear. The song has a rock meets jazz feel. Time will tell if it becomes one of ‘the hits,'” Minucci shared.

 

Collaborating with Cole to create “Lavish” came at the suggestion of a record label executive.

 

“Bringing in an outside songwriter and producer was a new experience for this salty dog. What surprised and interested me was Nicholas’s direction. He wrote a couple of songs that sounded like Special EFX-style pieces. ‘Lavish came out great with its fresh and interesting arrangement and became a big hit. It’s a beautiful, melodic piece with a lot of passion,” said Minucci who has also released nine solo albums.

 

The version of “You Make Me Blue” on “The Hits” is a bluesier version than the original that appears on Special EFX’s 1993 “Love Your Smile” album. Alan Grubner’s electric violin issues a searing solo on the single that became a staple on SiriusXM’s Watercolors playlist. 

 

“Meant To Be” is the second Minucci-Brown collab and once again, they created a Billboard No. 1 hit earlier this year. “The Hits” is the first time the Brown-produced single appears on an album.

 

“This was an unusual experience for me as it was the first song for which I simply wrote the melodies. The song was already half-produced, an unfinished 'rhythm track' when I first heard it. It immediately felt like a Special EFX kind of song - moody, melodic, even a bit worldly and exotic,” Minucci explained.

 

Another Billboard No. 1 hit, “Dreams” is a sensual dalliance between Hill’s sultry alto sax and Minucci’s electric guitar.

 

“Been So Long” is slated to be released as a single early next year. It’s a “new” collaboration between Minucci and “American Idol” finalist Elliott Yamin.

 

“When I started writing the song a few years back, I asked Elliott (Yamin) to write some lyrics and melodies to it. He'd been performing as a guest with the Special EFX All-Stars from time to time, and it seemed like a good fit for us to write together. I don't know how many times I nudged him, but after a couple of years he sang some ideas into his iPhone in his back yard. That creative noodling turned out to be the basis for the main melody,” shared Minucci. 

 

“Marbella” is the first new single released from “The Hits,” which dropped in October. It’s the third track produced by Brown, who has produced over sixty Billboard No. 1 hits.

 

“Marbella, Spain is my fantasy vacation. The song is so romantic. I wrote the melodies against the backing groove. Michael Paulo laid down a beautiful, heartfelt sax solo. I am optimistic that all will hear this beauty,” enthused Minucci.

 

Jinda’s percussion decorates “Passions,” yet he was passionately against the band’s record label releasing the song as a single. Minucci explains, “‘Passions’ was regularly performed at all our shows and was a radio hit. You'd hear this song every time you turned on that ‘smooth jazz radio station,’ wherever you were. Mark Johnson's sax work was the icing on the cake. George (Jinda) didn't want this song to be released as the lead-off single from our ‘Catwalk’ album. He felt that Special EFX needed to go in a funk/acid jazz direction. ‘Passions’ was a classic EFX smoothie and we argued about this. In the end, the record label made the final call, and I am glad they did!”

 

“Till The End Of Time” was recorded differently. Drummer Hakim and bassist Brooks laid down the rhythm track after the guitar and keyboards, which was the reverse of Minucci’s usual method. It worked: the single went No. 1 on the Billboard chart.

 

Closing the collection the same way most Special EFX concerts close, “Cruise Control” ends on a high note with exuberant energy, relentless funk grooves, and a nasty piano solo from Roger Smith, a longtime member of Tower of Power.

 

Minucci maintains a busy touring schedule, playing Special EFX shows in a variety of settings with a variety of lineups, and European tours with Djabe, a well-known Hungarian jazz fusion group with whom he will tour next year. A masterful guitar player, Minucci has played or recorded with Celine DionLou ReedLionel RichieJennifer LopezDonny OsmondJewelMarc AnthonyMichael BoltonRupert HolmesAnastasia, and legends Eartha Kitt and Eddie Fisher. In the contemporary jazz space, he’s collaborated with GRAMMY® winners Kirk WhalumJeff Lorber, and Norman Brown as well as with Maysa, Marion MeadowsMindi AbairRick BraunGerald VeasleyBernie Williams, and Lao Tizer.

 

In other media, Minucci is an accomplished film and television composer having won three Emmy Awards from his ten nominations. He has music on the film soundtracks for “No Country for Old Men,” “Bowfinger,” “Legally Blonde,” and “Panic.” Minucci also scored live stage productions of “Peter Pan,” “Dora the Explorer,” “Thomas the Tank Engine,” and others.  

 

“The Hits” contains the following songs:

 

“Uptown East”

“Blue Lagoon”

“Cool Summer”

“Kickin’ It Hard”

“Waterfall”

“Lavish”

“You Make Me Blue”

“Meant To Be”

“Dreams”

“Been So Long”

“Marbella”

“Passions”

“Till The End Of Time”

“Cruise Control”

 

 

To pre-order “The Hits” via SpotifyApple Music, or Amazon and download “Been So Long” for free, go to https://hypeddit.com/specialefx/thehits.

 

For more information, visit https://chielimusic.com.

 


Monday, December 08, 2025

New Holiday Release from Darius de Haas 'Let Me Carry You This Christmas' on Concord Theatricals Recordings #jazz #music

Featuring “Cool Yule” (Added at SiriusXM/Real Jazz),

“We Need A Little Christmas” “Let Me Carry You This Christmas”

 

Concord Theatricals Recordings release Let Me Carry You This Christmas, a new album by award-winning singer and actor Darius de HaasThe album’s all-star musician lineup includes pianist/composer Matthew Whitaker, drummer Mark McLean, bassist George Farmer, pianist Tedd Firth, guitarist Armand Hirsch, as well as amazing orchestral arrangements from Charlie Rosen (Some Like It Hot) and David Chase (Roundabout’s Kiss Me, Kate). Darius shares his love of the holidays, cherished family memories, and expanding his musical palette through timeless classics like “We Need A Little Christmas,” “Silent Night,” “Have Yourself A Merry Little Christmas,” as well as the Steve Allen penned “Cool Yule” (introduced by Louis Armstrong) and newer songs destined to become classics such as Mervyn Warren’s Who Would Imagine A King” (from The Preacher’s Wife), Annie Lennox’s “Cold” and the title song “Let Me Carry You This Christmas” written for Darius by Tom Mizer and Curtis Moore (of …Maisel).

 

This dream-come-true album is the culmination of so many wonderful things coming together: my love for the holidays and holiday music, the great musical artists on whose shoulders I stand and who have inspired me, and my dear family who I celebrate and who gave me this love of music from the beginning,” said de Haas. “It is also my offering of love, joy and comfort to all in this season and beyond.”

"Let Me Carry You This Christmas" (Official Video)

 

2025 Tour Dates:

12/16/25 – “Darius de Haas: Let Me Carry You This Christmas,” 54 Below (NYC)

12/17/25 – “Darius de Haas: Let Me Carry You This Christmas,” 54 Below (NYC)

 

Darius de Haas enjoys a multifaceted career as an award-winning widely acclaimed popular singer and actor. Born in Chicago and raised in a musical family he has proven successful as a performer ranging from the Broadway stage to recordings to concert venues throughout the world. He has been described by The New York Times as …”An astonishing vocal acrobat, Mr. de Haas combines the timbre of a pure wind instrument with a fearless but disciplined theatricality and the swinging authority of a jazz powerhouse” and as a vocalist “who can reveal the sorrows, pains and joys of the composer’s richly layered repertoire with an intensity and honesty that easily envelops and mesmerizes the listener.”

 

Darius de Haas - BIO

Born and raised in Chicago, Darius is rooted in a musical legacy forged by his father, jazz bassist, Eddie de Haas and his mother, singer and producer Geraldine Bey de Haas, aunt, singer and Toronto entertainment legend Salome Bey and uncle, renowned singer/pianist Andy Bey (Andy and The Bey Sisters) Darius is a singer in the popular and jazz tradition with singular abilities and a musical range  that have established him as a performer in a variety of settings from the concerts to the recording studio to the Broadway stage.

 

Notable concerts include The Lincoln Center American SongbookDuke Ellington’s Sacred Concert at Disney Concert HallThe Alvin Ailey Dance Theater’s 50th Anniversary Gala (honoring Judith Jamison), and the 92nd St Y Lyrics and Lyricists series for which he created and performed musical evenings celebrating Sam Cooke and Stevie Wonder. His Carnegie Hall performances include the Cincinnati Pops and Baltimore Pops (conducted by Marin Alsop) Other notable performances include London’s Royal Festival HallThe Kennedy CenterThe National SymphonyThe Philly PopsThe Boston Pops, and The Los Angeles Master Chorale. He has performed, recorded and/or toured with such diverse artists as Elvis CostelloDeborah HarryOleta AdamsMarvin HamlischRoberta Flack, and Vanessa Williams. Darius’ solo recorded works include his debut Darius de Haas: Day Dream-Variations on Strayhorn (the music of Billy Strayhorn) and Quiet Please (with pianist Steven Blier- an intimate collection of popular standards).

 

An award winning actor, Darius made his Broadway debut in the original production of Kiss of the Spiderwoman starring Chita Rivera. This was followed up by the original Broadway casts of RentThe Gershwins’ Fascinating RhythmMarie ChristineLincoln Center’s revival of Carousel, and Shuffle Along. He has also performed in the staged anniversary Broadway concerts of Dreamgirls (as C.C. White along with Audra McDonald, Lilias White, Heather Headley, and Billy Porter) and Hair for The Actors Fund.

 

He received the OBIE Award for the title role in the premiere of Diedre Murray/Cornelius Eady’s Pulitzer- nominated Running Man. Other notable premieres include Cry the Beloved CountryJesus Christ Superstar, the John Adams/June Jordan opera I Was Looking At The Ceiling and Then I Saw the SkyThe Bubbly Black Girl Sheds her Chameleon SkinPublic Works As You Like It at The Public Theater, and the lead role of “Billy” in world premiere of Billy Strayhorn: Something To Live For.

 

His TV credits include “The Marvelous Mrs. Maisel” (for which he is the singing voice of “Shy Baldwin”), “In The Life,” Great Performances: Broadway In Love, “Dietland,” and the upcoming Mother May I Have A Kidney? and Song Sung Blue (w Hugh Jackman). His voice can be heard on numerous original cast recordings and soundtracks – including all the “Shy Baldwin” tracks on “The Marvelous Mrs Maisel.”

 

He is proud to have worked with such organizations as The Fair Housing Justice Center and Covenant House. Darius is a founding member of Black Theatre United, an organization whose mission is to inspire reform and combat systemic racism within the theatre community and throughout the nation, supporting the Black community through various resources and initiatives.

 

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#Artist and Track TitleTime
1.Darius de Haas - Let Me Carry You (Interlude 1)00:57
2.Darius de Haas - We Need A Little Christmas Medley (Deck The Halls / Children Go Where I Send Thee)04:10
3.Darius de Haas - Snowbound [Feat. Tedd Firth]03:35
4.Darius de Haas - Cool Yule05:34
5.Darius de Haas - Silent Night [Feat. George Farmer]03:59
6.Darius de Haas - Who Would Imagine A King03:20
7.Darius de Haas - Let Me Carry You This Christmas [Feat. Matthew Whitaker]04:23
8.Darius de Haas - The First Noel / In The Bleak Midwinter [Feat. Matthew Whitaker]05:40
9.Darius de Haas - Cold05:48
10.Darius de Haas - Let Me Carry You (Interlude 2)01:03
11.Darius de Haas - Have Yourself A Merry Little Christmas [Feat. Armand Hirsch]04:48



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