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Saturday, January 25, 2020

Special EFX eager to get into some all-star "Hanky Panky" on Valentine's Day #jazz

The world jazz collective is set to drop the “All Stars” album on February 14
preceded by the radio single “Hanky Panky Boys.”

Mainstay of the GRAMMY® nominated collective that is Special EFX, guitarist Chieli Minucci has spent a lot of time on the road the last few years with a revolving lineup of celebrated musicians who bring the band’s world jazz brand to life. When Minucci began writing the group’s 21st album that he produced, he came up with the idea of inviting each player from the rotating touring ensemble to perform on the album and even composed material with specific musicians in mind. The luminous result is “All Stars,” a title that is a nod to an accomplished supporting cast. The imaginative collage of contemporary jazz, world music and blues drops on February 14 on the Trippin ‘N’ Rhythm imprint. Radio will get its first sampling in the form of “Hanky Panky Boys,” a groovy, retro cool tune that finds Minucci’s guitar and organ getting into a heap of mischief with saxophonist Eric Marienthal.



“It was the first tune that I wrote specifically for the album and it doesn’t really sound like Special EFX, whatever that might be! I wanted to write something a bit different that we could play at jazz festival jam sessions, a piece that kind of sounds like a standard. Writing it got me fired up and inspired to write other music for the project,” said Minucci, who co-founded Special EFX 35 years ago with the late percussionist George Jinda and has amassed a host of Billboard No. 1 singles.

Minucci wrote thirteen songs for “All Stars” and scrapbooked the talented artists who brought his eclectic vision into focus along with his New York City-based core band members Jay Rowe (keyboards), Jerry Brooks (bass) and Joel Rosenblatt (drums). Among the dozens of guest stars on the album are violinist Regina Carter, saxophonist/flautist Nelson Rangell, trumpeter Lin Rountree, multi-horn player David Mann, Spyro Gyra drummer Lionel Cordew, bassist Gerald Veasley, keyboardist Lao Tizer, fretless bassist-vocalist Fernando Saunders, a longtime Special EFX family member who has a history with the outfit dating back to their formative years; and 2019 Soul Tracks Female Vocalist of the Year Maysa Leak, who soars mightily on a version of Jimi Hendrix’s “Little Wing.”

“I grew up listening to Jimi Hendrix. During a show we did two years ago with Maysa, I asked if she’d like to try singing ‘Little Wing’ and I was totally blown away. I asked her about making a recording of it and when she agreed, I got serious about the arrangement. I wanted to pay homage to the rock aspect of Jimi Hendrix. I also wanted to do something that was modern R&B. I think it came out unusual and I’m curious to hear how people react to it. I don’t really do cover tunes too often so this was different,” said Minucci, who will lead a revolving Special EFX lineup on a busy touring schedule in support of “All Stars” beginning on the eve of the album release date at Yoshi’s Oakland. 

One song on “All Stars” is especially personal to Minucci. “‘Sweet Memories Of You’ is a solo guitar piece that has a deeper meaning for me because I wrote it around the time my mom was passing a few years ago. It’s one of the pieces I felt would be important to include on the record - not only to break up the mood and texture of the listen, but also to give people something a little more contemplative in the middle of the record.”    
   
As the listener gets deeper into the album, the depth and breadth of Minucci’s compositional and arranging skills are on full display. “Kampala” was written on a borrowed acoustic guitar in a Ugandan hotel room during a concert tour. Minucci calls the two-part “Great Escape” “a labor of love that was written in odd meter because that’s part of the style I grew up listening to and really love. ‘Flows Like Water’ is a bit jazzier than what I typically do with Special EFX. I wanted to let people hear something a little bit different. I like to give people who buy our records and come to our shows a variety of styles. ‘Flows Like Water’ is a really nice representation of how tight the band has become over the many years we’ve worked together.”

“All Stars” concludes with “One Stick And A Stone” - the stick being Steve Adelson’s Chapman Stick that engages Minucci’s guitar intimately. “It’s a world groove piece reminiscent of what my late great partner, George Jinda, used to do on percussion. I wanted to end on a nostalgic note, something very true to the Special EFX sound.”

In addition to crafting Special EFX records, Minucci has released nearly a dozen solo collections. A guitar player gifted with an extensive sonic palate and technical proficiency, he has recorded and performed with a galaxy of A-list pop, rock, R&B and jazz stars spanning Celine Dion, Lou Reed, Chaka Khan, Lionel Richie, Jennifer Lopez, Jewel, Mark Anthony, Michael Bolton, Kirk Whalum, Jeff Lorber, Norman Brown, Rick Braun, Marion Meadows and Mindi Abair. Nominated for ten Emmy Awards for the music he created for television shows such as “The Guiding Light,” “Dancing With The Stars,” “American Idol” and “Good Morning America” (theme), Minucci is a three-time Emmy winner. He has also composed music for film (“Bowfinger,” “Legally Blond” and “Panic”) as well as stage (“Peter Pan,” “Dora the Explorer” and “Thomas the Tank Engine”).
   
On the other side of the holidays, Minucci is eager to begin introducing the music from “All Stars” to listeners. “I think it’s a really interesting sounding record. All over the place stylistically as I always do, but I enjoy that aspect. It was really intensive making this record.”

“All Stars” contains the following songs:

“Mr. Marzipan”                                                “Wake Up”
“Sunset Passion Juice”                                      “Sweet Memories Of You”
“Hanky Panky Boys”                                        “Kampala”
“Little Wing”                                                    “Great Escape (part 1)”
“Empathy”                                                        “Great Escape (part 2)”
“Two Dancing”                                                 “Flows Like Water”
“Arise”                                                             “One Stick And A Stone”
      

Catch Special EFX featuring Chieli Minucci on tour on the following dates (partial list below):

January 24 & 25            Bermuda Jazz Festival                                                   Devonshire, Bermuda
February 13                  Yoshi’s Oakland                                                           Oakland, CA
February 15                  Spaghettini                                                                   Seal Beach, CA
February 16                  Aliante Casino Hotel & Spa                                           N. Las Vegas, NV
February 18                  Blues Alley                                                                   Washington, DC
February 19                  Middle C Jazz                                                               Charlotte, NC
February 20                  Blue Bamboo Center for the Arts                                   Winter Park, FL
February 21 & 22          The Velvet Note                                                            Alpharetta, GA
March 11                      Dakota Jazz Club                                                          Minneapolis, MN
March 12                      Soiled Dove Underground                                             Denver, CO
March 13                      The Sofia                                                                      Sacramento, CA
March 14                      Tower Theatre                                                              Fresno, CA
March 21                      Maxwell C. King Center for the Performing Arts             Melbourne, FL
April 2-4                       Boscov’s Berks Jazz Festival                                         Reading, PA
April 11                        The Cutting Room                                                         New York, NY


For more information and the complete concert itinerary, please visit http://www.specialefxmusic.com and https://chielimusic.com.





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Friday, January 24, 2020

Dave Liebman's New Album "EARTH" with Expansions due out 2/7/20 on Whaling City Sound #jazz

Whaling City Sound is pleased to present Earth, the latest release from world-renowned saxophonist and composer Dave Liebman, out February 7. Thematically, Earth is Dave Liebman's plea for the planet.The album makes strong statements about humankind, the Earth as a living entity, and our coalescence with that entity. On this release, Liebman is accompanied by the young luminaries and jazz veterans who make up his newest ensemble, Expansions, formed in 2013. The group includes Bobby Avey on piano, Matt Vashlishan on reeds, Alex Ritz on drums along with the perennial Tony Marino on bass. Liebman will be celebrating the release of Earth at Dizzy's Club at Jazz at Lincoln Center on February 28 through March 1.



Earth will be the culmination of Liebman's decades-long elements series- the final album in the iconic artist's career-spanning 4-album opus which seeks to interpret the four elements in a musical context. "In the late 1990s, " recollects Liebman, "I embarked on a project to musically depict manifestations of the four natural elements. In 1997 I recorded Water with Pat Metheny, Billy Hart and Cecil McBee; in 2006 I did Air with the late genius engineer, Walter Quintus; fast forward to 2016 for Fire featuring Kenny Werner, Jack DeJohnette and Dave Holland; finally, with my present group Expansions, I conclude the series with 'Earth'."

The nearly five-hundred compositions that make up Liebman's musical canon were mostly conceived with the meaning of the piece coming first, before the composer delved into the intricacies of songwriting. The process for composing ''Earth' was no different. In this case, Liebman tasked himself with interpreting the dizzying infinitude of our planet into a musical medium. The composer had the idea to compose each track using a method that he refers to as interval selection. Thusly, each track on this release was composed with a specific musical interval in mind. Liebman explains, "Each composition has a specific intervallic element. For example, "Concrete Jungle" features the intervals of fourths and fifths, suggesting a city landscape; while "Sahara" incorporates major and minor seconds representing the heat and sun of the desert… This recording centers around the atmosphere created when intervals are played expressively with a melodic contour."

The release begins with the first track "Earth Theme"– an ethereal soundscape is created by the keyboard and wind synthesizers and Liebman enters, conjuring a primordial energy with his uncompromising melodic invention. Rich musicality and a passionate fervor are eschewed from Liebman's horn from the very first track. Liebman notes that this track represents "the foundation of the planet, our home, and the universal root of all beings." The next track, "Sahara", was inspired by the composer's trip to the Western Sahara in Mauritania some years ago. Liebman notes "The desert landscape is unique in its bleakness, but powerful in its consistency." The ensemble achieves the musical characterization of the Sahara and its bleak, vast solitude with Liebman's stunning compositional tactics and a masterful performance by the ensemble.

Major and minor sixths cascade down like the spewing of rocks and lava in "Volcano/Avalanche" which represents the Earth expelling its contents from the gut of the planet. The ensemble perform with a power and intensity only rivaled by that of the Earth. Liebman's solo on this composition feels to the listener like a release, apropos to the title of the track. Alex Ritz is particularly explosive on the drums during this track, with Bobby Avey providing otherworldly improvisation and accompaniment using synthesized sound. This track brilliantly depicts a theme of this album, a concordance of acoustic and electronic performance in depiction of a world where the organic and the technological must coexist. Liebman writes "This recording celebrating different aspects of our planet relies heavily on colors emanating from various digital and sound source equipment used by the keyboard and wind synthesizer. For me on the soprano sax, I am the lone acoustic instrument juxtaposing the old and the new (with the drums in the same zone). Melody and harmony play a lesser role in this kind of music…texture rules."

More about the artist:

NEA Jazz Master (2011) David Liebman's career has spanned nearly five decades, beginning in the early 1970s as the saxophone/flautist in both the Elvin Jones and Miles Davis Groups, continuing as a bandleader since. He has played on over five hundred recordings with nearly two hundred under his leadership and co-leadership. In jazz education he is a renowned lecturer and author of several milestone books: Self Portrait Of A Jazz Artist, A Chromatic Approach To Jazz Harmony And Melody, Developing A Personal Saxophone Sound (translated into multiple languages), in addition to teaching DVDs, journalistic contributions to periodicals and published chamber music. Lieb's autobiography What It Is-The Life Of A Jazz Artist (Scarecrow Press) is a fascinating look into Lieb's career. His bands over the years have included noted musicians such as John Scofield, Richie Beirach, Bob Moses, Billy Hart and others. The current group Expansions features some of the best of the younger generation. Lieb is the Founder and Artistic Director of the International Association of Schools of Jazz (IASJ) existing since 1989, which is a worldwide network of schools from nearly 40 countries. Liebman's awards, besides the National Endowment for the Arts Jazz Master honor include the Jazz Educators Network (JEN) Legends of Jazz (2013); the Order of Arts and Letters (France 2009); Jazz Journalist's award for Soprano Saxophone (2007); GRAMMY nomination for Best Jazz Solo (1998); and Honorary Doctorate from the Sibelius Academy (Finland-1997). He is currently teaching at the Manhattan School of Music, New York University, Princeton University and is a guest lecturer at Berklee College of Music. Dave has consistently placed in the top positions for Soprano Saxophone in the Downbeat, Jazz Times and JazzEd polls since 1973.


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Wednesday, January 22, 2020

Guitarist Lawson Rollins marks 20th anniversary by dropping “True North” #jazz

Jazziz names the album one of “10 Albums You Need to Know” as the first single, “Bluewave Bossanova,” is added out of the box to the SiriusXM Watercolors playlist.

Undeniably different, invitingly familiar and as masterful as ever, guitarist Lawson Rollins heads “True North” on his tenth album, a collection that commemorates the Billboard chart-topper’s 20th anniversary as a recording artist. Jazziz magazine named the Infinita Records release that dropped last Friday one of the “10 Albums You Need to Know.” With the influential SiriusXM’s Watercolors leading the charge, radio programmers are welcoming the new release by adding the first single, “Bluewave Bossanova,” to playlists out of the box, favoring a radio edit featuring Mary Fettig’s soprano sax caress. 


“True North” is the first album that Rollins composed, produced and recorded all the guitar parts on his own. He relies upon his mesmerizing classical fingerstyle guitar play to forge a unique path incorporating contemporary jazz, world music, Latin and New Age, making records that convey exotic travel, exhilarating adventure and quixotic escape. “True North” continues the quest yet it’s easy to observe a variety of new dimensions spawned from a recent spate of assorted music and film projects.  

Named by Guitar Player magazine as one of the “50 Transcedent Acoustic Guitarists” of all-time, the San Francisco-based Rollins curated a collection of his best (“Airwaves: The Greatest Hits”), experimented on “Dark Matter: Music for Film”; scored his first film, “Stay Out Stay Alive,” a multiple award winner and consistent film festival favorite that opened last November (Rollins also served as the movie’s executive producer); and collaborated on a single (“And If You Will Come With Me”) with Israeli superstar singer Idan Raichel. Rollins couldn’t help but be impacted artistically from this diversely prolific period when it came to crafting “True North.” The works expanded his sonic palette with Rollins adding electric and slide guitars, steel string guitar and interesting synthesizer textures alongside his signature classical Spanish nylon string acoustic guitar rhythms and rich melodic expressions.     
      
Renowned for dispensing dazzling acoustic guitar arpeggios, scales and harmonies at astonishing speed (showcased in YouTube videos that have received over 10 million views), “True North” exhibits sharper focus, self-control and command as he “stays on course” instead of wandering off on prolonged improvisational excursions. The tone of the lead guitar emotes new warmth and purity. Even the album art, consisting of sundrenched images taken on the Outer Banks (North Carolina) where Rollins spends a lot of time each year, is filled with light and soft pastels unlike earlier images. 

Rollins’ “True North” traveling mates are drummer and percussionist Dave Bryant, bassist Dan Feiszli, violinist Mads Tolling and Stephen Duros who plays additional keyboards and electric guitar on the album’s “With the Wind,” an eclectic and extravagant track unlike any ever recorded by the artist.

Below is a sampling of some of the early album reviews:

“The 14 original tracks on this new album find his improvisational flair in top form and showcase a wide range of emotions as well as that cross-aesthetic that has come to characterize his music since he first rose to popularity in the early 2000s.” – Jazziz

“A lovely, skillful and engrossing album, Rollins is just plain a contemporary master of the art. An album acoustic guitar fans should not be without.” – Midwest Record

“He plays his instrument with a soulful intensity that combines the stimulating rhythmic drive of rumba, salsa, and samba with graceful melodic finesse and free-flowing improvisational flair... On ‘True North,’ Lawson is most definitely back to doing what he is most known and admired for: staying true to the direction of his artistic inner compass and delivering the kind of inimitable guitar playing, creative instrumentation, and memorable compositions his fans have come to love.” – Exclusive Magazine

“Lawson's crossover style will undoubtedly once again attract fans of all kinds. Putting him in a category is not necessary, as long as the music is beautiful!” – Keys & Chords

                                                                                                                 
For more information, please visit www.lawsonrollins.com.


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Tuesday, January 21, 2020

Smooth Jazz Chart - Weekly Top 20 - January 20, 2020 #jazz


TW - LW - Artist - Album - (Label)
1 - 3 - Brian Bromberg - "Thicker Than Water" - (Mack Avenue Records)
2 - 6 - Lisa Addeo - "Listen To This" - (Little Black Dress)
3 - 2 - Blake Aaron - "Color And Passion" - (Innervision)
4 - 1 - Najee - "Center Of The Heart" - (Shanachie Entertainment)
5 - 4 - Mariea Antoinette - "All My Strings" - (Infinity Productions)
6 - 9 - Paul Brown - "Uptown Blues" - (Woodward Avenue)
7 - 5 - Paul Hardcastle - "Hardcastle VIII" - (Trippin 'N' Rhythm)
8 - 10 - Ragan Whiteside - "Reminiscing" - (Randis Music)
9 - 13 - Kim Scott - "Free To Be" - (Inntervision Records)
10 - 14 - Julian Vaughn - "Supreme" - (Trippin 'N' Rhythm)
11 - 7 - Kayla Waters - "Coevolve" - (Trippin 'N' Rhythm)
12 - 16 - Will Donato - "Elevate" - (Innervision Records)
13 - 20 - Hiroshima - "J-Town Beat" - (Hiroshima Inc.)
14 - 11 - Brian Lenair - "Silky Soul" - (Grits And Gravy)
15 - 22 - Kirk Whalum - "Humanité" - (Mack Avenue Records)
16 - 17 - Sam Rucker - "Redemption" - (Favor Productions)
17 - 8 - Cindy Bradley - "I'm All Ears" - (Trippin 'N' Rhythm)
18 - 15 - Brian Culbertson - "Winter Stories" - (BCM)
19 - 21 - George Freeman - "Limitless" - (Low Key Records)
20 - 128 - Greg Manning - "Twinkle" - (Independent)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

Best selling smooth jazz at amazon.com Jazz from Amazon.com
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Saturday, January 18, 2020

Tim Ray "Excursions and Adventures" - Release on Whaling City Sound, January 31st #jazz

It’s a delight to hear three supremely talented musicians find common ground, especially considering it’s their first recording together. As many know, Tim Ray (piano), John Patitucci(bass), and TerriLyne Carrington (drums) have diverse backgrounds, styles, and experience, but share a common connection to Berklee College. Ray, currently Tony Bennett’s musical director, is a longtime road companion to Lyle Lovett and Jane Siberry. Patitucci initially made a name for himself with the great Chick Corea and has spent the better part of the last two decades with Wayne Shorter. Carrington, also with Shorter and a myriad of other great jazz artists, is at the vanguard of today’s drum corps, with power, finesse, and a vision for the instrument that few can match. They come together on Excursions and Adventures, a powerful inaugural recording session for this trio that often transcends description with its gorgeous fidelity, colorful arrangements, and fabulous, nuanced performances. There are originals, like Patitucci’s NOLA-inspired “Messiaen’s Gumbo,” Carrington’s “Samsara,” an ode to Shorter, which previously appeared on her acclaimed Jazz Is a Spirit album, along with Ray’s “Yo 11,” which is as enjoyably rhythmic as it is whimsical. There are a few pop covers to note, as well, including Billy Preston’s “Nothing from Nothing,” and the Stones’ rocker “Paint It Black,” both of which show remarkable and unpredictable invention. Again, much of this gorgeous session defies description, and requires your uninterrupted attention.



What happens when three masterful artists come together as a trio? The Duke did it with Mingus and Max Roach back in 1962. Keith Jarrett, Gary Peacock, and Jack DeJohnette continue to make memorable recordings. Bill Evans, Oscar Peterson and Erroll Garner put together some nice trios as well. The members of this trio, perhaps not yet the superstars of their forebears, have come together on Excursions and Adventures, with an impressive demonstration of musical skill and performance. 

As many already know, Tim Ray (piano), Terri Lyne Carrington (drums), and John Patitucci (bass), have accomplished much individually, with multifaceted and diverse backgrounds, styles, and experience. They all have Berklee School of Music ties. But from there, they’ve spread themselves into very different corners of the jazz world. Ray, currently Tony Bennett’s musical director, has been a longtime road companion to Lyle Lovett and Jane Siberry. Acclaimed bassist Patitucci initially made a name for himself with Chick Corea, and has spent the better part of two decades with Wayne Shorter. Carrington, also with Shorter and a myriad of other top-flight jazz artists, is at the vanguard of today’s drum corps, with power, finesse, and a vision for the instrument that few can match. 

Considering this is the first time they’ve worked together, it’s exhilarating to hear such supreme talent find common ground on Excursions and Adventures. Together, they tackle originals, like Patitucci’s NOLA-inspired “Messiaen’s Gumbo,” Carrington’s “Samsara,” an ode to Shorter, which previously appeared on her acclaimed Jazz Is a Spirit album, and Ray’s “Yo 11,” which is as enjoyably rhythmic as it is melodic. There are a few pop covers to note, as well, including Billy Preston’s “Nothing from Nothing,” and the Stones’ rocker “Paint It Black,” both of which show remarkable and unpredictable invention.

Like the most accomplished musicians, Ray, Patitucci, and Carrington bring out the best in each other, pushing into unpredictable areas, filling the spaces with constant surprises, and gifting the listener with the bounty of that creation. It is exhilarating, another of Whaling City Sound’s brilliant jazz releases, and a very good reason for fans of the longstanding piano-based trio tradition to get excited again.


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Friday, January 17, 2020

PUSS N BOOTS ANNOUNCE NEW ALBUM SISTER OUT FEBRUARY 14

TRIO FEATURING NORAH JONES, SASHA DOBSON & CATHERINE POPPER
WILL PLAY NYC ALBUM RELEASE SHOWS AT
ROUGH TRADE (FEB. 14) & BOWERY BALLROOM (FEB. 15)

Puss N Boots—the charming trio featuring Norah Jones, Sasha Dobson, and Catherine Popper—have announced a February 14 release date for their second full-length album, Sister, which is available to pre-order on vinyl, CD, or download. The first single “It’s Not Easy” featuring a lead vocal by Jones is available to stream or download now. The band will also play two NYC album release shows – February 14 at Rough Trade in Brooklyn and February 15 at Bowery Ballroom in Manhattan – and appear at the 2020 New Orleans Jazz & Heritage Festival on April 25. Additional tour dates will be announced shortly.


Sister is a fetching collection of originals written by the band members collectively and individually, mixed with loving covers of songs by Tom Petty (“Angel Dream”), Dolly Parton (“The Grass Is Blue”), Paul Westerberg (“It’s a Wonderful Lie”), and Concrete Blonde (“Joey”). Jones, Dobson, and Popper each take turns delivering lead vocals and also pick up multiple instruments throughout the album trading off on guitar, bass, and drums.

“This band has always been a great adventure,” says Jones. “Sasha and Cat’s fearlessness eggs me on to try new things, be it playing guitar, drums, writing a new way or wearing an elf costume on stage. We feed off of each other’s eagerness to jump in, sink or swim. And singing together feels like the most natural thing in the world. It’s a real privilege to have found this space together, try different things and to watch this band grow into what is at this moment.  It is ever evolving and so fun.”
“For me this band has always been an incredible and uniquely safe outlet for trying new things,” adds Dobson. “For example, I’d been writing all year on bass but was too shy to tell anyone, but when Norah asked me if I had anything new, before I knew it we were covering those tunes and I was playin’ bass in the band!”

“We were rehearsing for something and we took a break,” recalls Popper. “I sat at the drums and started messing around, Norah came back and picked up a guitar and riffed, and Sasha picked up the bass, and in an hour we had ‘It’s Not Easy.’ My bandmates just love to make music and it’s been a great learning experience for me about setting my ego aside and taking a chance.”

The track listing for Sister is as follows:

1. Jamola (Sasha Dobson, Norah Jones, Catherine Popper)
2. It’s Not Easy (Sasha Dobson, Norah Jones, Catherine Popper)
3. Nothing You Can Do (Sasha Dobson)
4. Lucky (Catherine Popper)
5. You And Me (Sasha Dobson)
6. You Don’t Know (Norah Jones)
7. The Great Romancer (Sasha Dobson, Don Was)
8. It’s A Wonderful Lie (Paul Westerberg)
9. Sister (Sasha Dobson, Norah Jones, Catherine Popper)
10. The Razor Song (Catherine Popper)
11. Angel Dream (Tom Petty)
12. Same Old Bullshit (Helen Rogers)
13. Joey (Johnette Napolitano) **CD & digital album only**
14. The Grass Is Blue (Dolly Parton) **CD & digital album only**


* * *
Puss N Boots first formed in 2008 as a live band performing around Brooklyn. With a repertoire anchored in Americana, country, folk, pop and rock, the band became an outlet for Jones, Dobson and Popper to switch instruments and allowed them to showcase a different side of themselves than on their various solo and side projects.

After years of live performances, the trio decided to make a full-length album which resulted in their 2014 debut No Fools, No Fun. Comprised of originals and covers, studio recordings and live performances, the album was praised by Rolling Stone, Paste, American Songwriter and led to TV performances on The Tonight Show with Jimmy Fallon and CBS This Morning.
The group has opened for Neil Young and appeared at numerous festivals including the Clearwater Festival, Green River Festival, and the Newport Folk Festival. In 2019, Puss N Boots performed “The Grass Is Blue” at the GRAMMY MusiCares charity event honoring Person of the Year Award recipient Dolly Parton.

About Norah Jones (vocals, electric guitar, acoustic guitar, piano, pipe organ, drums)
Norah Jones first emerged with the 2002 release of Come Away With Me, her self-described “moody little record” that introduced a singular new voice and grew into a global phenomenon and swept the 2003 GRAMMY Awards. Since then, Norah has sold 50 million albums worldwide and become a nine-time GRAMMY-winner. She has released a series of critically acclaimed and commercially successful solo albums—Feels Like Home (2004), Not Too Late (2007), The Fall (2009), Little Broken Hearts (2012), and Day Breaks (2016)—as well as albums with her collective bands The Little Willies, Puss N Boots, and El Madmo. The 2010 compilation …Featuring Norah Jones showcased her incredible versatility by collecting her collaborations with artists as diverse as Willie Nelson, Outkast, Herbie Hancock, and Foo Fighters. With Day Breaks, Norah returned to her jazz roots while also proving her to be this era’s quintessential American artist, the purveyor of an unmistakably unique sound that weaves together the threads of several bedrock styles of American music: country, folk, rock, soul, jazz. Most recently, Jones has released a series of eclectic singles including collaborations with artists and friends such as Jeff Tweedy, Thomas Bartlett, Brian Blade, Tarriona Tank Ball, Mavis Staples, and Rodrigo Amarante. The 2019 singles collection Begin Again gathered seven snapshots of creativity from one of the music world’s most versatile and consistently intriguing artists.

About Sasha Dobson (vocals, electric guitar, electric bass, drums)
Sasha Dobson is a dynamic New York jazz singer, songwriter and multi-instrumentalist. She grew up in a family of accomplished jazz musicians including her father, the great pianist Smith Dobson (Red Holloway, Bobby Hutcherson, Art Pepper); her mother, the endearing and sought-after jazz vocalist and educator, Gail Dobson; and her brother, multi-instrumentalist and prodigy of jazz drums, Smith Dobson V. At the age of 12, Sasha wowed the crowd performing at the Monterey Jazz Festival with her family and had since toured worldwide with her own band and Norah Jones, opened for Neil Young and Willie Nelson, and been a featured artist at Farm Aid. Since her debut album Modern Romance, produced by GRAMMY Award winner Jesse Harris, Sasha has collaborated with many leading musicians. She is currently working on a forthcoming EP with bassist and producer Don Was and drummer Jay Lane. She has been making NY appearances with her latest jazz project, a supergroup featuring Peter Bernstein, Neal Miner, Dred Scott, and Ian Hendrickson-Smith.

About Catherine Popper (vocals, electric guitar, electric bass, drums, Haken Continuum)
Catherine Popper is a North Carolina native who has performed and recorded with numerous artists including Hem, Ryan Adams and the Cardinals, Levon Helm, Karen Elson, Rhett Miller, Willie Nelson, Peter Rowan and Tony Rice, Norah Jones, Tommy Stinson, Alejandro Escovedo, She and Him, Jesse Malin, Boy George, Brian Fallon, Larry Campbell, and Jack White. She played in a pit orchestra for Head Over Heels on Broadway in 2018 and will be joining the pit for the upcoming musical, Diana in 2020. 


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Wednesday, January 15, 2020

Guitarist Lawson Rollins' exotic "True North" departs this Friday #jazz

Undeniably different, invitingly familiar and as masterful as ever, guitarist Lawson Rollins (www.lawsonrollins.com) heads “True North” on his tenth album, dropping this Friday. The Billboard chart-topping musician-songwriter-producer, who relies upon his mesmerizing classical fingerstyle guitar play to forge a unique path that incorporates contemporary jazz, world music, Latin and New Age, makes records conveying exotic travel, exhilarating adventure and quixotic escape. “True North” continues the quest yet it’s easy to observe a variety of new dimensions spawned from a recent spate of assorted music and film projects.  


Named by Guitar Player magazine as one of the “50 Transcedent Acoustic Guitarists” of all-time, the San Francisco-based Rollins curated a collection of his best (“Airwaves: The Greatest Hits”), experimented on “Dark Matter: Music for Film”; scored his first film, “Stay Out Stay Alive,” a multiple award winner and film festival favorite that opened last November (Rollins also served as the movie’s executive producer); and collaborated on a single (“And If You Will Come With Me”) with Israeli superstar singer Idan Raichel. Rollins couldn’t help but be impacted artistically from this diversely prolific period when it came to crafting “True North.” The works expanded his sonic palette with Rollins adding electric and slide guitars, steel string guitar and interesting synthesizer textures alongside his signature classical Spanish nylon string acoustic guitar rhythms and rich melodic expressions.     
      
“True North” is the first album that Rollins produced and recorded all the guitar parts on his own. Renown for dispensing dazzling acoustic guitar arpeggios, scales and harmonies at astonishing speed (showcased in YouTube videos that have received over 10 million views), this outing exhibits sharper focus, self-control and command as he “stays on course” instead of wandering off on prolonged improvisational excursions. The tone of the lead guitar emotes new warmth and purity. Even the album art, featuring sundrenched images taken on the Outer Banks (North Carolina) where Rollins spends a lot of time each year, is filled with light and soft pastels unlike earlier images. 

The collection’s first single, “Bluewave Bossanova,” has already been added to the SiriusXM playlist ahead of Friday’s album release. 


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Tuesday, January 14, 2020

Smooth Jazz Chart - Weekly Top 20 - January 13, 2020 #jazz


TW - LW - Artist - Album - (Label)
1 - 0 - Najee - "Center Of The Heart" - (Shanachie Entertainment)
2 - 0 - Blake Aaron - "Color And Passion" - (Innervision)
3 - 0 - Brian Bromberg - "Thicker Than Water" - (Mack Avenue Records)
4 - 0 - Mariea Antoinette - "All My Strings" - (Infinity Productions)
5 - 0 - Paul Hardcastle - "Hardcastle VIII" - (Trippin 'N' Rhythm)
6 - 0 - Lisa Addeo - "Listen To This" - (Little Black Dress)
7 - 0 - Kayla Waters - "Coevolve" - (Trippin 'N' Rhythm)
8 - 0 - Cindy Bradley - "I'm All Ears" - (Trippin 'N' Rhythm)
9 - 0 - Paul Brown - "Uptown Blues" - (Woodward Avenue)
10 - 0 - Ragan Whiteside - "Reminiscing" - (Randis Music)
11 - 0 - Brian Lenair - "Silky Soul" - (Grits And Gravy)
12 - 0 - Nick Colionne - "Just Being Me" - (Trippin N' Rhythm)
13 - 0 - Kim Scott - "Free To Be" - (Inntervision Records)
14 - 0 - Julian Vaughn - "Supreme" - (Trippin 'N' Rhythm)
15 - 0 - Brian Culbertson - "Winter Stories" - (BCM)
16 - 0 - Will Donato - "Elevate" - (Innervision Records)
17 - 0 - Sam Rucker - "Redemption" - (Favor Productions)
18 - 0 - Walter Beasley - "Going Home" - (Affable Records)
19 - 0 - Keith Andrew - Soul Expedition - (Innervision Records)
20 - 0 - Hiroshima - "J-Town Beat" - (Hiroshima Inc.)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.

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