Music Video with interview, comments. The composer/keyboardist talks a bit about his new CD "GK", his early career, and composing. Also, comments by Dave Koz, Richard Elliot, Rick Braun, Jessy J., Brian Bromberg.
With music video previews of Manhattan, Jamba Samba, Floating in Bahia, and Wildwood.
Band includes Greg Adams, Michael Paulo, Lenny Castro, Ricky Lawson, Richard Smith, Jeff Kashiwa, Smitty Smith, Brian Bromberg, Fred Schreuders, Jacques Voyemant.
By Martin Gladu - allaboutjazz.com. As its title suggests, Between 2 Worlds finds guitarist Chuck Loeb's sublimated split personality at last openly revealed. A household name in smooth jazz circles, the former Steps Ahead luminary this time throws the dice with a program heavier on the straight-ahead jazz component that composes the core of his musical upbringing. Does this project mark the dawn of a new beginning, a passage to this other world? Only time will tell.
Customarily dressing the table with a set of his glossy, high-sheen wares, the second half of the program finds the agile guitarist delving into some more substantiated, post-bop-type purlieus, not without the same unbridled enthusiasm and passion that characterizes his pop-jazz work. That said, like those that preceded him in such indissoluble mixing of genres (and aesthetics)--Lee Ritenour being a rather convenient comparison--the final product unfortunately falls flat in the face of artistically more focused covenants. Too much of this, not enough of that, the apanage of the MOR modicum.
From the funky, bluesy stroll of the Robben Ford-tinged “Oh No You Didn't” (featuring daughter Lizzy's soulful vocals) things take a radical turn as Dave Weckl's rollicking kit work introduces the supercharged, intervallic theme of “Let's Play.” A brisk minor blues with booming chordal interjections, the piece emphatically celebrates the precise, George Benson/Pat Martino/Mike Stern school of picking.
Halting a brief moment for wife-vocalist Carmen Cuesta's grazing Tom Jobim's tranquil “So Tinha De Que Ser Com Voce,” Loeb then launches into the open-strings voicings that open “The Great Hall,” a luminous waltz recalling John Abercrombie's mid-70's to mid-80's work that most probably got its title after his former teacher, the great Jim Hall. Though the latter composition is rich enough to endure repeated listening, other tracks may, to some, defy the threshold of tolerance namely, “Hiram,” a dedication to the late Hiram Bullock, the title track, and the closing sleeper, “Early Turns To Late.”
A deft technician with years studio experience behind him, Loeb demonstrates with Between 2 Worlds that his straight-ahead fretwork certainly needs to be reckon with, championed even. But, whether learned jazz listeners will buy into such disparate programming remains improbable.
Track Listing: Let’s Go; Hiram; Mittens; Between 2 Worlds; Oh No You Didn't; Let's Play; So Tinha De Que Ser Com Voce; The Great Hall; Mean Old Man; 360; Early Turns To Late.
Personnel: Chuck Loeb: guitars; Carmen Cuesta: vocals (2, 4, 7); Lizzy Loeb: vocals (5); Eric Marienthal: saxophones, flute; Till Broenner: trumpet (3); Nathan Eklund: trumpet (4), trombone (1); Brian Culbertson: trombone (1); Pat Bergeson: harmonica (11); Will Lee: bass (1-3, 5); Dieter Ilg: bass (8-11); Gerald Veasley: bass (2, 6); Dave Weckl: drums (1-3, 5-7); Wolfgang Haffner: drums (4, 8, 9-11); Bashiri Johnson: percussions (1-3); David Charles: percussions (5, 7, 10, 11).
L.A. based guitarist Mike Clinco debuts on WCS with "Neon." To acquaint you with Mike, he became associated with Lionel Newman of 20th Century Fox as a session guitarist for many films and television shows. A list of the people he has toured and recorded with reads like a Who's Who of the entertainment industry. He has worked with everyone from Bobby McFerrin to Luciano Pavarotti and Natalie Cole, to name only a few. Stellar sidemen on this project include saxophonist Bob Sheppard, who toured with Chick Corea's "Origin" for two years, and is featured on Chick Corea's Grammy nominated CD "Change." Walt Fowler's (flugelhorn) credits include working with Billy Childs, James Taylor and Frank Zappa. Acoustic bassist Darek "Oles" Oleszkiewicz's partial list of collaborations include Brad Mehldau, Billy Higgins, and Pat Metheny. On electric bass, Jimmy Johnson has worked with John Abercrombie, Sergio Mendes, and Lee Ritenour. Drummer Jimmy Branly has past projects with Flora Purim and Airto Moreira as well as Brandon Fields. Charlie Banacos writes in the great liner notes that "This is one of those extraordinary recordings that will please many listeners." Good advice from someone who knows his stuff!
By Woodrow Wilkins allaboutjazz.com There are throwbacks, and then there are throwbacks. Guitarist Grant Geissman takes us back to the era of cool--a visual image of nightclubs patronized by people wearing long shirts, dark glasses and berets.
Geissman may be best known for his solo on “Feels So Good,” the pioneering smooth jazz song that brought Chuck Mangione's flugelhorn into the mainstream. In addition to a successful solo career, Geissman has been active in film and television, co-writing the underscore to the series Two and a Half Men as well as contributing to numerous other projects. On Cool Man Cool, Geissman is supported by saxophonist Brian Scanlon, bassist Trey Henry, drummer Ray Brinker and an all-star lineup of cool musicians Geissman has worked with, including Mangione, Tom Scott and Patrice Rushen.
The title song says it all; with finger snaps, Brian Kilgore's bongos and Brian Scanlon's flute, “Cool Man Cool” captures the essence of those beatnik days. Geissman's electric guitar lead is in a groove. After solos by Scanlon and pianist Emilio Palame, Geissman and Scanlon pair up for some engaging, high-speed riffs that build in intensity until the song settles back into the main melody.
Mangione joins Geissman for “Chuck and Chick.” This piece is an all-in jam with Chick Corea on piano, the Yellowjackets' Russell Ferrante on Fender Rhodes electric piano, and Alex Acuna joining Kilgore on percussion. Geissman plays classical and steel string acoustic guitars, and Mangione leads early on what at first appears to be an easygoing piece. Scanlon then comes in on soprano saxophone, Mangione's middle solo sets up Corea and the pace takes on the feel of a stroll through a Mexican marketplace. Throughout, Henry and Brinker are subtle yet effective.
“Minnie Lights Out” goes back even further than the 1950s-'60s cool scene. With Henry switching to tuba, and Brinker shedding the drums for pie pans, this playful piece ponders what would happen if Minnie Mouse walked out on Mickey. Van Dyke Parks adds the accordion, and Charlie Bisharat brings a wailing violin while Geissman plays acoustic guitar, as does guest Dennis C. Brown. Guitar and violin then enjoy a sassy call-and-response late in the piece.
Although the entire set is built around the idea of cool, no two pieces are alike. Elements of several styles, including blues and bop, are mixed in here and there. Geissman wrote and arranged all 14 tracks.
Track Listing: Cool Man Cool; Chicken Shack Jack; Too Cool for School; Even It; One for Jerry; Minnie Lights Out; Tiki Time; Nawlins; Crazy Talk; Ya Think?; Mad Skillz; Cool Blooz.
Personnel: Grant Geissman: electric guitar (1-3, 5-7, 9, 11-14), finger snaps (1), classical guitar (4), acoustic guitar (4, 8, 10), 12-string guitar (4); Brian Scanlon: flute (1), tenor saxophone (3, 5, 10-12), soprano saxophone (4, 9), alto saxophone (6); Emilio Palame: acoustic piano (1, 8), Hammond B-3 organ (10), Fender Rhodes electric piano (14); Trey Henry: acoustic bass (1-7, 9-14), tuba (8); Ray Brinker: drums (1-7, 9-14), finger snaps (1), pie pan (8); Brian Kilgore: bongos (1), percussion (7, 9-11, 14); Paul Stilwell: finger snaps (1); Tom Scott: tenor saxophone (2, 13); Jim Cox: Hammond B-3 organ (2, 3, 12, 13), acoustic piano (2); Chuck Mangione: flugelhorn (4, 9, 10); Chick Corea: acoustic piano (4); Russell Ferrante: Fender Rhodes electric piano (4, 9), acoustic piano (5); Alex Acuna: percussion (4, 7, 9, 10, 11, 14); Tom Ranier: acoustic piano (6, 7, 12); Jerry Hahn: electric guitar (7); Mike Finnigan: Hammond B-3 organ (7, 14); Van Dyke Parks: accordion (8); Charlie Bisharat: violin (8); Dennis C. Brown: acoustic rhythm guitar (8), electric guitar (14), Dobro (14); Patrice Rushen: acoustic piano (10); Chuck Lorre: electric guitar (14).
Recorded at Pizza Express Jazz Club. Featuring Nick Colionne (Guitar), Brian Simpson (Keyboards), Tony Mason (Drums) & Frank Felix (Bass). For details of upcoming gigs at Pizza Express visit Sky.fm Events
Wayman Tisdale, a three-time All-American at Oklahoma, who played 12 seasons in the NBA, died after a two-year battle with cancer. He was 44.
Tisdale died Friday morning at St. John Medical Center in Tulsa, hospital spokeswoman Joy McGill said.
Tisdale learned of a cancerous cyst below his right knee after breaking his leg in a fall at his home in Los Angeles on Feb. 8, 2007. His leg was amputated last August. He made several public appearances since, including April 7 at an Oklahoma City Thunder game.
A 6-foot-9 forward from Tulsa with a soft left-handed touch, Tisdale played in the NBA with the Indiana Pacers, Sacramento Kings and Phoenix Suns. He averaged 15.3 points for his career. He was on the U.S. team that won the gold medal in the 1984 Olympics.
After his basketball career, he became an award-winning jazz musician, with several albums making the top 10 on the Billboard charts. Last month, he was chosen for induction into the National Collegiate Basketball Hall of Fame.
“Wayman Tisdale is one of the best people I have ever had the privilege of knowing,” Oklahoma coach Jeff Capel said in a statement. “He had an incredible gift of making the people who came in contact with him feel incredibly special.”
Tisdale's death was announced on the Oklahoma Senate floor Friday by Senate Majority Leader Todd Lamb, who led the chamber in prayer.
“Whether you're a Cowboy or a Sooner, Oklahoma has lost a great ambassador,” Lamb said. “He was a gifted musician, a gifted athlete and he just wore that well wherever he went.”
Tisdale was the first freshman to be a first-team All-American since freshmen were allowed to play again in 1971-72.
He was also one of 10 three-time All-Americans: The others were Oscar Robertson, Bill Walton, Lew Alcindor, Pete Maravich, Patrick Ewing, Tom Gola, Jerry Lucas, David Thompson and Ralph Sampson. Ewing and Tisdale were the last to accomplish the feat, from 1983-85.
Tisdale played on an Olympic team that sailed to the gold medal in Los Angeles, winning its game by 32 points. The squad was coached by Bob Knight and featured the likes of Ewing, Michael Jordan, Sam Perkins and Chris Mullin.
Tisdale averaged 25.6 points and 10.1 rebounds during his three seasons with the Sooners, earning Big Eight Conference player of the year each season.
He still holds Oklahoma's career scoring record with 2,661 points and career rebounding record with 1,048. Tisdale also owns the school's single-game scoring mark, a 61-point outing against Texas-San Antonio as a sophomore, along with career records in points per game, field goals and free throws made and attempts.
Released in 2000, Capitol/EMI’s Classic Sinatra has sold over two million copies in the U.S. alone and has been certified double platinum by the RIAA. To mark this achievement, on June 2, Capitol/EMI, in conjunction with Frank Sinatra Enterprises (FSE), will release a brand-new companion collection, Classic Sinatra II. Featuring 21 additional signature tracks, including 15 from the legendary concept albums Sinatra recorded for Capitol between 1954 and 1961, various singles, and a previously unreleased recording, Classic Sinatra II will be available on CD, at all major digital service providers, and www.sinatra.com.
Classic Sinatra II showcases a selection of Ol’ Blue Eyes’ most loved recordings from his Capitol concept albums, including “Moonlight In Vermont,” “Pennies From Heaven,” “Something’s Gotta Give,” and “All Of Me.” In addition, the set features four 1950s singles: “Love And Marriage,” “(Love Is) The Tender Trap,” “Learnin’ The Blues,” and “High Hopes.” Plus a 1956 recording of “Memories Of You” and a previously unreleased recording, “This Can’t Be Love.”
During his lifetime, Sinatra won 10 Grammy Awards. When awarded the Grammy Legend Award in 1994, he was introduced by U2 singer Bono, who said, "His songs are his home and he lets you in, but you know that to sing like that you've got to have lost a couple of fights. To know tenderness and romance you've got to have had your heart broken."
Sinatra appeared in 58 films and won three Academy Awards, including an honorary Oscar for The House I Live In. He performed thousands of tour dates around the world, starred in his own television show and numerous specials, earning Emmys and a Peabody Award. Sinatra was saluted by The Kennedy Center Honors (1983) as a cultural icon, and was awarded the Presidential Medal Of Honor (1985) and the Congressional Gold Medal (1995), Congress’ highest civilian award.
Born Francis Albert Sinatra on December 12, 1915, Frank Sinatra was a titan of 20th Century entertainment, with record-breaking successes in both music and film. With a legendary career spanning more than six decades, Sinatra was truly “The Entertainer of the 20th Century.” Also known as “Ol’ Blue Eyes,” “The Chairman of the Board” and “The Voice,” Sinatra has sold more than more than 150 million albums around the world, and racked up 31 gold and nine platinum albums (including three that went multi-platinum), one gold single, and two gold and platinum videos in the United States alone. He is the only artist to chart in Billboard’s Top Ten for seven consecutive decades.
Frank Sinatra: Classic Sinatra II 1. Something's Gotta Give 2. Too Marvelous For Words 3. Love And Marriage 4. From This Moment On 5. (Love Is) The Tender Trap 6. I Get Along Without You Very Well 7. All Of Me 8. I Thought About You 9. Moonlight In Vermont 10. High Hopes 11. Learnin' The Blues 12. Here's That Rainy Day 13. Pennies From Heaven 14. I've Got A Crush On You 15. Guess I'll Hang My Tears Out To Dry 16. Memories Of You 17. Love Is Here To Stay 18. When The World Was Young 19. Just One Of Those Things 20. Angel Eyes
Bonus Track 21. This Can’t Be Love Previously unreleased recording
Adam Rogers - Sight (Criss Cross ) Adam Rogers Trio - Sight (Criss Cross Imports ) Al Jarreau - Jarreau (Ryko ) Allen Toussaint - Bright Mississippi (Nonesuch ) Allen Toussaint - The Bright Mississippi (Nonesuch ) Andrea Donati / Robert Gambarini - Under Italian Skies (Kind Of Blue ) Andrew Quarte Scott - Nostalgia (Sackville ) Annette Hanshaw - I've Got A Feeling I'm Falling (Sounds Of Yesteryear ) Another Nuttree Quar - Something Sentimental (Kind Of Blue/City Hall ) Antiguo Automata Mexicano - Chez Nobody (Static Discos ) Arnett Cobb - Sizzlin' (Analogue Prod. ) Art Blakey & Jazz Messengers - Moanin' (Disconforme ) Art Blakey & Jazz Messengers - Caravan (Analogue Prod. ) Art Pepper - New York Album (Analogue Prod. ) Art Pepper - So In Love (Analogue Prod. ) Art Pepper - Intimate Art Pepper (Analogue Prod. ) Art Pepper - Intensity (Analogue Prod. ) Banu Gibson - Banu Gibson Sings More Johnny Mercer (Swing Out ) Barney With Shelly Manne Kessel & Ray Brown - Poll Winners (Analogue Prod. ) Benny Carter - Jazz Giant (Analogue Prod. ) Benny Golson / Freddie Hubbard - Jazz Masters (LRC LTD ) Benny Golson / Freddie Hubbard - The Jazz Masters (LRC LTD ) Benny Goodman - Let's Swing (EMI Japan/Zoom ) Bill Anschell - We Couldn't Agree More (Origin ) Bill Evans (Trio) - Sunday At The Village Vanguard (Analogue Prod. ) Bill Evans (Trio) - Portrait In Jazz (Analogue Prod. ) Billy Vaughn - Melody Of Love (Phantom ) Blue Mitchell - Blue's Moods (Phantom Sound & Vision ) Cannonball With Milt Jackson Adderley - Things Are Getting Better (Analogue Prod. ) Charles Mingus - Ah Um: 50th Anniversary Legacy Edition (Sony Legacy ) Charles Mingus - Tonight At Noon (Atlantic ) Charles Mingus - Blues & Roots (Atlantic ) Charles Mingus - Mingus In Europe Volume 1 (Columbia Japan/Zoom ) Charlie Byrd - Guitar Artistry Of Charlie Byrd (Pid ) Charlie Byrd - Byrd At The Gate (Analogue Prod. ) Charlie Parker - Bird At St. Nick's (Original Jazz Classics ) Charlie Parker - Bird On 52ND Street (Original Jazz Classics ) Chico Freeman - Spirit Sensitive (Analogue Prod. ) Chris Barber - At The BBC (United States Of Distribution LTD. ) Coleman Hawkins - Hawk Relaxes (Analogue Prod. ) Cormac Kenevey - Art Of Dreaming (Pid ) Count Basie & The Kansas City 3 - For The Second Time (Analogue Prod. ) Count Basie / Duke Ellington - First Time Count Meets The Duke (Pure Pleasure ) Craig Chaquico - Follow The Sun (Shanachie ) Curtis Counce - You Get More Bounce With Curtis Counce (Analogue Prod. ) Daniel Blumberg - Daniel In The Lion's Den (Yoshimoto Jap/Zoom ) Danny Grissett - Form (Criss Cross ) Danny Quin Grissett - Form (Criss Cross Imports ) Dave McKenna - Pianodisc Private Recordings (Jump ) Dexter Gordon - Go (Blue Note ) Dizzy Gillespie - Dizzy's Big 4 (Analogue Prod. ) Don Block / Jon-Erik Kellso / Scott Andrew - Nostalgia (Sackville ) Dusko Goykovich - After Hours (Columbia Japan/Zoom ) Ed Big Band Palermo - Eddy Loves Frank (Cuneiform Records/Ra ) Ed Palermo - Eddy Loves Frank (Cuneiform ) Ella Fitzgerald & Joe Pass - Fitzgerald & Pass...Again (Analogue Prod. ) Ella Fitzgerald / Carmen McRae / Sarah Vaughan - Jazz Ladies (LRC LTD ) Elvin Jones - Live At Village Vanguard (Columbia Japan/Zoom ) Eric Dolphy - Berlin Concerts (Columbia Japan/Zoom ) Frank Potenza - Old, New, Borrowed & Blue (Capri ) Fred Forney - Chasing Horizons (Oa2 ) Fred Jackson - Hootin' 'N Tootin' (Analogue Prod. ) Fred Woodard - Urban Garden (Ujam Records/City Hall Records ) Fred Woodard - 1715 (Ujam ) Fred Woodard - Urban Gardens (Ujam Records ) Fred Woodard Trio - 1715 (Ujam Records/City Hall Records ) Freddie Hubbard - Backlash (Atlantic ) Full Monty Sunshine - Full Monty Sunshine (United States Of Dist. (Uk) ) Gene Ammons - Nice An' Cool (Analogue Prod. ) Gene Ammons - Soulful Moods Of (Analogue Prod. ) Gene Ammons - Blue Gene (Analogue Prod. ) Ham Carson - Echoes Of New Orleans (Arcola Records/City Hall ) Helio Alves - It's Clear (Reservoir/City Hall ) Hugh Masekela - Hope (Apo ) Humphrey Lyttelton - Humphrey Lyttleton Big Band With Jimmy Rushing: BBC Jazz Club, Autumn 1958 (United States Of Distribution LTD. ) Ike Quebec - It Might As Well Be Spring (Analogue Prod. ) Ikue Mori - Class Insecta (Tzadik ) Jack DeJohnette / John Patitucci / Danilo Perez - Music We Are (Kindred Rhythm ) Jackie McLean - Capuchin Swing (CLASSIC ) James Fleres - Beyond The Sea (Bay Sound ) Jan Lundgren Trio - European Standards (Video Arts Japan/Zoom ) Jazz For A Rainy Day - Jazz For A Rainy Day (Phantom ) Jennifer Warnes - Hunter (Cisco ) Joe Lovano - Folk Art (Blue Art ) Joe Lovano / Us Five - Folk Art (Blue Note ) Joe Sullivan - Pianist Extraordinaire (Vintage Music Prod. (VMP) ) Joe Sullivan - Pianist Extradinaire (Vintage Music Productions ) John Coltrane - Standard Coltrane (Prestige Records/Concord Jazz ) John With The Red Garland Coltrane Trio - Traneing In (Analogue Prod. ) John Zorn - Alhambra Love Songs (Tzadik ) Johnny Griffin - Best Of Johnny Griff (UMGD/UNIVERSAL ) Johnny Griffin - Kerry Dancers & Other Swinging Folk (Analogue Prod. ) Johnny Griffin - Best Of Johnny Griffin (Concord Jazz ) Josh Berman - Old Idea (Delmark ) Junior Mance - Softly As In A Morning Sunrise (Columbia Japan/Zoom ) Kendrick Quin Scott - Reverence (Criss Cross Imports ) Kendrick Scott - Reverence (Criss Cross ) Kenny Burrell & John Coltrane - Kenny Burrell & John Coltrane (Analogue Prod. ) Kenny Dorham - Whistle Stop (EMI Japan ) Kenny With Coleman Hawkins Burrell - Bluesey Burrell (Analogue Prod. ) Kobie Watkins - Involved (Origin ) Lars Bartkuhn - The New Continent (Phantom ) Lars Bartkuhn - New Continent (Sonar Kollektiv ) Last Nickle - Last Nickle (Mai ) Lee Morgan - Leeway (Apo ) Lonnie Donegan - At The Fairfield Halls Vol. 2 (United States Of Distribution LTD. ) Lorenzo Tucci - Touch (Schema ) Marcus Q Strickland - Of Song (Criss Cross Imports ) Marcus Strickland - Of Song (Criss Cross ) Maynard Ferguson / Buddy Rich - Play Selections From West Side Story & Other (LRC LTD ) Maynard Ferguson / Buddy Rich - Play Selections From West Side Story & Other Delights (LRC LTD ) Mccoy Tyner - Blue Bossa (LRC LTD ) Michel Berthiaume - Departure (Phantom ) Mickey Martin - Echoes Of New Orleans (Arcola ) Miles Davis - Sketches Of Spain: 50th Anniversary Legacy Edition (Sony Legacy ) Miles Davis - Musings Of Miles Davis (Analogue Prod. ) Miles Davis - New Miles Davis (Analogue Prod. ) Miles Davis & Milt Jackson - Quintet/Sextet (Original Jazz Classics ) Milt Jackson & Wes Montgomery - Bags Meets Wes! (Analogue Prod. ) Montgomery Brothers - Groove Yard (Analogue Prod. ) Myra Taylor - My Night To Dream (Apo Records ) Nat Gonella - BBC Jazz Club Vol. 6 (United States Of Distribution LTD. ) Neil Cowley - Loud Louder Stop (Cake ) Nicola Conte - Rituals (Pid ) Nicole Mitchell - Renegades (Delmark ) Nicole Mitchell - Nicole Mitchell's Black Earth Strings (Delmark ) Nuttree Quartet - Something Sentimental (Kind Of Blue ) Old Dogs - By Any Other Name (Porter Records/City Hall ) Pablo Milanes - Mas Alla De Todo (Wrasse ) Patrick Moraz - Change Of Space (United States Of Distribution LTD. ) Rahsaan Roland Kirk - Blacknuss (Atlantic ) Rahsaan Roland Kirk - Natural Black Inventions-Root Strata (Atlantic ) Ralph Sutton - Partners In Crime (Analogue Prod. ) Randy Weston - African Cookbook (Collectables) Raw Sugar Jazz Quintet - I Remember Clifford Brown (Skipper Productions ) Ray Bauduc & Nappy Lamare - Dixieland Generation (Phantom ) Razoof - High Tide Low Tide (Phantom ) Renegades - Nicole Mitchell's Black Earth Strings (Delmark ) Renegades - Renegades (Delmark ) Ricardo Scales - Solo Piano Classics (Bay Sound ) Richard Elliot - Rock Steady (Artistry ) Roberto Rodriguez - Timba Talmud (Tzadik ) Ronny Smith - Just Groovin (Pacific Coast Jazz/Mvd ) Ronny Smith - Just Groovin' (Pacific Coast Jazz/Mvd ) Salim Washington - Harlem Homecoming (Ujam ) Sam Levine - Smooth Praise (Emm/Spring Hill ) Scotty Barnhart - Say It Plain (Dig Music/Ra ) Scotty Barnhart - SAY IT PLAIN (Unity Music LLC) - Book Scotty Barnhart - Say It Plain (Unity Music LLC) - Book Scotty Barnhart - Say It Plain (Unity Music) - Book Shelly Manne & Jack Marshall - Sounds Unheard Of! (Analogue Prod. ) Sonny Rollins - Saxophone Colossus (Prestige ) Sonny Rollins - What's New (Pure Pleasure ) Sonny Rollins - Sonny Rollins & The Contemporary Leaders (Analogue Prod. ) Stonephace - Stonephace (Phantom ) Stonephace - Stonephace (Tru Thoughts) Sun Ra - Nidhamu/Dark Myth Equation (Pid ) Terri Lyne Carrington - More To Say...Real Life Story: Next Gen (E1 Music ) Terri Lyne Carrington - More To Say... (E1 Music ) Tete Montoliu - Body & Soul (Columbia Japan/Zoom ) Tex Beneke - Young Ginny And Henry Mancini (Sounds Of Yesteryear ) Tex Beneke - Young Ginny And Henry Mancini/The Mello-Larks 1946-1947 (Sounds Of Yesteryear ) Thelonious Monk - Unique Thelonious Monk (JDC ) Thelonious Monk - Riverside Tenor Sessions (Analogue Prod. ) Thelonious Monk - Thelonious Alone In San Francisco (Analogue Prod. ) Thelonious Monk & Gerry Mulligan - Mulligan Meets Monk (Analogue Prod. ) Tim Big Band Davies - Dialmentia (Origin ) Tim Davies - Dialmentia (Origin ) Tine Bruhn - Entranced (Inenomis Records) Tom Harrell / Phil Woods - Jazz Masters (LRC LTD ) Tom Harrell / Phil Woods - The Jazz Masters (LRC LTD ) Tommy Flanagan - Eclypso (Columbia Japan/Zoom ) Tommy Flanagan - Ballads & Blues (Columbia Japan/Zoom ) Tommy Flanagan - Giant Steps (Columbia Japan/Zoom ) Tommy Flanagan - Super Session (Columbia Japan/Zoom ) Towner Galaher - Courageous Hearts (Towner Galaher Records/City Ha ) Trey Wright - Thinking Out Loud (Blue Canoe ) Tuck & Patti - Dream (Valley Entertainment ) Very Best Of Prestige Records - Very Best Of Prestige Records (Prestige ) Vince Guaraldi - Jazz Impressions Of Black Orpheus (Analogue Prod. ) Wadada Leo Smith - America (Tzadik ) Wes Montgomery - Dynamic New Sound (Analogue Prod. ) Xochil - Perlenkind (Phantom ) Yaron Herman Trio - Muse (Video Arts Japan/Zoom )
Reissues Art Pepper - Meets The Rhythm Section (Universal) Art Pepper - Smack Up (Pid ) Art Taylor - A.T.'s Delight (Blue Note) Bill Evans - Waltz For Debby (JDC Records ) Cannonball Adderley - Cannonball Adderley Quintet In San Francisco (Universal Japan ) Cannonball Adderley - Somethin' Else (Pid ) Charles Mingus - Clown (Atlantic) Charles Mingus - Pithecanthropus Erectus (Atlantic) Charles Mingus - Oh Yeah ( ) Chet Baker - In New York (Universal) Coleman Hawkins - Good Old Broadway (JVC XRCD ) Dexter Gordon - Dexter Calling (Blue Note) Eric Dolphy - Outward Bound (Fantasy) Jackie McLean - Jackie's Bag (Pid ) John Coltrane - Settin' The Pace (Universal) John Coltrane - John Coltrane (Fantasy Records (USA) ) John Coltrane - Blue Train (Phantom Sound & Vision ) Johnny Griffin - Little Giant (JVC XRCD ) Kenny Burrell - Midnight Blue (Pid ) Kenny Dorham - Quiet Kenny (JVC XRCD ) Miles Davis - Workin' (Fantasy) Miles Davis - Cookin' (Universal) Modern Jazz Quartet - Django (Fantasy / Prestige) - SACD Red Garland - Groovy (JVC XRCD ) Sonny Rollins - Tenor Madness (Fantasy) Sonny Rollins - Way Out West (Universal) Sonny Rollins - Sound Of Sonny (Pid ) Thelonious Monk - Misterioso (Universal Japan ) Wynton Kelly - Kelly Blue (Universal Japan )
Let's not get confused. Candy Dulfer's music isn't jazz so much as it is soul without lyrics. And that's just fine.
The Holland-born saxophonist was raised in a musical family. Her father, Hans Dulfer, founded the Bimhaus, a jazz club that was subsidized by the government as a means of promoting the arts. Candy Dulfer broke away from the traditional after seeing her father outcast by puritanical jazz thinking. Her career has been marked by playing pop, R&B and funk, and incorporating jazz into those styles. Funked Up! is a showcase of Dulfer's passion for fun.
“First in Line” is a party song. Bassist Chance Howard and drummer Kirk Johnson help lay down the groove. The three-piece horn section of Jan van Duikeren, Guido Nijs and Louk Boudesteijn give it that brassy feeling, but mostly it's about Dulfer's alto and the nightclub, jam-session atmosphere of the song.
“CD 101.9” begins with a sound byte from deejay Russ Davis. The song is a tribute to the New York radio station that dropped its smooth jazz format in 2008. The station was the first to give Dulfer's band significant airplay around the time of her first visit to the United States in 1991. Keyboardist Thomas Bank carries the rhythm on this cheerful tune, with Howard adding the background voice as Dulfer and van Duikeren share in the horn synth arrangements. Excerpts from Davis' commentary about a live gig that Dulfer and her band performed are strategically slipped into the track, setting up Dulfer's middle solo.
The horn trio, Bank, bassist Manuel Hugas and guitarist Ulco Bed support Dulfer on “Finger Poppin.'” This track, like several, is a throwback to the instrumental soul and funk jams of the 1960s and '70s by bands like Brass Construction. Bank, Hugas and Bed make good use of their time, throwing in some hard-charging sounds. Although Dulfer leads, she's almost forgotten as it's the rest of the band that shines on this title. She does get her moments, but the rhythm section and the horns are on equal ground.
“Be Cool” has many of the same elements, except this time Dulfer is more of a force. At the front end, the horn section leads, setting up a trumpet solo by van Duikeren. After a second wave of horns, Dulfer solos. The alto is put through a series of high-speed rolls. When the band comes back in, van Duikeren and Dulfer engage in a brief dialogue wherein each instrument grinds.
In the making of Funked Up!, Dulfer set out to recreate the energy and flow of her live performances. With an abundance of soulful, funky and energetic selections, offset by a few ballads and easygoing pieces, she appears to have succeeded.
Track Listing: First in Line; My Funk; Still I Love You; Step Up; Don’t Go; CD 101.9; Bliss 2 This; Finger Poppin’; Be Cool; On & On; True & Tender; Roppongi Panic.
Personnel: Chance Howard: bass (1, 3, 7, 10), keyboards and percussion programming (3), vocals (6, 7); Kirk A. Johnson: drums (1, 3, 7, 10), shaker (3); Candy Dulfer: alto saxophone; vocals (1), horns (2, 6); Moon Baker: vocals (1); Jan Van Duikeren: trumpet (1, 8, 9, 11), horns (2, 6); Louk Boudesteijn: trombone (1, 8, 9, 11); Guido Nijs: tenor sax (1, 8 , 9, 11); Thomas Bank: keyboards and programming; Pete Philly: rap and vocals (2); Ulco Bed: guitar (2, 7-10); Frank Stukker: guitar (3, 12); Leona: vocals (4, 11); Russ Davis: radio voice (6); Joseph Bowie: rap (7), “ice brass” section (7); Manuel Hugas: bass (8, 9, 11).
Recorded at the Pizza Express Jazz Club. Featuring Dave Koz (Saxophone), Brian Simpson (Keyboards), Tony Mason (Drums) and Frank Felix (Bass). For details of upcoming gigs at Pizza Express visit Sky.fm Events
Wynton Marsalis will perform on the ‘Late Show with David Letterman’ this week, Wed May 13th.
The Pulitzer Prize & 9-time Grammy Award winner will perform the song ‘School Boy’ from his new Blue Note album He & She - his 5th Blue Note release that features 22 tracks of his signature jazz, as well as spoken word and poetry tracks, all centered around the theme of the relationship between man and woman.
The show will air 11.30 ET/PT, this Wed, May 13th.