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Monday, September 30, 2013

Smooth Jazz Chart - Weekly Top 20 - September 30th, 2013 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Jeff Golub - "Trains Keep A Rolling" - (eOne)
2 - 3 - Boney James - "The Beat" - (Concord Jazz)
3 - 2 - Paul Hardcastle - "Hardcastle VII" - (Trippin 'N' Rhythm)
4 - 5 - George Duke - "DreamWeaver" - (Heads Up)
5 - 6 - Keiko Matsui "Soul Quest" - (Shanachie)
6 - 7 - Chuck Loeb - "Silhouette" - (Shanachie)
7 - 8 - Jeff Lorber Fusion - "Hacienda" (Heads Up)
8 - 9 - Steve Cole - "Pulse" - (Artistry/Mack Avenue)
9 - 10 - Brian Simpson - "Just What You Need" - (Shanachie)
10 - 4 - Dave Koz & Friends - "Summer Horns" - (Concord/CMG)
11 - 11 - Jessy J - "Seconds Chances" - (Shanachie)
12 - 12 - Pieces Of A Dream - "In The Moment" - (Shanachie)
13 - 14 - Tim Bowman - "Seaside Drive"-Single- (Trippin 'N' Rhythm)
14 - 15 - Althea Rene - "In The Flow" - (Trippin 'N' Rhythm)
15 - 17 - Vincent Ingala - "Can't Stop Now" - (vicentingala.com)
16 - 20 - Kim Waters - "My Loves" - (Red River)
17 - 22 - Lebron - "Shades" - (Cutmore)
18 - 18 - Chieli Minucci & Special EFX - "Genesis" - (Shanachie)
19 - 13 - Bob James & David Sanborn - "Quartet Humaine" - (OKeh)
20 - 16 - BWB - "Human Nature" - (Heads Up)

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With his new Thrasher Dream Trio, featuring Kenny Barron and Ron Carter, drummer Gerry Gibbs finds that dreams really can come true #jazz


Let’s face it, dream rarely come true. If someone says, “You’re a dream come true!” well, you have to question the likeliness of that at least a bit.

Just maybe, though, there’s a wee shred of truth in the Thrasher Dream Trio, the name of Gerry Gibbs’ latest band with Kenny Barron and Ron Carter. The fact is if you’re a jazz drummer, as Gibbs is, and you’re playing in a band with those guys, it could very well be a dream come true.

At the same time, it’s something of a dream come true for fans of great and pure jazz as well. Gibbs, Carter, and Barron are simply terrific together; they’re tight, focused and really sound like a band. While occasionally high profile projects like this one fail to live up to the possibilities, this one obviously doesn’t; it bristles with energy, color and imagination. The trio sounds familiar at the same time it sounds like it has the soul of a wanderer. It is comfortable and relaxed as well as cheeky and downright flawless.

Digging further into Gibbs’ dream work turns up lots of luscious moments. Johnny Mandel’s "The Shadow of Your Smile" is arranged in a fresh key, which adds some surprise and unexpected contours. Monk's "Epistrophy" kicks off the album with crisp, vibrant playing and a snazzy up tempo. Stevie Wonder's "Don't You Worry 'Bout a Thing" swings pretty hard without ever losing the loveliness of the melody. Herbie Hancock's "The Eye of the Hurricane” accelerates out of the gate and doesn’t slow down, a real tribute to Barron’s continued impressive dexterity.

Gibbs has been on the New York jazz scene for a while now, accompanying many great musicians, but always staying under the radar and underrated. "Thrasher Dream Trio" will change this notion. He wrote four of the songs here, and arranged everything with the exception of “Epistrophy.” Barron and Carter, the giant piano/bass team, certainly need no introduction, but a note must be made about their collaboration here. Their history working together is one of the intangibles that makes this project so interesting. Not only does each one’s individual elan show through Gibbs’ compositions, so their chemistry also becomes a major player.

Above all, Thrasher Dream Trio recorded at the acclaimed Systems II studio in Brooklyn with the able assistance of Joe Marciano, confirms that Gibbs can now begin to stand taller in jazz circles. More importantly, though, he can boast of the fact that one of his dreams, however unlikely, has indeed come true.

Also available on Whaling City Sound – Gerry Gibbs Thrasher Big Band “Live At Luna” (wcs033) Gerry Gibbs Electric Thrasher Orchestra “Plays The Music Of Miles Davis 1967-1975″ (wcs047)


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Friday, September 27, 2013

Theresa Grayson - "Live2Love" - Release on L2L Records November 5th #jazz

 Saxophonist Theresa Grayson’s “Live2Love,” a compelling mix of pop gems from past to present and soul-jazz originals, will be released November 5th.

Theresa Grayson wears her passion for soulful pop music proudly. From Aretha FranklinHall & OatsSade and Tony! Toni! TonĂ©! to Bruno MarsMaroon 5 and John Legend, the saxophonist-flutist mines hits from decades past to present on her sophomore album, “Live2Love,” which will be released November 5th by L2L Records. The disc also showcases five soul-jazz originals, four of which were penned by Grayson including the first radio single, “Afterthoughts,” an urbane track featuring soprano sax, scat-like vocalization and live instrumentation typical of the set from producer Terence Fisher.

Grayson alternates between expressive tenor and soprano sax on “Live2Love” augmented by graceful flute flourishes. She wields soprano on the lush ‘70s retro themed “More Pressure.” The frenetic pace on “Locked Out of Heaven” gushes streams of flowing melody. Grayson presents “Sarah Smile” as a soulful tenor serenade and she surprises with soothing lead and backing vocals on “Smooth Operator.” “Tonight (Best You Ever Had)” soars upon a futuristic sonicscape giving flight to the saxtress’ impassioned calls. “Moves Like Jagger” prances feverishly with a sense of urgency established by a driving beat. The stately “Natural Woman” receives an anthem-like rendering. Lights dim for “Spend My Life” and “Close Your Eyes,” seductive urban adult contemporary grooves lit by Grayson’s sensual soprano and a vocal chorus. Desire permeates the ballad “Just A Little Time” while the longing continues on the classic slow jam “It Never Rains in Southern California,” which closes the collection.

“Leading my own band for several years, I have always had a set list that mixes feel good originals and cover songs with unique arrangements that get people up dancing and my goal with ‘Live2Love was to capture that spirit in the studio. I’m really happy with these arrangements of songs from multiple eras, and as a songwriter and arranger, I appreciate the chance to introduce my own material. The music is a reflection of my heart and the melodies I play are the steps of my own experiences. My desire is to touch a special place in the listener’s heart and create a warm feeling of peace and happiness. I want to leave the listener smiling, knowing that this was more than just a recording, that it was a life experience that I want to share with them,” said Grayson, who will preview the album at an October 26th concert date at Sugas Deep South Cuisine & Jazz Bar in Beaumont, Texas.

Having been reared in the church, the Tyler, Texas-born and Houston-raised Grayson debuted in 2010 with “It’s All About You,” an outing comprised of inspirational instrumentals. The fashionably coiffed and flashily wardrobed Grayson has strutted her high heels on concert stages with Peter WhiteMindi AbairMichael BoltonWill DowningMarion Meadows and Ronnie Laws as a sidewoman and an opener. She earned a pair of master’s degrees and is pursuing a doctorate in music education. Additional information is available at www.TheresaGrayson.com.
Grayson’s “Live2Love” contains the following songs:

“More Pressure”
“Locked Out of Heaven”
“Sarah Smile”
“Smooth Operator”
“Tonight (Best You Ever Had)”
“Moves Like Jagger”
“Natural Woman”
“Spend My Life”
“Afterthoughts”
“Close Your Eyes”
“Just A Little Time”
“It Never Rains in Southern California”

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Monday, September 23, 2013

Smooth Jazz Chart - Weekly Top 20 - September 23rd, 2013 #jazz


TW - LW - Artist - Album - (Label)
1 - 4 - Jeff Golub - "Trains Keep A Rolling" - (eOne)
2 - 2 - Paul Hardcastle - "Hardcastle VII" - (Trippin 'N' Rhythm)
3 - 1 - Boney James - "The Beat" - (Concord Jazz)
4 - 3 - Dave Koz & Friends - "Summer Horns" - (Concord/CMG)
5 - 5 - George Duke - "DreamWeaver" - (Heads Up)
6 - 6 - Keiko Matsui "Soul Quest" - (Shanachie)
7 - 7 - Chuck Loeb - "Silhouette" - (Shanachie)
8 - 8 - Jeff Lorber Fusion - "Hacienda" (Heads Up)
9 - 12 - Steve Cole - "Pulse" - (Artistry/Mack Avenue)
10 - 9 - Brian Simpson - "Just What You Need" - (Shanachie)
11 - 22 - Jessy J - "Seconds Chances" - (Shanachie)
12 - 17 - Pieces Of A Dream - "In The Moment" - (Shanachie)
13 - 13 - Bob James & David Sanborn - "Quartet Humaine" - (OKeh)
14 - 11 - Tim Bowman - "Seaside Drive"-Single- (Trippin 'N' Rhythm)
15 - 14 - Althea Rene - "In The Flow" - (Trippin 'N' Rhythm)
16 - 10 - BWB - "Human Nature" - (Heads Up)
17 - 20 - Vincent Ingala - "Can't Stop Now" - (vicentingala.com)
18 - 15 - Chieli Minucci & Special EFX - "Genesis" - (Shanachie)
19 - 19 - Paul Brown - "The Funky Joint" - (Woodward Ave.)
20 - 21 - Kim Waters - "My Loves" - (Red River)

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Monday, September 16, 2013

Smooth Jazz Chart - Weekly Top 20 - September 16th, 2013 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Boney James - "The Beat" - (Concord Jazz)
2 - 2 - Paul Hardcastle - "Hardcastle VII" - (Trippin 'N' Rhythm)
3 - 3 - Dave Koz & Friends - "Summer Horns" - (Concord/CMG)
4 - 6 - Jeff Golub - "Trains Keep A Rolling" - (eOne)
5 - 4 - George Duke - "DreamWeaver" - (Heads Up)
6 - 5 - Keiko Matsui "Soul Quest" - (Shanachie)
7 - 8 - Chuck Loeb - "Silhouette" - (Shanachie)
8 - 12 - Jeff Lorber Fusion - "Hacienda" (Heads Up)
9 - 7 - Brian Simpson - "Just What You Need" - (Shanachie)
10 - 9 - BWB - "Human Nature" - (Heads Up)
11 - 11 - Tim Bowman - "Seaside Drive"-Single- (Trippin 'N' Rhythm)
12 - 16 - Steve Cole - "Pulse" - (Artistry/Mack Avenue)
13 - 10 - Bob James & David Sanborn - "Quartet Humaine" - (OKeh)
14 - 11 - Althea Rene - "In The Flow" - (Trippin 'N' Rhythm)
15 - 15 - Chieli Minucci & Special EFX - "Genesis" - (Shanachie)
16 - 14 - George Benson - "Inspiration: A Tribute To Nat King Cole" - (Concord)
17 - 21 - Pieces Of A Dream - "In The Moment" - (Shanachie)
18 - 29 - Euge Groove - "House Of Groove" - (Shanachie>
19 - 18 - Paul Brown - "The Funky Joint" - (Woodward Ave.)
20 - 19 - Vincent Ingala - "Can't Stop Now" - (vicentingala.com)

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Thursday, September 12, 2013

“Another Long Night Out” for Brian Culbertson #jazz

On the 20th anniversary of its release, the multi-instrumentalist hitmaker returns to his contemporary jazz roots to remake his debut album joined by many of the accomplished artists that inspired him.
 
Brian Culbertson was a 20-year-old student at DePaul University recording demos in his bedroom “studio” in a crowded apartment that he shared with three roommates above a costume shop on a busy Chicago street. Those demos not only landed the then trombone player in DePaul’s jazz ensemble a record deal, but they were released a year later - February 1994 - as part of his debut album, “Long Night Out,” on which Culbertson played most of the instruments himself. Twenty years later, he’s an award-winning recording artist, songwriter and producer who is currently in the studio revisiting that first collection of songs that will be released in February 2014 as “Another Long Night Out,” but this time he’ll be accompanied by many of the contemporary jazz artists who influenced him when making the original.
 
Culbertson’s recent releases have primarily been excursions aboard R&B and funk grooves thus “Another Long Night Out” marks a return to his roots in contemporary jazz. Among the preeminent musicians joining him in the recording studio to play on the 11-song album are the Rippington’s Russ Freeman, Eric Marienthal, Candy Dulfer, Toto’s Steve Lukather, Paul Jackson Jr., Fourplay’s Chuck Loeb and Nathan East, Jimmy Haslip and Will Kennedy of Yellowjackets fame, Ricky Lawson, Michael Thompson, Lenny Castro, Michael Bland, Patches Stewart and a 38-piece orchestra with additional legendary artists soon to be added. Culbertson is producing the record.
 
Another major change for the keyboardist-trombonist who has released his 13-album catalogue through major record labels is that Culbertson decided to go the independent fan-funded route in order to get his worldwide fan base intimately involved with the project. In recent years, he has been a leading figure in contemporary jazz when it comes to embracing technological innovation, social media and video blogs and is energized about the new music business, the creative freedoms it affords and the opportunities to interact directly with fans.
 
Said Culbertson, who discusses the new project and shares footage from some of the recording sessions in his latest video blog (www.YouTube.com/BrianCulbertsonMusic), “I’m excited about being able to make the album the way I’ve always wanted to make it. With the limited resources I had at the time, most of ‘Long Night Out’ was just me on drum machines, synth bass and sampled/synth piano trying to sound like real instruments. Now I’ve got some of the best contemporary jazz musicians on the planet playing those parts. This record is a true passion project and a return to my roots as a recording artist. I’m also enthused about opening up the recording process to fans via fan funding, which is almost like having them there in the studio with us. They’ll get to hear demo versions of songs and early mixes in almost real time. The entire recording process will be documented on my video blog. Plus we’ll be offering fans extraordinary experiences such as personalized videos and phone calls, private concerts, concert tickets, video blog shout outs or a thank you in the album’s liner notes, signed sheet music and CDs, a limited edition vinyl copy of ‘Another Long Night Out,’ an opportunity to hang with me at the mastering session followed by dinner or the chance to come to a rehearsal for my 2014 tour. I can even play on your record.”
 
A highly-popular headline concert performer, Culbertson is also the Founder and Artistic Director of Brian Culbertson’s Napa Valley Jazz Getaway, a five-day festival of wine and jazz in breathtaking Napa, California. The luminous lineup for the third edition of the Napa Valley Jazz Getaway, slated for June 11-15, 2014, will be revealed by the end of the month in conjunction with the release of tickets.

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Wednesday, September 11, 2013

Monday, September 09, 2013

Smooth Jazz Chart - Weekly Top 20 - September 9th, 2013 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Boney James - "The Beat" - (Concord Jazz)
2 - 3 - Paul Hardcastle - "Hardcastle VII" - (Trippin 'N' Rhythm)
3 - 2 - Dave Koz & Friends - "Summer Horns" - (Concord/CMG)
4 - 4 - George Duke - "DreamWeaver" - (Heads Up)
5 - 5 - Keiko Matsui "Soul Quest" - (Shanachie)
6 - 7 - Jeff Golub - "Trains Keep A Rolling" - (eOne)
7 - 15 - Brian Simpson - "Just What You Need" - (Shanachie)
8 - 9 - Chuck Loeb - "Silhouette" - (Shanachie)
9 - 6 - BWB - "Human Nature" - (Heads Up)
10 - 10 - Bob James & David Sanborn - "Quartet Humaine" - (OKeh)
11 - 12 - Tim Bowman - "Seaside Drive"-Single- (Trippin 'N' Rhythm)
12 - 16 - Jeff Lorber Fusion - "Hacienda" (Heads Up)
13 - 11 - Althea Rene - "In The Flow" - (Trippin 'N' Rhythm)
14 - 8 - George Benson - "Inspiration: A Tribute To Nat King Cole" - (Concord)
15 - 13 - Chieli Minucci & Special EFX - "Genesis" - (Shanachie)
16 - 21 - Steve Cole - "Pulse" - (Artistry/Mack Avenue)
17 - 18 - Kim Waters - "My Loves" - (Red River)
18 - 14 - Paul Brown - "The Funky Joint" - (Woodward Ave.)
19 - 17 - Vincent Ingala - "Can't Stop Now" - (vicentingala.com)
20 - 19 - Brian Bromberg - "Compared To That" - (Artistry/Mack Avenue)

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Wednesday, September 04, 2013

Pieces Of A Dream Stay "In The Moment" Release on Shanachie August 27th, 2013 #jazz

Celebrating 37th Anniversary,  20th Album & Thrilling Shanachie Entertainment Debut

Pieces of a Dream got its start in Philadelphia, Pennsylvania - a city steeped in history, tradition and rich musical heritage.  Artists like John Coltrane, Stanley Clarke, Grover Washington, Jr., Gamble and Huff, Stan Getz, Jeff Lorber, Patti Labelle, Teddy Pendergrass, Jill Scott and The Roots are just a few of the amazingly talented musicians who hail from or have been nurtured by the "City of Brotherly Love." This vibrant city and its melting pot of art, music and history helped shape the musical style of the young musicians who would become the talented contemporary jazz band Pieces of a Dream.  Just as the city embraces its past, it continues to evolve, and so has Pieces of a Dream as the group makes history of its own by marking two major milestones: their 37th year together as a group and the release of their 20th album entitled In The Moment, due out on August 27, 2013 on Shanachie Entertainment.

Founding members James Lloyd (keyboards) and Curtis Harmon (drums) both use words like "thankful," "blessed" and "grateful" to describe how they feel about their work and their fans, who have continued to make it all possible.  Curtis says, "I would describe In The Moment as a milestone for us.  Not many groups get to reach 37 years and 20 albums!  I feel very fortunate and blessed to be in the music industry this long and to have this kind of success."  James adds, "That's crazy isn't it?!  Twenty albums and the first one came out in 1981 when I was a senior in high school, 16 years old.  We were out on the road with Grover Washington, Jr. the following year and I basically grew up on the road with him.  We would open for him as Pieces and then play as part of his rhythm section." And Grover Washington, Jr. was indeed their guiding light, a mentor who took Pieces of a Dream under his wing as the first group he signed with his brand new production company. James and Curtis were the nucleus of the band, having played together as members of the Ada Lewis Middle School jazz ensemble along with former member bassist Cedric Napoleon.  Danny Harmon, Curtis' father and a jazz musician himself, became their manager and had the guys listening to the Modern Jazz Quartet, Ahmad Jamal and Oscar Peterson as they developed their unique sound, blending their jazz roots with R&B, soul and funk.  Pieces released three albums in quick succession, establishing its place in the world of smooth jazz with the CDs Pieces of a Dream (1981), We Are One (1982) and Imagine This (1983). Those albums include some of their biggest early hits, including "Warm Weather," "Mount Airy Groove" and "Fo Fi Fo."   

In The Moment is the first new release for Pieces since the 2009 album Soul Intent and features eleven tracks, ten originals and a cover of the 1942 Harry Warren/Mack Gordon jazz standard "There Will Never Be Another You."  While Lloyd and Harmon have been with Pieces from the very start, the latest members of the band include Rohn Lawrence on guitar, Tony Watson, Jr. on saxophone and David Dyson on bass.  Each of the members contributed songs for the album as David, Rohn and Tony wrote or co-wrote several of the tunes including "For Real," "TTYL (I'm Driving)" and "Coming Home" respectively.
Ace producer Chris "Big Dog" Davis co-wrote and produced "TTYL (I'm Driving)" along with Rohn. James explains, "I wanted to make sure on this project that, for lack of a better word, the side musicians -- they're really not side guys, they're in the band, they're family, I wanted to be sure they had some writing and publishing on this project as well, in addition to just playing on it."  Curtis, who wrote three of the tracks adds, "I wanted to try to feature three different instruments on melodies, piano, sax and guitar, so that they could be showcased in our performances." In the Moment opens with the title track, an uplifting groove with an in-the-pocket Pieces of a Dream sound penned by Curtis Harmon.  As James puts it, "It's a mellow, riding vibe... one of the things that Pieces is known for."  Saxophonist Tony Watson Jr., graces the track with a sublime saxophone melody. Bassist David Dyson brings "For Real" to the table, featuring a beautiful lead from James on the piano and a laid-back sax turn from Tony, while David gets to stretch out on his grooving bass solo. About the upbeat tune "Steppers "D" Lite" James says, "My wife and I take Zumba and line dancing classes.  And there's this lady named Diane - Lady D, who put together a line dance to one of our songs, "Summer."  We were in class and she had the class show us the dance and I was so honored and flattered.  I decided to write "Steppers" as an homage to her.  Like 'OK, let me give you something else to use for class!'"

"Misty Eyed" takes Pieces fans on another journey altogether with a tune that features James on Motif keyboard offering a romantic and moody escape. The Metheny-esque synthesizer melody, strings and guitar pull at the heartstrings.  He shares, "This is a song I had written years ago and I had been saving it.  I didn't have a name for it.  My wife and I were talking about it and trying to come up with a name and I told her that every time I hear it I get misty eyed and she said, 'there's your name!'" In demand producer Chris "Big Dog" Davis teamed with guitarist Rohn Lawrence to write and produce the great cruising, upbeat vibe on "TTYL (I'm Driving)."  The funky guitar lead and synth grooves make you want to roll down the windows and enjoy a sunny, carefree kind of day.  Curtis wrote the next tune on the album for Pieces several years ago and asked Tony to add his touch by creating the melody on the saxophone.  "People Say" has got that 'easy like Sunday morning' laid back feel to it with sublime percussion touches from Curtis and perfect keyboard and guitar flourishes from James and Rohn.  Smooth and sophisticated, it'll surely be a fan favorite from the album. "New Jazz Swing" is a nod to the highly acclaimed New Jack Swing producer Teddy Riley as James admits he has a special affinity for that genre of music, having grown up listening to all the R&B bands of the '80s and early '90s including Riley's bands Guy and Blackstreet and artists like Keith Sweat and Bobby Brown.  James shares, "I like to fuse contemporary jazz with other forms... jazz with gospel, hip-hop, soul, R&B or dance.  I love the rawness of the sound on this one." On "Under the Influence (of Pieces)" a bright, positive vibe is counterbalanced with a touch of moodiness. James calls it "bright darkness," saying, "I love duality and contrast and mixing up different things and textures.  It'll be a real cool, fun song to play live as well."   Curtis admits he's always been a fan of Kenneth "Babyface" Edmonds and co-wrote "Never Let It End," with Rohn Lawrence. The song was penned with Babyface's production style in mind.  Rohn takes the lead on a bluesy, melancholy riff that surely makes you feel like you're longing for 'it' to last... Tony adds a beautiful saxophone solo to create an overall mood that matches the title of the song and offers a cool new dimension and edge to the Pieces repertoire. Tony and James teamed up to write "Coming Home," a track that came together at the very end of the recording process.  As James explains, "On a lot of songs we have full production - drums, bass, this, that and the other thing - how 'bout we go just minimalist on this one.  Just Rhodes and sax and that's it, almost a gospel-y duet kind of thing." The album closes with James on solo piano on the jazz standard "There Will Never Be Another You."  He was especially glad to include this one on the album saying, "We used to delve into straight ahead a bit on earlier albums, but we haven't had anything jazz-jazz in a while.  Oscar Peterson has always been one of my idols since I was a teenager. He was a great inspiration for that song and that version."

Celebrating 37 years making music is no small feat and both James and Curtis are looking forward to sharing the new material with their fans.  Curtis sums it up like this, "I think we made a good collage of music on In The Moment. The songs blend well together to make a CD that includes different flavors from David, Rohn and Tony's writing.  I think we're covering a lot of different flavors in this particular CD and a lot of people will be pleased."  James adds, "I hope our fans like the album.  For me personally, I'm always trying to push the boundaries of what's accepted as cool or playable.  I'm not one to say 'ok that worked, let's do that again,' but rather 'that worked well and let's do something else.'  It's a hard line to walk, staying true to what people expect of you but being true to yourself and your creativity."  With In The Moment, it's safe to say Pieces of a Dream continue to explore new territory yet remain aware of their amazing history and the core sound and style that have gotten the band this far.  Pieces fans will definitely enjoy this 'moment' and the ride.

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Thursday, August 29, 2013

Hot jazz and soul in the desert - Arizona #Jazz Festival - October 25-27, 2013

 Robin Thicke, Maxwell, Charlie Wilson, Erykah Badu, Keyshia Cole and jazz headliners
will heat up the Arizona Jazz Festival on October 25-27, 2013.
 
The endless Arizona sky will be filled with a galaxy of stars day and night during the Arizona Jazz Festival slated for October 25-27, 2013 at the Arizona Grand Resort & Spa in Phoenix, Arizona. More than 13,000 contemporary jazz and soul fans from across the nation are expected to flock to the lavish desert resort to enjoy performances by a stellar slate of Grammy-winners and chart-toppers along with a weekend of revelry. Tickets are on sale now for the three-day festival or as a single-day event and are available online at www.arizonajazzfestival.com and by calling 602.244.8444.  
 
The Arizona Jazz Festival opens with an evening of seduction starting with the tantalizing pairing of saxophonist Eric Darius and R&B vocalist-producer Lyfe Jennings, who will set the mood for marquee-topper Maxwell, a Grammy-winning soul balladeer. Stick around for the official after-party at the resort.
 
Live music begins Saturday when nattily-attired guitarist Nick Colionne and new jazz swagger sax player J. White hit the stage followed by a trio set by saxophonists Warren Hill and Tom Braxton with blues-based guitar slinger Jeff Golub. Powerhouse tenors Gerald Albright, Richard Elliot and Euge Groove will blow a fierce sax storm in the desert before ten-time Grammy winner Chaka Khan belts out a song list filled with her massive crossover hits. The Queen of Neo Soul Erykah Badu will reign over majestic grooves and Baduizms preceding a set by “Uncle” Charlie Wilson, a 2013 BET lifetime achievement award winner, crooning cuts from his Grammy-nominated R&B songbook. After the concert, a number of the festival artists will head into the Arizona Grand Resort & Spa for an all-star jam.
 
It’s going to be a great-looking Sunday when saxophonists Jessy J and Michael Lington link with keyboardist Jonathan Fritzen to open the final day followed by a neo soul session from vocalist Eric Benet. Emerging saxmen Elan Trotman and Dominic Amato will accompany R&B chanteuse Melanie Fiona for an outing. Captivating multi-instrumentalist Brian Culbertson will inject a potent dose of funk-jazz into the mix during a high-octane performance before fellow blue-eyed soul man Robin Thicke blurs the lines during a set list certain to include the #1 summer smash “Blurred Lines.” Closing the festival is edgy multiplatinum R&B personality and reality television star Keyshia Cole.       
              
“We pulled out all the stops for the Arizona Jazz Festival, which is perhaps the most spectacular lineup we have ever presented. While every festival that BTWconcerts.com produces and promotes is special, this is our hometown festival. We look forward to hosting guests from all over the U.S. that are passionate about jazz and R&B. It’s going to be an unforgettable weekend of live music and partying,” said Brad Laughlin of BTWconcerts.com, which also produces the Las Vegas Jazz Festival and the San Diego Jazz Festival.  
 
The Arizona Jazz Festival offers reserved seating with ticket prices starting at $240.00 for the entire weekend or $65.00 for a single-day seat. For the enthusiast, tickets can be upgraded to include the Rock Star Experience that provides VIP tent access, a complimentary meal and drinks, artist meet & greets, Arizona Jazz Festival commemorative bag, t-shirt, poster and laminate, and entry to the Friday night after-party and Saturday night all-star jam.  
 
 
About BTWconcerts.com
 
Phoenix, Arizona-based BTWconcerts.com is one of the premiere concert producers in the Southwest. Among the star-studded jazz and R&B concerts and multiday music and lifestyle festivals that the company promotes are the Arizona Jazz Festival (http://arizonajazzfestival.com), Las Vegas Jazz Festival (http://www.lvjazzfestival.com) and San Diego Jazz Festival (http://www.sandiegojazzfest.com).

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Wednesday, August 28, 2013

This Christmas will be a very special Christmas for Jonathan Butler #jazz

 Singer-songwriter-guitarist will release “Merry Christmas To You” on October 1
and embark upon the Dave Koz & Friends Christmas Tour this holiday season.
 
Santa Claus has a special treat to stuff in the stockings of all the good Jonathan Butler fans this Christmas: the first Christmas album by the two-time Grammy-nominated singer-songwriter-guitarist. Butler produced and arranged “Merry Christmas To You,” which will be released October 1 by Artistry Music. Two singles will be shipped to multiple radio formats this holiday season: an instrumental take on “Sleigh Ride” decorated with hallmarks from the South African native’s homeland, and the album’s title track, which is a retro-flavored R&B/adult contemporary ballad penned by Butler.     
 
 
Order Jonathan Butler's Merry Christmas to You from amazon.com Butler recorded eight Christmas chestnuts for the collection and penned a pair of new songs, including “Happy Holidays,” an ardent urban groove ornamented with riffs of cool jazz guitar. High-profile hornmen Dave Koz, Rick Braun and Paul “Shilts” Weimer contribute to the festivities on a couple of tracks as does Butler’s daughter, vocalist Jodie Butler, and bassist Dan Lutz, who plays upright on a tune, but the heart of the intimate recording is Butler solo pouring his impassioned voice and acoustic guitar into the seasonal songs. His arresting performances and sparse production captivates, fostering an air of freshness to the evergreen material.
 
“These songs are beautiful on their own so I felt they didn't need a lot of instrumentation. Plus I wanted my fans to have a personal Christmas message from me. That is why the CD has very little production and plenty of voice and guitar. It’s a very proud moment for me to finally have a Christmas record, which has been a long time coming. I hope fans feel blessed and uplifted when they play it at home or in their car or wherever they may be. I truly thank God for giving me the strength and the opportunity to make this album,” said Butler, who lives in California’s San Fernando Valley with his family.
 
The “Merry Christmas To You” album opens with an energizing version of the Donny Hathaway soul classic “This Christmas.” Butler applies South African vocalization, chanting and rhythmic percussion to “Little Drummer Boy.” “I’ll Be Home For Christmas,” “Have Yourself A Merry Little Christmas,” “The First Noel,” “O Holy Night” and the lesser known “Sweet Little Jesus Boy” are presented starkly featuring show-stopping performances by the devoutly inspired man with his guitar.
 
Beginning November 30, Butler will venture out on a three-week U.S. concert swing performing on the Dave Koz & Friends Christmas Tour during which he will share the stage with the charismatic sax star as well as keyboardist Keiko Matsui and vocalist Oleta Adams.       
 
A former child star, Butler was the first black artist played on radio stations in South Africa. The hint of grit in his expressive voice reflects the pain he endured growing up under Apartheid, the youngest of 17 children. A true artist who refuses to segregate his music, Butler’s recordings consist of vocal and instrumental hits and enduring fan favorites spanning R&B, contemporary jazz, gospel, adult contemporary, pop and world beat stylings. The natural-born performer’s radiant spirit shines brightly through his beaming smile and twinkling eyes. Additional information is available at www.JonathanButler.com.     
 
The songs comprising Butler’s “Merry Christmas To You” are:
 
“This Christmas”
“Sleigh Ride”
“Merry Christmas To You”
“Happy Holidays”
“Little Drummer Boy”
“I’ll Be Home For Christmas”
“Have Yourself A Merry Little Christmas”
“Sweet Little Jesus Boy”
“The First Noel”
“O Holy Night”

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Monday, August 26, 2013

Smooth Jazz Chart - Weekly Top 20 - August 26th, 2013 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Boney James - "The Beat" - (Concord Jazz)
2 - 2 - Dave Koz & Friends - "Summer Horns" - (Concord/CMG)
3 - 3 - Paul Hardcastle - "Hardcastle VII" - (Trippin 'N' Rhythm)
4 - 5 - George Benson - "Inspiration: A Tribute To Nat King Cole" - (Concord)
5 - 11 - George Duke - "DreamWeaver" - (Heads Up)
6 - 6 - Keiko Matsui "Soul Quest" - (Shanachie)
7 - 13 - Jeff Golub - "Trains Keep A Rolling" - (eOne)
8 - 5 - BWB - "Human Nature" - (Heads Up)
9 - 8 - Brian Simpson - "Just What You Need" - (Shanachie)
10 - 16 - Chuck Loeb - "Silhouette" - (Shanachie)
11 - 12 - Chieli Minucci & Special EFX - "Genesis" - (Shanachie)
12 - 10 - Bob James & David Sanborn - "Quartet Humaine" - (OKeh)
13 - 9 - Tim Bowman - "Seaside Drive"-Single- (Trippin 'N' Rhythm)
14 - 7 - Paul Brown - "The Funky Joint" - (Woodward Ave.)
15 - 14 - Althea Rene - "In The Flow" - (Trippin 'N' Rhythm)
16 - 15 - Vincent Ingala - "Can't Stop Now" - (vicentingala.com)
17 - 17 - Brian Bromberg - "Compared To That" - (Artistry/Mack Avenue)
18 - 19 - Kim Waters - "My Loves" - (Red River)
19 - 21 - Maysa - "Blue Velvet Soul" - (Shanachie)
20 - 31 - Jeff Lorber Fusion - "Hacienda" (Heads Up)

Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.
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Jessy J - "Second Chances" - Release on Shanachie September 10, 2013 #jazz

JESSY J Inspires With SECOND CHANCES Featuring JEFF LORBER, NORMAN BROWN, JIMMY HASLIP & JOHNNY BRITT

Album Includes Renditions Of Classics by Roberta Flack & Sérgio Mendes

Label Debut For Shanachie Entertainment Due September 10, 2013


Jessy J burst onto the contemporary jazz scene in 2008, blending her love for Latin rhythms and jazz on her chart-topping, award-winning debut album Tequila Moon. Jessy earned the Radio & Records’ ‘Debut Artist of The Year’ Award and Contemporary Jazz ‘Song of the Year’ by both R&R and Billboard for the title track, which held the #1 spot on the chart for eight weeks. The talented saxophonist, pianist, singer and songwriter who has worked with everyone from The Temptations to Michael BublĂ©, has been developing her musical voice since she was very young, when she could be found practicing the saxophone, instead of heading out to play with friends.

Words like dedicated, focused and hard-working all describe her drive and motivation to succeed and make music a life-long career. With her fourth release, Second Chances, due out on Shanachie Entertainment on September 10, 2013, Jessy reaches a major milestone as she takes over the reigns as the producer of the new album. The set features collaborations with Grammy Award-nominated keyboardist-producer Jeff Lorber, Grammy Award-winning guitarist Norman Brown, renowned bassist Jimmy Haslip (formerly with The Yellowjackets) and legendary pianist Joe Sample.  

Second Chances represents a new direction for Jessy as she purposely set out to meld her love for jazz and Latin rhythms with R&B grooves. The album title, Second Chances, developed out of the theme that it's never too late to try again and “getting a second chance to do something that you messed up on the first time.” She shares, “In this case, for me it was with something that happened the previous year. I realized that this year I had a second chance and every day is new, is fresh. The title track is really an inspirational song about doing something you really want to do.” Not coincidentally, several of the songs on the album include "two" in the title including the first single "Listen 2 The Groove," co-written by Lorber, "Tango for Two," "Dos," "Twice" and "Double Trouble." The ten song set features eight originals and two beautiful covers including the Roberta Flack hit “Feel Like Makin’ Love” and the SĂ©rgio Mendes classic “Magalenha.” 

Jessy shares, “I like to play music that people will recognize and connect to and be familiar with and also play music that’s original, that really inspires them and creates new memories.” She teamed with the talented trumpeter, singer, songwriter Johnny Britt (Josh Groban, The Temptations, Impromp2) to write “Second Chances” and the final track on the album “Twice.” She credits her manager, Stewart Coxhead, with the idea to include the ‘two’ theme throughout the album and is thankful for his encouragement as she turned over this new leaf in her career saying, “he really encouraged me to be myself.”

Second Chances opens with the single “Listen 2 The Groove” featuring Jeff Lorber on keyboards and Jimmy Haslip on the bass. Jessy states, “Jeff Lorber and I first worked together in 2008 for the Guitars and Saxes Tour. I really enjoy his musical style. He’s such a legend in the business and has his own sound. To me he’s a genius. So, when I had the opportunity to produce my own album, I really wanted to work with him. I remembered we wrote and co-produced “Listen 2 The Groove” and I just asked him if he wanted to work together. I was so excited he said yes!” The sultry groove sets the tone for the album with its catchy hook and unique song structure.  

The title track “Second Chances” features Grammy-Award winning guitarist Norman Brown. “Norman Brown and I worked together for the Summer Storm tour 2010...  I really love his style of playing. He’s very unique in his guitar and I think he plays the guitar so fluidly. Johnny Britt and I were working on “Second Chances” and I really wanted Norman to play on it. His guitar sounds beautiful on the track.” Jessy chose to include the Roberta Flack hit “Feel Like Makin’ Love” because, “I’m a big fan of 60s and 70s music. Roberta is a gorgeous singer. We felt that we could redo it in a way that would make it special again and also make it more current. I always thought of it kind of in a Robin Thicke mode with the recurring guitar theme. It also has a Brazilian vibe, the vocals are laid back and almost in a hushed tone. And it’s completely re-harmonized. I like arranging music and harmonizing it.” Jessy’s longtime friend and bandmate Tim Stewart (who also tours and plays with Lady Gaga) offers a beautiful guitar accompaniment on the track.

Her passion for Latin music shines through on the SĂ©rgio Mendes classic “Magalenha,” one of her all-time favorite Brazilian tunes. Jessy says it was real a “jam session vibe” in the studio with Jeff and Jimmy helping to re-create the song as a “funk samba” and their joy in recording it shines through.  In addition to her excellent work on the baritone saxophone and her sweet vocals on the tune, Jessy adds some tasty flute flourishes. She explains, “The World Cup is coming up next year in Brazil and it’s an homage to that and to my Latin heritage. Football is so popular in the Latin community.” The set takes a sophisticated, jazzy turn with the third song she wrote with Jeff and Jimmy, called “Tango For Two.” Jessy describes it as “a romantic type of tango not an exact tango.” The dance beat features her sax intertwining and twirling with the piano, as if someone is dancing, reaching a climactic point and then it fizzles down again. Jessy was pleased to have Jimmy work with her on the album as he brought a “very interesting knowledge of Latin rhythms and a world music view. He recommended different beats, rhythm and percussion” elements for the project.

On “Dos” a lovely guitar intro gives way to Jessy on both flute and soprano saxophone. She shares, “That song is a really sexy song. It’s about two things: the good and the bad. Sections of the music had a reflective feeling that were dark and then other parts of the music were light. We wanted to have the alter ego - two things. One of my heroes is Grover Washington, Jr. He’s my favorite soprano saxophonist and I always think of him when I’m playing that instrument.”

“La Luna Feliz” features Jessy on tenor sax and flute while singing in Spanish. It opens with a funky bass line from Bryant Siono to get you into the groove right way. “I like to say that this is the prequel to “Tequila Moon,” explains Jessy.

“Tequila Moon” was my first radio single and also my first CD in 2008. I like to look at the moon at night, I don’t know why. It’s a thing I would do with my dad when I was little. I was looking at the moon and it had a smiley face on it and it made me laugh. I said ‘that’s a happy moon, it’s la luna feliz.’ And then the melody popped into my head. It’s really the only Latin song, with no percussion, on the album.”

Jessy says for this project she was “really open to the idea of doing something different” and on “Double Trouble” she definitely lets her hair down and jams! “I really got into the whole Jeff vibe on this track and so the melody came out on my tenor saxophone and he doubled it on the mini-moog, which made it sound really deep and thick. The melody really flows and being the producer I could interpret the music however I wanted to,” she shares. She originally wanted to name the song “Doppelgänger” in honor of her German Shepard, Mini. When the two of them go for walks together they often see another German Shepard on the block that looks just like Mini and Jessy likes to joke it’s Mini’s doppelgänger! They settled on “Double Trouble” (which Jessy co-produced with Lorber and Jimmy Haslip) since Jeff and Jimmy are such good friends and bring their own version of double trouble to the studio and this song.

Legendary keyboardist Joe Sample is a friend and mentor to Jessy. The two first worked together on her last album Hot Sauce. Joe helped her write the funky tune “Mambo Gumbo,” her ode to New Orleans featuring Johnny Britt on vocals and trumpet. She shares, “I love Joe Sample! I’ve been listening to him my whole life... I told him about this song about New Orleans. We wrote parts of the song together at the NAMM convention earlier this year. It’s a great track about people and how they’re different but also the same.” “Twice” is a bright, upbeat tune to close out the set, co-written with Johnny Britt. It features Jessy on Tenor sax along with her touring bandmates Frank Abraham on bass, Michael Angel on guitar and Richie “Gajate” Garcia on percussion. The song is about how when you have the chance to do something the second time – twice – it’s so much more beautiful. “It’s a positive feeling about reaching your goal and doing it the way you wanted to.” The tune offers a great backbeat, sweet percussion elements and backing vocals from Johnny.

Jessy’s connection to her Latin heritage runs deep, as her father is originally from Mexico and her mom hails from Texas. Born in Oregon and raised in southern California, Jessy grew up in a home full of big family get-togethers, Mexican feasts and lots of Latin, jazz and pop music. Her musical influences include Cannonball Adderley, John Coltrane, Charlie Parker, Grover Washington, Jr., Sergio Mendes, Ricky Martin, Gloria Estefan and she admires current artists Norah Jones, Diana Krall and Alicia Keys. She credits her parents as her biggest influences as she watched them “work so hard to come to the U.S., have careers and enjoy the beautiful things this country has to offer. I knew I was going to work hard from the beginning,” she shares.

While she was studying at USC, she set her sights on becoming a studio musician, recording music for movies, commercials and television shows but quickly learned she needed to spend time getting more experience. She spent two years touring with the off-Broadway, EMMY Award winning show Blast! While on that tour she started focusing on performing with her own band, so she began writing her own music.

She returned to Los Angeles and put together her first group featuring Bryant Siono on bass and Norman Jackson on keyboards. In addition, she toured with Jessica Simpson, did studio work with Michael BublĂ© and The Temptations, and was invited to tour with Michael Bolton.

Jessy’s diligence paid off when she met Grammy Award-winning smooth jazz producer Paul Brown at the Newport Jazz Festival and he agreed to work on her debut album, Tequila Moon in 2008. She followed that CD with True Love in 2009 and Hot Sauce in 2011. Last year Jessy was able to achieve her dream of becoming a studio musician in Los Angeles, working on the hit television shows American Idol and The Voice. Her work on American Idol impressed Steven Tyler, who invited Jessy to record on the latest Aerosmith album.

Second Chances may be all about getting the chance to do something over again, but for Jessy this album is a celebration of firsts as well. She marks a major milestone in her career taking on the role of producer of the album, plus she was able to work with two new artists on her “wish list” via her collaborations with Jeff Lorber and Norman Brown. Jessy has a lot to look forward to as she continues to enjoy the success of her hard work and dedication. As she says, “It’s a great life and I’m grateful for it. It’s going to be a good year!”

JESSY J
Tour Dates

09/01 - Albuquerque, NM @ Crowne Plaza
09/07 - Austin, TX @ Riverbend Centre*
09/14 - Kuala Lumpur, Malaysia @ KL Jazz Fest
09/22 - Temecula, CA @ Thorton Winery**
09/28 - Las Vegas, NV @ Las Vegas Jazz Fest
10/05 - San Jacinto, CA @ Esplanade Arts Center
10/26 - Riverside, CA @ Fox Perf Arts Center***
10/27 - Phoenix, AZ @ Arizona Jazz Fest
11/06 - Seal Beach, CA @ Spaghettini
11/30 - Seal Beach, CA @ Spaghettini
12/06 - Bari, Italy @ Italian Jazz Fest
01/04 - Chicago, IL @ The Montrose Room

* w/ Marion Meadows & Paul Taylor (Sax and the City)
** w/ George Benson
*** w/ Sheila E

JESSY J
Second Chances

1. Listen 2 The Groove (ft. Jeff Lorber)
2. Second Chances (ft. Norman Brown)
3. Feel Like Makin' Love
4. Magalenha
5. Tango For Two
6. Dos
7. La Luna Feliz
8. Double Trouble (ft. Jeff Lorber & Jimmy Haslip)
9. Mambo Gumbo (ft. Johnny Britt)
10. Twice
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Thursday, August 22, 2013

Steve Cole - "Pulse" Release on Artistry Music September 17th - #jazz

Big hooks and big horns power saxman Steve Cole’s (www.stevecole.net) “Pulse.” In the 15 years since the release of his debut album, Cole has traveled full-circle creatively and arrived back home on the 10-song set mixing R&B, contemporary jazz, gospel, blues and pop that he produced with fellow saxophonist David Mann. The new collection, which will be released September 17th, showcases the artist’s affinity for infectious melodies, a wall of horns, and soulful grooves.
 
Cole’s inspired sax play throughout “Pulse” is poured with passion and precision. There is feverish urgency and muscle along with harnessed control, grace and gentility. Cole and Mann co-wrote the tunes for the album, which we recently sent you. The record is teeming with potential radio favorites and crowd pleasers crafted by a confident, self-assured artist who, after exploring an array of sounds and styles, has reclaimed his roots. The music on the album is the music that rhythmically throbs within Cole’s spirit. Long-time fans and those about to discover the works of this accomplished musician-songwriter-producer will find a bounty to feast upon.
 
The title track gets the beat going from the gun with plenty of horns and a funky mid-tempo groove. Cole composed the cut with whiz kid Nicholas Cole. Soaring brightly over a monsoon of melody, the hook on “Do Your Thing” packs a punch from the opening notes and fondly recalls the late 1960s and ‘70s. The album’s first radio single, “With You All The Way” provides a warm, empowering hook that embraces as Cole’s sax pledges devotion. The single is the #1 most added and earned #1 most increased plays honors on the smooth jazz charts this week. Cole covers Mann’s “Slinky” that uncoils amongst complex beats and an edgy funk groove armed with old school guitar riffs from Bernd Schoenhart while Ricky Peterson dispenses gusts of rousing organ. Cole always wanted to record the soul classic “Going In Circles,” which he used to play in his native Chicago clubs. Backing vocals from Nicki Richards add heavenly touches while plush horn section swatches provide the ideal backdrop for Cole’s impassioned, show-stopping sax that seemingly pleads for mercy. Sunny, optimistic and brimful of hope, “Looking Up” is another big and buoyant hook that connects instantly. Peterson’s gospel-like Hammond B3 organ paves the way for a triumphant, throw your arms in the air in praise sax solo. Head-bobbing hip hop rhythms introduce an entirely different dimension on “Maximum Cool.” The chill groove with slamming beats reeks of the streets. With a title inspired by R&B band Mint Condition, Cole’s lively sax sparks the flavor on “Minty Fresh.” The almighty horn section provides a combustive burst while surfing a skin tight rhythm. On “Ain’t No Love,” gritty lead vocals from guitarist Rico McFarland add ambience and street cred to the track packed with horns and a choir of background voices. McFarland’s guitar shreds before Cole’s tenor counters with a wall-shaking guttural growl. The retro riff on “Believe” is familiar and friendly offering a gospel jazz confirmation reminiscent of the ‘70s. Peterson’s organ blasts testifies and sanctifies the album closer.

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