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Wednesday, January 24, 2018

Hugh Masekela legendary jazz trumpeter has died at age 78 #jazz


Legendary jazz trumpeter Hugh Masekela, a leading figure in the struggle to end apartheid and "the father of South African jazz", has died aged 78.
In a statement, his family said he had "passed peacefully" in Johannesburg "after a protracted and courageous battle with prostate cancer".
Masekela gained global recognition with his distinctive Afro-Jazz sound and hits such as Soweto Blues.
The 1977 song became synonymous with the anti-apartheid movement.
In a statement , South African President Jacob Zuma said Masekela's death was "an immeasurable loss to the music industry and to the country at large".



Zuma continued: "His contribution to the struggle for liberation will never be forgotten."
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Tuesday, January 23, 2018

An “Overture” straight from the harp #jazz

Urban jazz harpist Mariea Antoinette provides a glimpse of her forthcoming album by dropping a euphoric single on January 29.
 
The dramatic opening immediately commands attention. Emerging from the lab with a preview of her upcoming summer album, urban jazz alchemist Mariea Antoinette returns on January 29 with the jubilant “Overture,” the new single featuring her mystical harp pouring forth as a bubbly protagonist. The divine stringed instrument is cast amidst an intriguing orchestral proscenium both ancient and modern constructed by a nine-piece string section, three-piece horn section and an empowering rhythm track crafted by Emmy winner and two-time Grammy-nominated producer Allan Phillips, who co-authored the composition with Antoinette.        
 
“Overture” is the first original recording from Antoinette since her Phillips-produced “Straight from the Harp,” which was a Billboard Top 5 smooth jazz album in 2015. The new cut demonstrates that her mission to shatter preconceived limitations, stretch and abolish musical borders and boundaries, and expand the possibilities for the harp as a lead instrument in R&B, jazz, funk, soul and rock remains unwavering.   
 
“My goal has been to present the unexpected: to make the harp the lead instrument backed by bass, drums and percussion. I am continuously stretching and pushing the boundaries of the harp, making a clear statement that it possesses a funky and powerful place in contemporary music. The harp is unexpectedly expressive in its delivery, a forceful lead voice and soloist in the midst of it all,” said the San Diego-based Antoinette. 
 
In addition to vaulting into the elite ranks of the Billboard chart, Antoinette’s “Straight from the Harp” garnered an abundance of national airplay as well as critical plaudits. The mix of originals and R&B classics that comprise her sophomore outing was released in two versions. The spring 2015 release was enhanced in the fall the same year by two additional tracks and new cover art when it was issued as “Straight from the Harp: Special Edition.” Her debut album, “Sexy Paradise,” produced by the late Fattburger leader Carl Evans Jr., streeted in 2003.     
 
A visually striking figure that also brings sensuality to the harp, Antoinette’s alluring artistry has landed her the opportunities to perform for President Barak Obama and First Lady Michelle Obama, back Ne-Yo at the BET Awards, and play Grammy parties for Vanity Fair magazine, Mary J. Blige and Jamie Foxx. In addition to her solo bookings, Antoinette is part of the powerhouse all-female jazz collective Jazz in Pink, with whom she has been performing at music festivals across the U.S. and abroad since 2007.       
 
For additional information, please visit https://www.marieaantoinette.com.

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Monday, January 22, 2018

Smooth Jazz Chart - Weekly Top 20 - January 22, 2018 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Euge Groove - "Groove On" - (Shanachie Entertainment)
2 - 2 - Boney James - "Honestly" - (Concord Music Group)
3 - 3 - Jonathan Fritzen - "Ballads" - (Nordic Night Records)
4 - 4 - Rick Braun - "Around The Horn" - (Shanachie Entertainment)
5 - 17 - Lawson Rollins - "Airwaves: The Greatest Hits" - (Infinita Records)
6 - 6 - Najee - "Poetry In Motion" - (Shanachie Entertainment)
7 - 5 - Nick Colionne - "The Journey" - (Trippin 'N' Rhythm)
8 - 12 - Jeff Lorber Fusion - "Prototype" - (Shanachie)
9 - 7 - Paul Brown - "One Way Back" - (Woodward Avenue)
10 - 13 - Eric Valentine - "Velvet Groove" - (Matcha Entertainment)
11 - 9 - Patrick Bradley - "Intangible" - (Patrick's Song Factory)
12 - 16 - Darryl Williams - "Here To Stay" - (Independent)
13 - 15 - Dave Bradshaw Jr. - "Flipside" - (Moku)
14 - 8 - Paul Hardcastle - "The History Of Paul Hardcastle (Trippin 'N' Rhythm)
15 - 11 - Carol Albert - "Fly Away Butterfly" - (Carol Albert Music)
16 - 10 - David Benoit & Marc Antoine - "So Nice!" - (Shanachie Entertainment)
17 - 14 - Tim Bowman - "Into The Blue" - (IM Records/Purpose Music)
18 - 23 - Pieces Of A Dream - "Just Funkin' Around" - (Shanachie Entertainment)
19 - 29 - Brian Culbertson - "Colors Of Love" - (BCM)
20 - 22 - Jackiem Joyner - "Main Street Beat" - (Mack Avenue/Artistry)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.
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Sunday, January 21, 2018

Higher Power - Fred Farell brings the good word on "Distant Song" #jazz

As a featured soloist and ensemble singer, Fred Farell has made a name for himself as a preeminent pro jazz voice. Across five decades and at venues as esteemed and diverse as Avery Fisher Hall, the Brooklyn Academy of Music, and the Museum of Modern Art, Farell has demonstrated inspired interpretive abilities to go with his heartfelt lyricism and sweet pipes.


Distant Song, his debut for Whaling City Sound, a home for much quality jazz, is a profound experience, thanks partly due to his composers and loyal accompanists saxophonist Dave Liebman and piano/keys player Richie Beirach, both of whom have collaborated on the original music for this record. Farell began singing professionally during his military service in the US and Europe in the late '60s. His first appearances as a solo artist and group leader in New York City were at galleries and clubs in the '70s and early '80s, including gigs at renown venues like Sweet Basil and Greene Street where he performed as a member of Cobi Narita's Universal Jazz Coalition. Over time, he transitioned to presenting the gospel through jazz, and he's enjoyed acclaim ever since. Farell was a featured soloist with the Don Hanson Ensemble and is currently the co-leader of "JazzLite, " a gospel-jazz group. In this group setting, Mr. Farell ministers with his gospel lyrics for original compositions, and Jazz standards, and features pianists Jeff Kruh, and Joel Weiskopf in varying instrumental formats.

On his brave new recording, Farell's wordsmithing is sublime, requiring deftness, patience and passion on the microphone. His compositions unfold gently, religiously. Infused with sacred messaging, Distant Song is an emotional project-part jazz, part spiritual, part loving experiment—produced with happiness and love by a veteran talent clearly confident and at peace with himself and his abilities.

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Love, "Chocolate and "Velvet Groove" for (Eric) Valentine's Day - #jazz

The urban-jazz maestro will launch his "Velvet Groove" movement on February 14 with a disc featuring a bouquet of contemporary jazz luminaries.
 
When he isn't anchoring the beats as a first-call drummer for a virtual who's who list of contemporary jazz stars, Eric "Mr. Chocolate" Valentine has been locked away in his Chocolate Cave studios near Los Angeles conceiving and crafting "Velvet Groove," the first of what he envisions to be a movement of urban and jazz "music you can feel." With the title track enriched by hypnotic trumpet forays from Rick Braun and sultry sax embellishments by Richard Elliot already in the Billboard Top 20, Matcha Entertainment will issue the album produced by Valentine on Valentine's Day 2018.

Stepping out from behind his drum kit, Valentine thrives plying his skills as a songwriter and multi-instrumentalist on "Velvet Groove," playing keyboards, synths, bass, vocals, percussion and drums on the disc comprised of ten full songs - nine of which he penned or co-penned - along with three reprises. The star power illuminating the high-level session of deft rhythms and grooves include Grammy winner Kirk Whalum, multiple Grammy nominee Gerald Albright and chart-toppers Elliot, Braun, Adam Hawley, Elan Trotman, Brian Simpson and Greg Manning. Pianist Wayne Linsey, jazz fusion guitarist Alex Machacek, and percussionists Lenny Castro, Munyungo Jackson and Ramon Islas are among those who texturize the lush tracks.

A vital element to Valentine's vibrant melodies and "sing-able" harmonies, and an important contributor to what he calls "my Velvet Groove community" is R&B vocalist B. Valentine (formerly known as Baskerville Jones), Eric's wife, who can be heard cooing soulfully throughout the album and sings lead on "Back in the Day." Her upcoming solo release is one of several projects currently under construction by the Velvet Groove collective that they aim to release in 2018.

"Through the Velvet Groove platform, I'm really striving to push the idea of community. We're trying to get all the musicians recording at the same time, vibing off of one another. People have become so socially compartmentalized these days that they don't know how to communicate anymore. The positivity and good vibes we're creating within the Velvet Groove community can be heard and felt in the music. It's about giving back and being helpful. We're trying to live the example we want people to embrace. We want our music to make people feel love, joy and happiness, using our musical gifts to inspire and uplift people to a better place, and to choose kindness rather than conflict," said the hopeful Valentine.

A Washington, DC native who released his debut album, "Eric Valentine's Jazz Impressions," in 2003, the longtime Los Angeles-area resident has toured and recorded globally with smooth/contemporary jazz stalwarts Braun, Elliot, Peter White, Euge Groove and the Dave Koz Cruise as well as rock guitar giants Joe Satriani, Steve Lukather and Steve Vai on the G3 World Tour. An artist who had a significant impact on Valentine was late bassist Wayman Tisdale for whom Valentine wrote "‘Tis So Sweet" for "Velvet Groove."

"The sounds and grooves on Wayman's early recordings made me study and practice to his music, not knowing that I would go on to perform shows on a couple of tours with him. His melodies are always sing-able and his grooves are strong. He's definitely still one of my musical influences."

"Velvet Groove's" lone reboot is a fresh take on Stevie Wonder's "Joy Inside My Tears," which includes members of Wonder's horn section on the track. "I always thought it was one of Stevie's underappreciated songs that never really got its due. We came up with a fresh arrangement for it, giving it a celebratory feel. To me, it's a song about anyone you hold in high regard, someone who stood in the gap for you and really had your back through a difficult time."

Eric Valentine & Velvet Groove's "Velvet Groove" contains the following songs:

"Back to the Groove"
"E. Love (Everlasting Love)"
"Velvet Groove"
"Back in the Day"
"Mr. Z"
"That Guy"
"Velvet Groove Reprise"
"Mi Sol"
"‘Tis So Sweet (for Wayman Tisdale)"
"Joy Inside My Tears"
"Sixth Sense"
"Joy Inside My Tears (Reprise)"
"Reflections (Back in the Day Reprise)"

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Saturday, January 20, 2018

Chris Soto - "Guitar Expressions Vol I" - Released January 17th - #jazz

"Superb energy and rhythm on this collection. You'll listen all the way through and then again and again. Original tracks, rich in emotion. Highly recommended."  ~JazzHQ

Original Smooth Jazz and Contemporary Music from a seasoned musician that has over 30 years experience in performing music both in live and studio settings. This album is the first of many that Chris Soto desires to offer you for your music enjoyment!


 

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Thursday, January 18, 2018

Jazz guitarist Chris Standring basks in the positive glow of joyous “Sunlight” #jazz

The March 23 album release, featuring appearances by Bob James and Mica Paris, will be preceded by the rousing radio single, “Love Street.”
 
Much like a prism refracts light into a colorful spectrum, guitarist Chris Standring’s “Sunlight” reflects rays of multihued jazz into a vibrant sonic palette of joy and positivity. The Los Angeles-based, native Brit will drop his twelfth album on March 23 on the Ultimate Vibe Recordings label, marking the twentieth anniversary since the release of his debut disc (“Velvet”). Paving the way for the new collection penned and produced by Standring is the jaunty “Love Street,” set to cast an alluring spell as the first radio single.    

Diverse strains of jazz reign on “Sunlight” with Standring’s clean electric jazz guitar shining brightly throughout the ten tracker plus a reprise that closes the session. The prevailing sounds and engaging textures create warm, organic backdrops for his nimble fretwork forays that traverse lush rhythms and grooves. Wave after wave of Fender Rhodes keyboards and Hammond B3 organ wash over the taut beats serving as the rhythmic spine. Vintage elements offer a compelling contrast to the imaginative electronic nuances, deftly making the recordings feel retro, futuristic, experimental and visionary all at the same time while Standring’s cool-toned guitar slices through to the fore cranking out nifty licks, precision fills and impassioned melodic sojourns.        
 
Helping flush out his vision for “Sunlight,” Standring shares the spotlight with contemporary jazz forefather Bob James (piano) on the stratospheric exploration “The Revisit” and UK soul-pop chanteuse Mica Paris on the lusty R&B, jazz and electronic hybrid “No Explanation,” the latter a tune he wrote with seven-time Grammy nominee Lauren Christy. Also lending their artistry to the platter are noted saxmen Pete Christlieb and Brandon Fields, keyboardists John Novello, Mitchel Forman and longtime collaborator Rodney Lee; bassists Jimmy Haslip, Andre Berry and Roberto Vally; and drummers Chris Coleman and Dave Karasony.
 
“For the first time, I feel a huge degree of comfort stylistically. ‘Sunlight’ seems to be a much more refined version of who I am. Musically, I can't shake off who I am. It just is. It's a fusion of my traditional be-bop background with infectious soul and funk grooves, and a sense of arranging and orchestration that comes very easily now. My influences are not from my contemporaries. They come from orchestral music, traditional jazz and European chill, lounge and progressive club music plus a good dose of R&B. It's a weird mix, but I guess that's what results in everything sounding like me when it all comes together,” said Standring who purposely infused the set with uplifting notes of hope and glee.
 
Perhaps a commentary on our times or just a thoughtful embrace of a longtime personal favorite, Standring reimagines Brian Wilson’s “God Only Knows” as a serene guitar meditation.  
 
“The album is upbeat and joyful for the most part. Perhaps it is somewhat reactionary to these challenging times we are presently living through, but I am inherently a positive soul who tends to see the bright side of things, albeit with a touch of British cynicism. Sunlight represents positivity and joy to me, hence the title.”
 
Standring celebrated three No. 1 singles in 2017: his solo hit “Like This, Like That,” and duet collaborations with trumpeter Cindy Bradley (“Category A”) and two-time Grammy-winning producer-guitarist Paul Brown (“Piccadilly Circus”). The classically-trained guitarist’s ambitious catalogue of instrumental R&B, soul jazz and electronica includes his hit debut single, “Cool Shades”; the No. 1 Billboard Contemporary Jazz Track of the Year in 2010, “Bossa Blue”; and a 2014 Billboard No. 1 single, “Sneakin’ Out the Front Door.” Coming to the U.S. after a lengthy and prosperous run at the BBC and on London’s West End in theatrical orchestras, Standring was a session ace who recorded with Jody Watley and Bebe & Cece Winans among many others. He partnered with Lee to form the acid jazz outfit SolarSystem before touring extensively backing trumpeter Rick Braun. Standring issued “Velvet” soon after, launching his solo mission that continues to climb in trajectory and scope.          
      
“Sunlight” contains the following songs:
 
“Static In The Attic”
“Aphrodisiac”
“Love Street”
“The Revisit” featuring Bob James
“No Explanation” featuring Mica Paris
“God Only Knows” featuring John Novello
“Like Paradise”
“Moon Child”
“Do Not Adjust Your Set”
“The Principle Of Pleasure”
“Static In The Attic (Reprise)”
 
 
For additional information, please visit http://www.chrisstandring.com.


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Tuesday, January 16, 2018

Smooth Jazz Chart - Weekly Top 20 - January 15, 2018 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Euge Groove - "Groove On" - (Shanachie Entertainment)
2 - 2 - Boney James - "Honestly" - (Concord Music Group)
3 - 4 - Jonathan Fritzen - "Ballads" - (Nordic Night Records)
4 - 3 - Rick Braun - "Around The Horn" - (Shanachie Entertainment)
5 - 9 - Nick Colionne - "The Journey" - (Trippin 'N' Rhythm)
6 - 5 - Najee - "Poetry In Motion" - (Shanachie Entertainment)
7 - 6 - Paul Brown - "One Way Back" - (Woodward Avenue)
8 - 10 - Paul Hardcastle - "The History Of Paul Hardcastle (Trippin 'N' Rhythm)
9 - 8 - Patrick Bradley - "Intangible" - (Patrick's Song Factory)
10 - 7 - David Benoit & Marc Antoine - "So Nice!" - (Shanachie Entertainment)
11 - 19 - Carol Albert - "Fly Away Butterfly" - (Carol Albert Music)
12 - 13 - Jeff Lorber Fusion - "Prototype" - (Shanachie)
13 - 17 - Eric Valentine - "Velvet Groove" - (Matcha Entertainment)
14 - 11 - Tim Bowman - "Into The Blue" - (IM Records/Purpose Music)
15 - 14 - Dave Bradshaw Jr. - "Flipside" - (Moku)
16 - 29 - Darryl Williams - "Here To Stay" - (Independent)
17 - 27 - Lawson Rollins - "Airwaves: The Greatest Hits" - (Infinita Records)
18 - 15 - Norman Brown - "Let It Go" - (Shanachie Entertainment)
19 - 36 - Cindy Bradley - "Natural" - (Trippin 'N' Rhythm)
20 - 12 - Julian Vaughn - "Bona Fide" - (Trippin 'N' Rhythm)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.
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Under The Lake – "Jazz, Groove & Attitude" - Releases on Mind in Overdrive February 23rd #jazz

The jazz-funk outfit will release their fourth album on February 23, marking their 25th anniversary

Like the name of one of their seminal influences, The Crusaders, Under The Lake has crusaded in the name of rhythm and groove, making jazz-funk records that don’t fit neatly into any box. Powered by the dual-horn attack of tenor saxophonist David Evans and trombonist John Moak, and armed with eleven original new songs composed and produced by keyboardist Jayson Tipp, the Portland, Oregon-based group will release their fourth album, Jazz, Groove & Attitude, on February 23. The Mind In Overdrive label release that will be serviced and promoted on multiple jazz radio formats after the holidays coincides with the 25th anniversary of the band’s debut disc, “Dive In.”


Relying on live instrumentation consisting of warm and earthy horn harmonies, danceable rhythm guitar riffs, rubbery bass lines and sturdy drum beats, Under The Lake sounds like a throwback to the vintage soul-jazz bands that pioneered the growth of contemporary jazz in the ‘70s and ‘80s. Although the group’s previous three platters garnered generous radio spins and chart action throughout the world in addition to receiving the plaudits of critics – from JazzTimes, Jazziz and the New York Daily News in the U.S. to major media outlets in France, Germany and Canada – Under The Lake didn’t veer from their path in order to tailor their records for commercial purposes. The tunes on Jazz, Groove & Attitude average nearly six minutes in length. The music has a lively energy and soulful edges as melodies and grooves develop and flow freely and spontaneously with ample time to simmer before erupting into a boil. The focus track at radio will be “George Is His Name,” a cut inspired by the late George Duke. Another song of note is “LJT,” which was written in honor of Team USA’s Lee Evans, John Carlos and Tommie Smith who are remembered for turning their 1968 Olympics medal ceremony into a fist-raised protest.

Tipp said, “As a kid growing up in the ‘70s, the music that I enjoyed most tended to have a little more interesting chord changes and extended musical passages. When I began my recording career and formed Under The Lake in the early ‘90s, smooth jazz was at its height and we never fit neatly into that or any other format. After a couple of lengthy breaks as our lives went in divergent directions, I reformed the band with a plan to record again. I reflected on what music I really wanted to play and it just seemed natural to gravitate back to what had influenced me early on. Over the last several years, I had gotten a lot deeper into The Crusaders and Joe Sample’s catalog. As the band and material came together, having a tenor (sax) and trombone leading the melodies seemed to bring it all together.”


The rebooted Under The Lake lineup consists of Tipp, Moak (Ella Fitzgerald, Dave Brubeck, Randy Brecker, Diane Schuur, Branford Marsalis), Evans (Pete Fountain, B.B. King, Nicholas Payton, Gladys Knight, Four Tops, Temptations), drummer Brian Foxworth, bassist Kenny Franklin, guitarist Evan Mustard, alto saxophonist Nat Caranto and special guest Joe Powers on harmonica.
After 1993’s “Dive In,” Under The Lake followed up two years later with “Up For Air,” took a decade-long “life” pause and regrouped to issue “People Together” in 2007. The unit has performed at top West Coast festivals and venues, sharing the marquee with contemporary jazz forces Sample, Billy Cobham, Stanley Jordan and Keiko Matsui. To pave the way for “Jazz, Groove & Attitude,” Under The Lake will play First Taste Oregon in Salem on January 27 and headline a tribute to The Crusaders at the PDX Jazz Festival in Portland on the album’s street date.

Reflecting fondly on the occasion of Under The Lake’s silver anniversary while enthusiastic about what’s ahead, Tipp said, “Even after all these years, I still run into folks that remember the band or shows we’d done years ago. The music from the first few albums still gets played on various outlets. I think ‘Jazz, Groove & Attitude’ is the best collection of material I’ve assembled with some really talented musicians. I hope that people enjoy it, that it starts the ball rolling so we can build on the momentum, creating new opportunities for us to perform in front of more audiences in more places.”

“Jazz, Groove & Attitude” contains the following songs:

“Breaking Through”
“Good Things”
“November 30th”
“George Is His Name”
“Father’s Day”
“Second Time Around”
“LJT”
“Full Of Life”
“I Just Can’t Wait”
“Rise And Shine”
“September Groove”

For more information, please visit http://www.UnderTheLake.com.

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Monday, January 15, 2018

Remembering Martin Luther King Jr's Famed 'I Have a Dream' - NPR Video #MLKDAY

On Martin Luther King Jr.'s birthday, we remember the civil rights leader's most famous speech, and King's remarkable legacy. He was born on January 15, 1929, in Atlanta. He gave the "I Have a Dream" speech on Aug. 28, 1963 to 250,000 people who marched to the Lincoln Memorial in Washington D.C. In 1983, President Ronald Reagan signed a bill that created a federal holiday to honor King, celebrated on the third Monday in January.

Video
http://www.insideedition.com/media/videos/remembering-martin-luther-king-jrs-famed-i-have-dream-39793

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Thursday, January 11, 2018

Lisa Hilton - Escapism (Ruby Slippers Productions) Released Jan 4, 2018 #jazz

For her 20th album Lisa Hilton wanted to provide uplift and relief, where listeners can be energized and feel rejuvenated, and this became the theme for the aptly titled ESCAPISM. Each composition seems to generate, by albums end, a mental release or escape all its own. “Artists have an important role in our culture and community--it is through art and music that our souls and spirits can be energized, balanced and entertained--we all need to "escape" or transcend our challenges. I want our music to be a positive force whether you\\'re listening on the subway, while at work or lounging on a tropical island! Our music embraces the good experiences in our world,” Hilton comments.



After working solo on last year's Day & Night release, Hilton brought back saxophonist JD Allen, trumpet and flugelhornist Terell Stafford, bassist Gregg August and drummer Rudy Royston into Avatar Studios. “Our engineer James Farber, a true sound icon, captured the incredible sound of these amazing musicians - all leaders in their own right,” Hilton enthuses. “I feel very fortunate to continue to work again and again with them." ESCAPISM is an audiophile's delight from the team of top engineers that Hilton has worked with for years: besides recording engineer Farber, it was mixed by 23-time Grammy® Award-winning engineer Al Schmitt at the legendary Capitol Studios in Hollywood and mastered by multi-Grammy® Award-winners Gavin Lurssen and Reuben Cohen.

The opening track, "Hot Summer Samba," twirls in multiple Latin rhythms and melodic ideas that Hilton composed to start the album moving. That track segues into the fast-paced trio work of "Meltdown." Hilton's melodic touch is evident in "Another Everyday Adventure," and the closer "Utopia Cornucopia," both soundtracks to finding wonderland anywhere, anytime and where you least expect it. Although Hilton does not record many covers, her arrangement of Lerner & Lane's classic "On A Clear Day" calms and inspires, suggested by the unsung lyrics "On a clear day...you'll feel part of every mountain sea and shore." The track highlights her excellent trio mates while showcasing Hilton's ability to the interpret classics in new ways. The jaunty solo piece, "Escape Velocity Blues," seems to channel Neal Hefti and Count Basie, but is all Hilton with her signature touch on the keys. The beauty of Allen's tenor sax and Stafford's clear flugelhorn, alongside her own performance, shine through on "Zero Gravity." The tracks "Too Hot" and "29 Palms" are envelopes to a different kind of space, reaching in evocative and seemingly narrative directions.

With all that continues to change in our world, ESCAPISM seeks a journey that is focused on the feelings and positive energy it creates. Hilton allows this journey to be constructed and articulated through her written compositions evoking a sentiment of peace, tranquility and upbeat energy.

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Urban-jazz bassist Darryl Williams shows he’s got staying power on new single #jazz

 “Do You Remember,” featuring saxophonist Michael Lington, follows the Billboard top 10 “Here to Stay.”

It took ten years for urban-jazz bass player Darryl Williams to write, record and release “Here to Stay,” his Billboard top 10 single and the title track to his second album. This week’s releaseof the follow-up single, “Do You Remember,” proves that he doesn’t plan to go away anytime soon. Plucking rubbery basslines on piccolo and electric basses on the slick jazz-funk energizer that he wrote and produced, Williams is joined on the dancefloor filler by chart-toppers Michael Lington (saxophone) and Adam Hawley (guitarist).   
  
Williams’ return to center stage as a frontman with the “Here to Stay” set resulted in a 2017 Best New Artist nomination from the Smooth Jazz Network. The first-call bassman calls the collection that he produced with sax powerhouse Euge Groove “a labor of love,” featuring eight of his hand-penned originals along with a pair of remakes that have personal meaning to the San Diego native who currently resides in Temecula. A stellar list of his regular employers were quick to return the favor by making guest appearances on “Here to Stay,” including Groove, who ignites a pair of tunes including the title cut, two-time Grammy-winning guitarist and producer Paul Brown, jazz-funk keyboard pioneer Jeff Lorber, saxmen Marcus Anderson and Elan Trotman, and keyboardists Jonathan Fritzen, Greg Manning and Scott Wilkie. The disc’s lone vocal number, a faithful rendering of The Emotions’ “Don’t Ask My Neighbors,” is soul kissed by R&B crooner Ashling Cole. Williams remembers his late mentor, Carl Evans Jr., by revamping the former Fattburger leader’s sweetly redolent “The Doctor,” which is graced by Michael Paolo’s caressing soprano sax.
 
“While to some people, ‘labor of love’ is an overused cliché, it certainly applies to ‘Here to Stay.’ I began writing songs for the collection in 2007 before moving my family to Temecula from Las Vegas. The compositions were inspired by different experiences we went through in our journey throughout that period. It was an important and formative time in my career as well. That’s when I first started playing in Euge’s (Groove) band and did a tour with Jeff (Lorber) a couple years later. In between is when my very good friend and mentor Carl (Evans Jr.) passed, which was devastating. ‘Do You Remember’ was one of the last songs I wrote for the record and it was inspired by reflecting on how far I’ve come from growing up as a kid in Los Angeles and San Diego to playing in a funk band with my brother as a teenager. It took me ten years to finish this album and while it takes me back in time, the reaction from fans, radio and reviewers has me looking forward with excitement. I couldn’t be more proud of this album,” said Williams.        
 
Williams was a teenager when he opened for R&B acts Lakeside and Al Green along with gospel legend Shirley Caesar. After studying jazz at San Diego State University, Williams went from regular gigs backing many of San Diego’s most prominent homegrown talent to the neon lights of the Las Vegas strip where he accompanied such nationally-renowned headliners as Clint Holmes, Angela Bofill, Tevin Campbell, Howard Hewett and Keith Washington, and did a road stint with Chaka Khan. After moving back to California in 2008, Williams dropped his debut album, “That Was Then,” garnering praise from JazzTimes and national airplay on SiriusXM. He has become a fixture on the smooth/contemporary jazz scene where he has shared the stage with the genre’s heavy hitters: Richard Elliot, Peter White, Gerald Albright, Mindi Abair, Brenda Russell, Darren Rahn, Jessy J, Everette Harp and Jeff Kashiwa. He has also recorded with Jackiem Joyner, Blake Aaron, Nils Jiptner, U-Nam and Kay-Ta Matsuno.        
 
For additional information, please visit http://darrylwilliamsmusic.com/.

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Monday, January 08, 2018

Smooth Jazz Chart - Weekly Top 20 - January 8, 2018 #jazz


TW - LW - Artist - Album - (Label)
1 - 1 - Rick Braun - "Around The Horn" - (Shanachie Entertainment)
2 - 3 - Euge Groove - "Groove On" - (Shanachie Entertainment)
3 - 2 - Boney James - "Honestly" - (Concord Music Group)
4 - 6 - Paul Brown - "One Way Back" - (Woodward Avenue)
5 - 9 - Paul Hardcastle - "The History Of Paul Hardcatle (Trippin 'N' Rhythm)
6 - 4 - Nick Colionne - "The Journey" - (Trippin 'N' Rhythm)
7 - 7 - Jeff Lorber Fusion - "Prototype" - (Shanachie)
8 - 10 - David Benoit & Marc Antoine - "So Nice!" - (Shanachie Entertainment)
9 - 8 - Norman Brown - "Let It Go" - (Shanachie Entertainment)
10 - 11 - Najee - "Poetry In Motion" - (Shanachie Entertainment)
11 - 14 - U-Nam - "The Essential Collection" - (Skytown Records)
12 - 12 - Jonathan Fritzen - "Ballads" - (Nordic Night Records)
13 - 13 - Maysa - "Love Is A Battlefield" - (Shanachie Entertainment)
14 - 17 - Carol Albert - "Fly Away Butterfly" - (Carol Albert Music)
15 - 15 - Brian Simpson - "Persuasion" - (Shanachie Entertainment)
16 - 16 - Chuck Loeb - "Unspoken" - (Shanachie Entertainment)
17 - 24 - Eric Valentine - "Velvet Groove" - (Matcha Entertainment)
18 - 19 - Gerald Albright - "G" - (Bright)
19 - 23 - Special EFX - "Deep As The Night" - (Trippin 'N' Rhythm)
20 - 53 - Main Street Beat - "Jackiem Joyner" - (Mack Avenue/Artistry)


Our thanks to smoothjazz.comVisit smoothjazz.com to view the latest complete top 50 chart. Visit smoothjazz.com to view the latest weekly chart recap.
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Saturday, January 06, 2018

THE LATEST ALBUM FROM AWARD-WINNING, BILLBOARD TOP 10 WORLD MUSIC GUITARIST LAWSON ROLLINS #jazz





Airwaves: The Greatest Hits chronicles a decade's worth of  radio  hits from Lawson Rollins’ seven solo albums, including the Billboard Top 30 contemporary jazz radio charting songs "Island Time," "Moonlight Samba," "Infinita," "Flight," and "Daybreak."

Two new bonus tracks were recorded exclusively for this album:  the contemporary jazz future hit  "World of Wonder" (featuring the Billboard #1 jazz fusion group 3rd Force) and the classically-inspired, world-music composition "Prado" (featuring 2-time Grammy Award winning Danish violinist Mads Tolling).

Airwaves showcases the melodic, tuneful side of Rollins' music that has set radio airwaves afire since his 2008  debut solo album Infinita. Although Rollins is noted for his fleet-fingered flights of virtuosity, showcased in his viral video hits, such as “The Fire Cadenza,” that have received over 10 million views on YouTube alone,  his radio hits find him purely in the service of the melodies and song craft.

Many of the radio edits are markedly different from the album versions and feature performances not heard on the albums and never before made available, such as  “In Motion (radio edit)” which showcases an exclusive appearance by Billboard #1 saxophonist Praful.   All the tracks have been freshly remastered at world-renowned Sterling Sound in New York.

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Thursday, January 04, 2018

Fred Farell brings the good word on Distant Song #jazz


As a featured soloist and ensemble singer, Fred Farell has made a name for himself as a preeminent pro jazz voice. Across five decades and at venues as esteemed and diverse as Avery Fisher Hall, the Brooklyn Academy of Music, and the Museum of Modern Art, Farell has demonstrated inspired interpretive abilities to go with his heartfelt lyricism and sweet pipes. Distant Song, his debut for Whaling City Sound, a home for much quality jazz, is a profound experience, thanks partly due to his composers and loyal accompanists saxophonist Dave Liebman and piano/keys player Richie Beirach, both of whom have collaborated on the original music for this record. Farell began singing professionally during his military service in the US and Europe in the late ’60s. His first appearances as a solo artist and group leader in New York City were at galleries and clubs in the ’70s and early ’80s, including gigs at renown venues like Sweet Basil and Greene Street where he performed as a member of Cobi Narita’s Universal Jazz Coalition. Over time, he transitioned to presenting the gospel through jazz, and he’s enjoyed acclaim ever since. Farell was a featured soloist with the Don Hanson Ensemble and is currently the co-leader of “JazzLite,” a gospel-jazz group. In this group setting, Mr. Farell ministers with his gospel lyrics for original compositions, and Jazz standards, and features pianists Jeff Kruh, and Joel Weiskopf in varying instrumental formats.

On his brave new recording, Farell’s wordsmithing is sublime, requiring deftness, patience and passion on the microphone. His compositions unfold gently, religiously. Infused with sacred messaging, Distant Song is an emotional project--part jazz, part spiritual, part loving experiment—produced with happiness and love by a veteran talent clearly confident and at peace with himself and his abilities.


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