Top Ad

Monday, April 06, 2020

Under The Lake finds new meaning in “Your Horizon Too” after a band member contracts COVID-19 #jazz

The jazz-funksters dropped their new album about shared horizons and togetherness last Friday

In February when announcing the coming release of jazz-funk band Under The Lake’s “Your Horizon Too” album, the story that inspired the new record was chronicled about the chance reunion between keyboardist-songwriter-producer Jayson Tipp and the group’s former saxophonist-flutist Quintin Gerard W. Two weeks prior to the album release date, which dropped Friday on the Mind In Overdrive label, Gerard took ill from COVID-19. After enduring a miserable fortnight, he finally turned the corner and is on the road to recovery as the album dropped. But the scare brought the reality of the novel coronavirus and the message behind the outfit’s fifth album into context for Tipp.   



“This extraordinary time reminds us how important the people in our lives are. We feel like our recording of The Stylistics’ track “People Make The World Go ‘Round” from ‘Your Horizon Too’ hits home as we think about the special people in our lives,” said the Portland, Oregon-based Tipp. “When I consider how Quintin and I reconnected two years ago when he happened to tune in while I was doing a live radio interview, picked up the phone and called in…I mean, that’s kind of random. That led to a reunion with other original Under The Lake members – special friends - to create ‘Your Horizon Too,’ an album about how although we may have different perspectives, we all share the same horizon, a shared point of connectivity that unites everyone much like this global battle unites us to combat the virus.” 

The core four who formed Under The Lake decades ago – Tipp, Gerard, bassist Nathan Brown and drummer Richard Sellers - reunited in a San Diego recording studio to track “Your Horizon Too” where they were supplemented by guitarist Patrick Yandall. The chemistry between the players returned instantly. The set list mixing jazz, funk, fusion, and rhythm & soul consists of ten tunes penned by Tipp along with a couple of reworked classics – the aforementioned “People Make The World Go ‘Round” and Steely Dan’s vibey “Josie.” The first single that inspired the album title, “It’s Your Horizon Too,” is a Tipp-Gerard collaboration that is presently working its way onto playlists. Tipp is in the process of assembling a video clip for the track for which each player shot his part at home.   

Concert dates to support the release of “Your Horizon Too” have been scrapped for now, but Tipp is hopeful that new listeners will discover the collection, encouraged by messages from fans who were quick to tap into new music from Under The Lake.

“We realize that it’s an odd time for everyone. We’re all out of sorts having to stay at home. Folks are streaming content like never before. We know music is a salve for people and we’re just honored that our fans are turning to us. We hope that everyone is looking and moving forward to the horizon out there in front of us as we get through this together but socially distanced apart. And that’s the meaning and the message of the particularly apt album and single titles: we’re all in this together and it’s everyone’s horizon.”

For more information, please visit http://www.underthelake.com.


UTL have once again come seamlessly together to marry jazz and funk into such alluring dance tracks, making for yet another album that simply has to be in any self-respecting jazz fans collection.” – Exclusive Magazine

These cats just have the right touch.” – Midwest Record



Bookmark and Share

Smooth Jazz Chart - Weekly Top 20 - April 6, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


https://www.smoothjazz.com/charts

This chart is valid for this week only if there is a new chart published next Monday.


Bookmark and Share

Friday, April 03, 2020

Lean On Me singer Bill Withers dies at 81 #jazz

Bill Withers, the acclaimed 1970s soul singer behind hits Ain't No Sunshine and Lean On Me has died from heart complications aged 81, his family said.
The singer died on Monday in Los Angeles, the family told the Associated Press.
They described him in a statement as a "solitary man with a heart-driven to connect to the world".
"He spoke honestly to people and connected them to each other," the statement said.
Known for his smooth baritone vocals and sumptuous soul arrangements, he wrote some of the 70s best-remembered songs, including Just The Two Of Us, Lovely Day and Use Me.
Although he stopped recording in 1985, his songs remained a major influence on R&B and hip-hop.
His track Grandma's Hands was sampled on Blackstreet's No Diggity, and Eminem reinterpreted Just The Two Of Us on his hit 1997 Bonnie And Clyde.
"We are devastated by the loss of our beloved, devoted husband and father," said his family in a statement.
"A solitary man with a heart-driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other.
"As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones."
The star's signature song Lean On Me was based on his experiences growing up in a West Virginia coal-mining town. When times were hard, neighbors would lend each other help and assistance.

The song has recently become associated with the Coronavirus pandemic, with many people posting their own versions to support health workers and other essential services.Born in 1938, Withers was the youngest of six children. His father died when he was a child and he was raised by his mother and grandmother.
His entry to the music world came late - at the age of 29 - after a nine-year stint in the Navy
He taught himself to play the guitar between shifts at his job making toilet seats for the Boeing aircraft company and used his wages to pay for studio sessions in LA.
"I figured out that you didn't need to be a virtuoso to accompany yourself," he told Rolling Stone magazine in 2015.
He recorded his first album, Just As I Am, with Booker T Jones in 1970. It included the mournful ballad Ain't No Sunshine, which earned him his first Grammy award the subsequent year.
But he quit at the top, walking away from his career after having a hit with Just The Two of Us, although he occasionally toured with Grover Washington Jr in the 1990s.
Despite his influence on generations of musicians, he did not keep track of music after his career ended.
"These days," he said in 2015, "I wouldn't know a pop chart from a Pop-Tart."
Bookmark and Share

Thursday, April 02, 2020

Ellis Marsalis, Patriarch Of New Orleans' Most Famous Musical Family, Has Died #jazz

Ellis Marsalis, jazz pianist, educator, and patriarch of the Marsalis family, has died at the age of 85. His death was announced in tweets from New Orleans Mayor LaToya Cantrell and Jazz at Lincoln Center, where his son Wynton is managing and artistic director.
He reportedly went into the hospital over the weekend with symptoms of pneumonia. The New York Times reports that his son Branford says the cause of death was complications from COVID-19.

Ellis Louis Marsalis Jr. was born on Nov. 14, 1934. He graduated from Dillard University in New Orleans with a B.A. in music education, and that was the field to which he devoted himself. Despite playing with such notable jazz musicians as Cannonball and Nat Adderley, he was most proud of his work as an educator. His music students included Terence Blanchard, Donald Harrison, Harry Connick Jr. and four of his sons: Wynton, Branford, Delfeayo and Jason Marsalis.
Ellis Marsalis taught at the first full-time public arts high school in New Orleans, the New Orleans Center for Creative Arts, where he instructed students on the harsh realities of pursuing a career in the arts.
The former Marine put it this way to NPR in 1985: "There is no such thing as fair. The world's not fair, it's not about being fair."
Marsalis went on to become Commonwealth Professor at Virginia Commonwealth University in Richmond before returning to his hometown to teach at the University of New Orleans. Yet he still managed to record more than 15 albums of his own, in addition to collaborations with his sons.
And on top of all that, he played a weekly gig at a small New Orleans club, Snug Harbor Jazz Bistro, for three decades before retiring just this year.

Bookmark and Share

Monday, March 30, 2020

Smooth Jazz Chart - Weekly Top 20 - March 30, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


https://www.smoothjazz.com/charts

This chart is valid for this week only if there is a new chart published next Monday.


Bookmark and Share

Mariea Antoinette’s “All My Strings’ pays tribute to the evolution and magic that strings contribute to music #jazz

The urban-jazz harpist’s “Loving You” courts programmer’s ardor in advance of the release of her third album, dropping April 24.

Mariea Antoinette is upping the ante. Her previous albums have been designed to place the classical harp in surprising, unimagined contexts: R&B, jazz and hip hop. The motif expands on her third outing, “All My Strings,” which drops April 24 from Infinity/Maasai Productions. Teaming with producer Allan Phillips, who wrote four songs for the album, Antoinette’s focus is vibrational, celebrating the progress and unique contributions made by stringed instruments in music.  

“The idea was to create an organic sound where most of the instrumentation of the album is
propelled by vibrating strings - harp, violins, violas, cellos, guitars and bass guitar. ‘All My Strings’ is a tribute to the evolution and the magic that strings bring to music,” said Antoinette, a San Diego native. “I wanted the album to unfold as a beautiful, unexpected story.”

Antoinette began telling the story a couple years ago when she released the album opener, “Overture,” as a single, which went Top 5 on the Billboard chart and was named Best Jazz Single by the Black Women in Jazz & the Arts Association. With sweeping strings that build to a dramatic crescendo over funky beats, the track provided an exciting preview of what was to come on “All My Strings.” Last fall, Antoinette provided a second glimpse with the release of “That Thing (Doo Woop),” a reinvention of the Lauryn Hill hit. A third sampling came when “Loving You” began collecting airplay and playlist adds last week. The single earned Most Added status at Billboard. Antoinette tells the story behind why she elected to record the Minnie Riperton signature tune.    

“For years, Allan (Phillips) had the idea of recording a tribute to my first producer, the late Carl Evans, a founding member of the contemporary jazz group Fattburger. Carl had inspired countless musicians in Southern California and first introduced me and Allan. After years of searching, Allan suggested ‘Loving You.’ The original has a sublime effect that naturally seemed to work great with the harp. Then Allan gathered the surviving original members of Fattburger to record the song. We used a hallmark arrangement typical of Fattburger’s chart-topping style along with the string ensemble that appears throughout ‘All My Strings.’ The result is a fresh and exciting new version of a classic so dear to everyone’s heart. It also honors Carl who taught us to always spread love through our music - no matter what.”

Another compelling selection from the set is “Garden of Peace,” a soothing original spoken word number delivered by Antoinette over music by Lonnie Liston Smith.

“I believe in the healing power of music and spoken word where it drives all the tension from a room.
With spoken word, you can take people on an unforgettable journey through the power of words, something I do on all my projects. That was my intention with ‘Garden of Peace.’ Coupled with a pure harp solo, it creates a journey that is inspirational, creative and metaphysical. I love music that comes from an unknown place allowing you to simply close your eyes and listen.”

Antoinette wrote the album closer, “Gaia,” and spoke about its spontaneous origins. 

“I was taking a break in the studio after we recorded ‘Sekmet: Lioness Goddess.’ I began playing the harp, channeling what was in my heart. Allan walked into the room and asked what I was playing. He said we had to record it. It wasn’t planned at all. Totally impromptu. Suddenly, 'Gaia’ was born.”

After earning a master’s degree in harp performance, Antoinette debuted as a solo artist in 2003 on the Evan’s-produced “Sexy Paradise.” She began serving as principal harpist with the Los Angeles Southeast Symphony Orchestra in 2007 and later played a private event for President Barack Obama and First Lady Michelle Obama. Antoinette also accompanied Ne-Yo during a BET Awards performance. Her 2015 “Straight From The Harp: Special Edition” album, produced by Phillips, went Top 5 on the Billboard chart. Antoinette’s honors include winning a 2018 Black Music Award and the Instrumentalist of the Year title from the San Diego Prestige Awards the same year. In addition to playing club, theater and festival dates with her own ensemble, Antoinette has toured with the female-powered supergroup Jazz in Pink.       

“All My Strings” contains the following songs:

“Overture”
“Yearning For Your Love”
“All My Strings”
“Loving You”
“Ain’t Playin’”
“That Thing”
“Sekmet: Lioness Goddess”
“Garden Of Peace”
“Gaia”
                                                                                                     

For more information, please visit https://www.marieaantoinette.com.

Bookmark and Share

Wednesday, March 25, 2020

Pierre Bensusan - "Azwan" Released 03/13 on Dadgad Music #jazz

World music fingerstyle guitar master Pierre Bensusan drops “Azwan” about our oneness and interconnectivity in the midst of a unifying global crisis


Best laid plans, right? After spending the last few years off the concert trail in order to meticulously craft a new album, “Azwan,” preceded by an accompanying book, “Pierre Bensusan Guitar Collection,” and the unveiling of a handmade Lowden Guitars signature model, all of which were to be supported by an extensive 110-date US and Canadian concert tour running from March 7 into July, world music fingerstyle guitar virtuoso Pierre Bensusan suddenly finds himself back home on French soil after having to pull the plug one week into the concert trek due to the Coronavirus outbreak. While the entire tour is being rebooked for 2021, until then, listeners will have to discover the magic and masterful musicianship showcased on the 12-track digital and CD release composed and coproduced by Bensusan for his 3DADGAD Vision label, which is distributed by MVD Entertainment Group.



The COVID-19 global pandemic that has ensnared humanity underscores the oneness of our world and our interlocked connectivity. That’s Bensusan’s message and the meaning behind “Azwan,” the award-winning artist’s 15th album that dropped March 13. The French-Algerian guitarist-vocalist said, “Along my life’s journey, I have experienced unity off and on, being more or less aware of the impact and influence of every action upon the entire universe. As time goes on, the more I feel connected to all people, animals and universally to the whole of nature. Being that we are all connected, my intention is that every action and behavior contributes, supports and adds value to our interconnectivity, especially through my music. It feels like a nurturing or even a healing process for me and those with whom I share the music.”

Voted by Guitar Player magazine readers as Best World Music Guitarist, Bensusan’s music is contemplative, wistful, sublime and prodigiously performed with inspiration rooted in nature. “The concept of ‘Azwan’ came from observing bees, those solar insects working in the darkness together as one, and by observing flocks of birds flying and dancing together as one. It has been an inspiring symbolic representation of the continuum of music. When seeing ‘Azwan’ written, it can evoke a place, a city or a mood, but when hearing it said out loud, it sounds like ‘as one.’ I’ve been contemplating all the music from ‘Azwan’ for years before actually recording it, taking time to allow all the notes to come together as one.”

Bensusan is a storyteller, using expressive and lyrical acoustic guitar parlance and ethereal vocalization to allure, transfix and transport. “‘Azwan’ is primarily a solo instrumental album on which the guitar is conceived as an orchestra, delivering melody, bass, chords and counterpoint in the same space. To it, we add some vocal elements and several collaborations with guest musicians,” said Bensusan who has lived in Paris since age four.

“Azwan” opens with “Fils de la Rose,” a fragrant guitar and violin bouquet that welcomes the musical journey prepared to blossom. “Optimystical” is a seamless swoon of exquisite guitar, atmospheric vocalization and even sweet whistled melodies. On the title track, Bensusan’s simple, meditative and evocative fretwork dispenses poise, hope and grace. “Abeilles” (“Bees” in English) enchants with a touch of celestial vocal harmonization and string accoutrements. Bensusan deploys an endless array of dexterous fretwork on “Balkangeles,” which includes a special appearance by French guitarist Jean-Marie Ecay, who coproduced “Azwan.” Bensusan indulges his wanderlust on “Return to Ireland” and seductively romances with a Latin flair on “Without You.” On “Wee Dander,” Bensusan seems to delight by deftly constructing melodic licks over complex guitar rhythms at constantly vacillating cadences. Adding Christophe Cravero on alto and violin and Stephane Kericky on upright bass lend dramatic sensibilities to “Dia Libre.” Bensusan’s music is genre-defying and genre-uniting, which “Portnoo” exemplifies in its unique alchemy. The artist sings in French on the fun and playful romp “Corps Vaudou” and closes the set poignantly with the sensitive “Manitowoc,” an Indian title meaning “land of the great spirits.”

Teaching himself to play guitar at age eleven after four years of piano training, Bensusan inked his first record deal when he was 17, winning the Rose d’Or at the Montreux Festival for his 1975 debut album, “Près de Paris.” More recently, he won an Independent Music Award in 2014 for “Encore: Live,” a triple live record. He’s regarded as one of the greatest acoustic guitar players of the 21st century, known for his immense sound vocabulary utilizing hues of world music, new age, jazz, classical, traditional, folk and pop with French, Arabic, Latin and Celtic cultural references.    

“Azwan” contains the following songs:

“Fils de la Rose”
“Optimystical”
“Azwan”
“Abeilles”
“Balkangeles”
“Return to Ireland”
“Without You”
“Wee Dander”
“Dia Libre”
“Portnoo”
“Corps Vaudou”
“Manitowoc”


For more information, please visit https://www.pierrebensusan.com.



Bookmark and Share

Monday, March 23, 2020

Smooth Jazz Chart - Weekly Top 20 - March 23, 2020 #jazz



SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


https://www.smoothjazz.com/charts

This chart is valid for this week only if there is a new chart published next Monday.


Bookmark and Share

Gina Kronstadt - "October Comes Too Soon" - Released 03/20/20 on FallOff Records #jazz

“The Threat” is real

Jazz singer-songwriter Gina Kronstadt’s new single, “The Threat of Love,” earns most added honors at Billboard as her new album and video arrive

Most of us have been tempted to fall for the wrong person at one time or another. Jazz singer-songwriter Gina Kronstadt journals an alluring temptation on “The Threat of Love,” the first single from her third album, “October Comes Too Soon,” which dropped last Friday on FallOff Records. Kronstadt wrote and produced the storybook musing on love, intimate relationships and astute observations. The single earned most added status on the Billboard chart in its debut week at radio. Debuting the same week was the sensual black and white video for “The Threat of Love” that was lensed on the streets of Los Angeles (https://youtu.be/OHpohgM9tsU). 

Kronstadt writes music as therapy – mental and spiritual - and she composed the eight songs that comprise “October Comes Too Soon” during a challenging eight-month period while recovering from multiple shoulder surgeries. She cleverly uses “real” lyrics and her soothing-caress-of-a-voice to capture and convey honest thoughts and emotions, feelings of vulnerability and heartache, and ruminations on love, bliss and politics. When it was time to lay the tracks, Kronstadt called upon noted musicians to vividly illumine her tales: keyboardists John Beasley and Nicholas Semrad, bassist Benjamin Shepherd, drummer Joel Taylor, trumpeter Michael Stever and saxophonist/woodwind player Bob Sheppard. A first-call violin player who has performed on an extraordinary library of crème de la crème recording projects and concert stages, Hollywood box office hits and landmark television series, Kronstadt helmed the 12-piece string section that draped the tracks with lush backdrops, adding depth, drama and elegance.   
      


While the first single garners attention from smooth/contemporary jazz radio programmers, cuts from “October Comes Too Soon” have also been proliferating playlists at a second radio format: straight-ahead jazz radio. In fact, Kronstadt’s disc is already making its way up the Jazz Week chart.
       
Kronstadt is eager to share the music from “October Comes Too Soon” with listeners live on stage although current global circumstances may force the delay of her album release concert slated for April 23 at Feinstein’s at Vitello’s in Studio City.    

Below please find a taste of several early album reviews:

“Giving a new dimension to jazz/cabaret on this set of originals, this jazzy lady…is a marvel of fearlessness on all fronts…A jazz vocal date in the classic sense, this is the real deal. Hot.” – Midwest Record

“‘October Comes Too Soon’ is a rather luscious 8-song collection of songs that largely find Gina musing on the nexus between what makes great friendships work between men and women, and the x-factor that looms over the possibilities for the deeper intimacy of love.” – Exclusive Magazine

“She combines her soft voice with elements from jazz, sophisticated pop and funky R&B grooves…a crossover jazz album.” – Keys and Chords


For more information, please visit http://ginakronstadt.com.


Best selling smooth jazz at amazon.com
Jazz from Amazon.com
Bookmark and Share

Monday, March 16, 2020

Smooth Jazz Chart - Weekly Top 20 - March 16, 2020 #jazz


SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


https://www.smoothjazz.com/charts




Bookmark and Share

Monday, March 09, 2020

Smooth Jazz Chart - Weekly Top 20 - March 9, 2020 #jazz


SmoothJazz.com Top 100 Album Chart

THE WORLD'S ONLY SMOOTH JAZZ ALBUM CHART - FORMERLY THE GAVIN REPORT


https://www.smoothjazz.com/charts




Bookmark and Share