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Friday, March 31, 2006

Legendary Keyboardist/Composer Bob James

To Receive George Benson Lifetime Achievement Award at the 2nd Annual Canadian Smooth Jazz Awards

Bob James will be honored with the 2006 George Benson Lifetime Achievement Award at the second annual Canadian Smooth Jazz Awards, Friday, April 7, 2006. A two-time Grammy Award winner, James has been a mainstay of the contemporary jazz scene since the early '70s. His 35-plus solo albums includes his latest "Urban Flamingo," recently released on KOCH Records, featuring his Michigan-based quartet.

As a member of the super group Fourplay, he has consistently topped the contemporary jazz charts and most notably brought smooth jazz into the living rooms of millions with his theme song "Angela" for the television series "TAXI." He is also a Lifetime Achievement Award recipient from the National Smooth Jazz Awards in the U.S.

James will perform at the awards show which takes place at the Living Arts Centre in Mississauga, Ontario. He will also be touring in conjunction with his new KOCH Records CD "Urban Flamingo" in May. Concerts include dates in Pittsburgh, Philadelphia and New York


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Spotlight is on Pieces' core members

Flip over the case of Pieces of a Dream's new CD, "Pillow Talk," and something immediately strikes you.

The photo shows only two pieces of Pieces of a Dream, founding members Curtis Harmon and James Lloyd.

Since around 1990, the group has used a bevy of musicians - saxophonists, vocalists, guitarists and bassists (including Cedric Napoleon, an original member no longer with the group) - who were included in publicity shots, CD cover art and liner note photos.

But now, as the group celebrates its 30th anniversary, the marketing has tightened on the original members, just as in the 1980s, when what was then a precocious trio from Philly first attained success.

"Curtis and I are the core members," Lloyd said in a telephone interview from his home in Youngstown, Ohio. "People know we've had several [other musicians] come in and out of our lives. We don't want to confuse anyone as to who to expect in live concerts."

The renewed focus sets the group's identity, Lloyd said. "For the longest time, I thought Euge Groove was a group, like Bona Fide or Down to the Bone. And Nils? I'm still not sure about that one."

(For the record, Nils is a German guitarist, a long-time session musician and composer whose instrumental pop music album, "Pacific Coast Highway," was released last year.)

Regardless of who's in the band, Pieces gets props for surviving so long in a format so dependent on steady hits, radio play and stage charisma.

"Pillow Talk," released this week, doesn't upset Pieces' apple cart. Fans of the group's instrumental pop music ("smooth jazz") won't be disappointed, especially with the radio-friendly "Forward Motion" (co-written with Najee) with saxophonist Tony Watson Jr., and the obligatory cover, "Sailing," made popular by Christopher Cross.

It also has vocals that lean toward R&B - the fun, man-hating "Triflin'," the jazzier "Those 3 Words" and "Your Love" - all with Ramona Dunlap singing lead.

Fans of Pieces' early years with Grover Washington Jr. might find the up-tempo "Wake Up Call" more to their liking. Lloyd is all over the piano, while Harmon plays like he's been unshackled from the audio click-track chains.

Still, after three decades, "more is expected of us, just by the simple fact things change," said Lloyd, who writes most of Pieces' music.

"Anything that comes out of me, in essence, is me," Lloyd said. "I don't put anything out there that I wouldn't feel happy about performing or hearing."

With one exception.

Lloyd cites the CD, "Bout Dat Time," a 1989 Blue Note release that was mostly dance-oriented. "There was one song on there that I think fit Pieces," Lloyd said. "We weren't feeling it."

Their success, along with support from the Heads Up record label, has given them some leeway. "It's great that the record company gives us that freedom," Lloyd said. "The only requirement is that some tunes lend themselves to radio air-play."

Lloyd, who calls himself a workaholic, would like to become "the Rodney Jerkins or Jermaine Dupri of smooth jazz." He's produced for Nestor Torres and Alex Zonjic, written songs for Wayman Tisdale and works closely with Najee.

Lloyd recently performed a warmly received, acoustic straight-ahead date at LaRose Jazz Club here. There's "a strong chance" he'll do a solo album.

But there are concerns: Would he need to use the name Pieces of a Dream? What would the sound be? Would people buy it?

"All of these things have to be heavily considered and carefully thought out," Lloyd said. "I'm not scared. They're just things to consider."

By AL HUNTER JR.
huntera@phillynews.com 215-854-5855

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Bradley Leighton's Southern California Debut

Bradley Leighton, critically-acclaimed jazz flutist gives Sunday, April 2, live concert performance and album launch party at Humphrey's Back Stage Lounge, Shelter Island, San Diego, to support the national release of his Back To The Funk, which just arrived in record stores on the Pacific Coast Jazz record label.

Alto flutist Leighton fondly recalls the halcyon days of groove-heavy jazz-funk with a modern edge on Back to the Funk. The album, his third, features booty-shaking funk, seductive R&B, chill jazz nuances, and lilting pop hooks produced by Allan Phillips. Presently gaining radio airplay is "Runaway, " a driving feel-good joint boasting a full horn section and a fiery exchange between Leighton's scorching alto flute and a sweaty, bellowing sax.

Having released two critically-acclaimed albums that delved into straight-ahead jazz with occasional splashes of Latin rhythms or R&B grooves, Leighton wanted to fully indulge his passion for jazz-funk. He co-penned five tracks for Back to the Funk that belies some of his musical influences: the Brecker Brothers, Earth, Wind & Fire, and Tower of Power. Leighton also set out to prove that in the contemporary jazz world dominated by guitars and saxes, the flute can also be soulful and funky. His alto flute gracefully leaps above the muscular horn arrangements and rhythmic R&B base to deliver eloquent jazz-pop statements. In addition to the original material, the artist covers classics by Stevie Wonder, Bread, and Ray, Goodman & Brown. Real guitar, piano, bass, drums, sax, trumpet and trombone give the album production a live, organic sound. To bring the album to life at this concert event, Leighton will be backed by a talented group of local jazz-funk musicians.

Leighton debuted in 2003 with a collection of jazz standards on the Groove Yard CD. Last year's Just Doin' Our Thang straddles the line between traditional and contemporary jazz. It consists of fresh interpretations of standards along with four original compositions that find Leighton backed by a Hammond B3 organ trio. The album was hailed by such respected outlets as JazzTimes, Audiophile, All About Jazz, All Music Guide, and the San Diego Reader and was nominated for "Best Jazz Album of the Year" by the San Diego Music Awards.

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Thursday, March 30, 2006

Smooth Jazz Top Ten | Week Ended 3/31/06







LW TW Artist Title (Label)
2 - 1 - Paul Brown - "Winelight" (GRP/VMG)
1 - 2 - Richard Elliot - "Mystique" (Artizen)
3 - 3 - Nils - "Summer Nights" (Baja/TSR)
6 - 4 - Najee - "2nd 2 None" - (Heads Up International)
8 - 5 - Brian Culbertson - Let's Get Started - (GRP/VMG)
5 - 6 - Kim Waters - "Steppin' Out" (Shanachie)
4 - 7 - Brian Simpson - "It's All Good" (Rendezvous)
7 - 8 - Rick Braun - "Shining Star" (Artizen)
10 - 9 - Michael Lington - "Pacifica" (Rendezvous)
11 - 10 - Chris Botti f/Jill Scott Good Morning Heartache (Columbia)

Visit radioandrecords.com to view the latest complete Smooth Jazz ® National Airplay© listings.

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Wednesday, March 29, 2006

Cassandra Wilson Unveils "A New Sound" on Her New CD "Thunderbird"

Eminent vocalist Cassandra Wilson is poised to unveil her newest CD, thunderbird, April 4th on Blue Note Records, and with it what Paste magazine calls “a different sound...broad, open, built around keyboards rather than small percussion instruments and gentle acoustic guitars” in a 4-star review in their May issue.

Wilson will also grace the cover of the May issue of JazzTimes magazine, which hits stands on April 25th with a bold headline that announces “Cassandra Wilson Returns With A New Sound.”

That “new sound” is largely due to the presence of a new production team, including the acclaimed Grammy-winning producer T Bone Burnett and co-producer Keefus Ciancia, who lead Wilson's distinctive blend of original songs with blues and pop covers, a potent mix that has been at the foundation of such Wilson classics as Blue Light 'Til Dawn and the Grammy-winning New Moon Daughter, into new sonic realms.

Paste reviewer Martin Johnson goes on to state that “the change in music hasn't altered Wilson's overall aesthetic; she's still delving deeply into the roots of the Delta and celebrating its eclectic possibilities,” as is evidenced by the album's centerpiece, an epic performance of the classic Blind Lemon Jefferson blues “Easy Rider,” as well as a spacious, stripped-down version of the traditional “Red River Valley” on which Wilson's contralto and Colin Linden's slide guitar intertwine seamlessly.

However, from the very first sounds on thunderbird, the irrepressible opening track “Go To Mexico,” which is built upon a sample from New Orleans Mardi Gras Indian band the Wild Tchoupitoulas, it's clear Wilson has delved into new territory. On the album's first radio single, “It Would Be So Easy,” Reginald Veal's acoustic bass intro gives way to Mike Elizondo's gliding electric bass while Ciancia sets up an insistent keyboard hook that would be at home in a modern R&B or hip-hop hit.

Wilson's alluring vocals have long been held in high regard by the R&B and hip-hop worlds. She's been featured on two albums by The Roots (Do You Want More?!!!??! and Illadelph Halflife) and was a standout presence on the 1997 neo-soul soundtrack Love Jones. Her most recent foray into hip-hop comes on Confidential, the new solo album from rapper M-1 of Dead Prez, which was released March 21st and features Wilson along with Q-Tip on the track “Love You Can't Borrow.”

allaboutjazz.com

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Tuesday, March 28, 2006

Pieces Of A Dream Celebrates Three Decades Of Funky Jazz

Pillow Talk set for release on March 28, 2006

Thirty Years ago, it was nothing more than a creative lark for two young kids from Philadelphia. Keyboardist James Lloyd was 11 and drummer Curtis Harmon was 13. All they wanted to do was make good music. They took the name Pieces of a Dream from the title of a 1974 Stanley Turrentine album, and the rest, as they say…

Some of the names and faces have changed over the years, but Lloyd and Harmon are still at the core of this powerhouse contemporary jazz combo, and the commitment to music that is not just good but great has never wavered in the three intervening decades. Pieces of a Dream celebrates this landmark anniversary with the worldwide release of Pillow Talk on Heads Up International March 28, 2006. The new album finds Lloyd, Harmon and company just as passionate about their craft in this new century as those two Philly youngsters back in the day.

“This is another great chapter in a great story,” says Lloyd. “It’s a privilege to still be doing it after so many years. Making your way in the music business can be a perilous undertaking, especially these days, but the fact that Pieces has been together as long as it has says something about who we are – as musicians and as people – and the kind of music that we make.”

Pillow Talk is a perfect example of how Pieces has successfully navigated the years. Filled with catchy riffs, infectious grooves and compelling vocal work, it’s the kind of record that speaks to the moment yet still holds up well over time.

“House Arrest,” the punchy opening track, is one of the clearest statements in the entire set. Co-authored by Harmon and Bennie Simms, the track is Harmon’s way of keep the longstanding Pieces groove alive for a new generation of listeners. “That’s an instrumental song with more of a house beat,” says Harmon. “Part of what wanted to accomplish with the songs that I contributed was to bring a fresh new sound to Pieces. I wanted to make some danceable instrumental music.”

Further in, guest vocalist Ramona Dunlap steps up to the microphone with the defiant and no-nonsense “Triflin’,” and later on the impassioned devotional “Those Three Words” and the sultry “Your Love.” Dunlap’s rich vocal presence has been a part of the Pieces stage show in the past, and she was first introduced to worldwide audiences on the Pieces of a Dream Acquainted With The Night album. “Ramona is very professional, very much to the point with her craft” says Harmon. “It took no more than one ore two takes to get what we needed from her. She was very clear about what she was doing.”

Also worth noting is the lively “Wake Up Call,” with piano work from Lloyd that is both punchy and melodic at the same time. “Attitude” sets Lloyd’s complex piano lines and Tony Watson Jr.’s full-bodied sax riffs against a vaguely hip-hop backbeat. The album closes with the shimmering title track, a laid back number with a persistent backbeat – a seemingly incongruous yet ultimately satisfying combination that showcases Lloyd’s prowess on piano, keyboard and programming

Pillow Talk is another satisfying set from a band that has built a thirty-year reputation on finely crafted recordings. After three decades, what’s the glue that holds it all together? “I think the high level of musicianship is what has made Pieces what it is over the years,” says Harmon. “ James is a very talented and gifted musician, and our styles and sensibilities blend well. After thirty years of working together and playing together, there’s a collaborative aspect to what we do that’s hard to explain. It just happens.”

“We’re more than just bandmates,” says Lloyd. “We’re family. We’ve been through good times and bad, and that just makes the music deeper and better. This album is just another example of what happens when two brothers who’ve grown up on the same creative track get together and bring out the best in each other.”

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New Albums From Brian Bromberg and SFJAZZ Collective Debut on Billboard Chart

Bassist Brian Bromberg's Wood II and SFJAZZ Collective 2, the latest album from the all-star group led by saxophonist Joshua Redman, debuted on the Billboard jazz chart this week at numbers 19 and 20.

Wood II features pianist Randy Waldman and drummer Vinnie Colaiuta; tracks includes such jazz standards as "Caravan," "I'll Remember April," and "Blue Bossa as well as an arrangement of Paul McCartney's "Let 'Em In." SFJAZZ Collective 2 focuses on the music of John Coltrane; in addition to Redman, the group includes trumpeter Nicholas Payton, vibraphonist Bobby Hutcherson, and saxophonist Miguel Zenón.

The top three spots on the chart were unchanged: vocalist Michael Bublé's It's Time at number one, trumpeter Chris Botti's To Love Again: The Duets at number two, and Bublé's live Caught in the Act at number three.

There were no new entries on the contemporary-jazz chart. Herbie Hancock's Possibilities remained at number one, where it has spent 19 of the last 29 weeks.

By Ben Mattison - playbillarts.com

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Monday, March 27, 2006

Jazz Alliance International Celebrates Jazz Appreciation Month with ``Jazz Vocalists -- Hear & Now''

Two-Disc Set Features 36 Standards and Contemporary Classics by Today's Reigning Voices Available in Stores April 24

In honor of Jazz Appreciation Month, Jazz Alliance International (JAI) is releasing "Jazz Vocalists -- Hear & Now." This stellar two-disc set to be released on Concord Records contains 36 standards and contemporary classics by today's top vocalists and will be available in stores on April 24.

After the success of its single-disc volumes from 2003, "Jazz Hear and Now" and "Smooth Jazz Hear and Now," JAI has assembled an overview of the jazz vocal world that is twice as comprehensive. The three dozen tracks, programmed with a focus on contemporary material on Disc One and standards on Disc Two, feature leading voices from several generations of jazz and jazz-related singers, including new stars Michael Buble, Norah Jones and Madeleine Peyroux; stalwarts Kurt Elling, Diana Krall and Dianne Reeves; jazz-friendly pop stars Joni Mitchell and Linda Ronstadt; and living legends Al Jarreau, Abbey Lincoln and Jimmy Scott. In addition, the collection also includes three of the jazz world's late-great voices -- Ray Charles (with Poncho Sanchez's band), Shirley Horn and Etta Jones (in duet with Vanessa Rubin).

States project producer Michael Cuscuna, "In 36 tracks on two discs, we set out to make a representation of vocal jazz that would be listener-friendly to the novice just looking to get into this music with the intention for a balanced, wide-ranging slice of what is happening on the jazz scene today. We embraced the time-honored icons, veterans making a comeback, new artists (the emerging and successful) and singers from other fields who've chosen to do jazz projects. The bulk of the repertoire is standards, but we have included jazz originals and contemporary pop and R&B tunes that demonstrated that the art of jazz singing is by no means restricted to the Tin Pan Alley songbooks."

States JAI president Suzan Jenkins, "We know each track will help us in our continuing efforts to expand the audience for jazz by attracting all music lovers who simply appreciate great music. The collaborative efforts of the many parties involved in compiling Vocal Jazz Hear and Now -- artists, producers, publishers, recording companies, manufacturers, presenters, non-profits and media -- speak to the power of the Alliance and our continued diligence to preserve and promote the vital heritage of one of America's greatest national treasures."

Glen Barros, president, Concord Music Group, added "We are proud to distribute this superb benefit CD and contribute to the efforts of the Jazz Alliance in furthering the growth and development of jazz."

Proceeds from the sales of "Jazz Vocalists -- Hear & Now" will benefit JAI and JAI-supported programs.

JAI, a subsidiary of the International Association of Jazz Educators, is dedicated to expanding the audience and visibility of jazz by raising the profile of the art form and by fostering better working relationships within the global jazz community through advocacy, education and research. For more information, go to www.gotjazz.info.

The mission of the International Association for Jazz Education (IAJE) is to assure the continued worldwide growth and development of jazz and jazz education. Now in its 38th year, IAJE's annual conference is regarded as the largest annual gathering of the global jazz community. For more information, go to www.iaje.org

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Upcoming Jazz Releases | 3/27/06-4/1/06

Upcoming Jazz Releases


Mon 27-Mar-2006

Count Basie - Lester Leaps In (Sony/Epic) - Reissue

Tue 28-Mar-2006

Alphonse Mouzon - Funky Snakefoot (Blue Note) - Reissue
Alphonse Mouzon - Mind Transplant (Blue Note) - Reissue
Betty Carter - Meet Betty Carter & Ray Bryant (Sony) - Reissue
Bobbi Humphrey - Fancy Dancer (Blue Note) - Reissue
Bobby Hackett - Hackett Horn (Sony) - Reissue
Bobby Hutcherson - Montara (Blue Note) - Reissue
Booker Ervin - In Between (Blue Note) - Reissue
Bunny Berigan - Take it Bunny! (Epic) - Reissue
Burt Conrad All Stars - Forward Looking Backwards (Sea Bright)
Charlie Rouse & Paul Quinichette - Chase is On (Toshiba) - Reissue
Chick Corea - Song of Singing (Blue Note) - Reissue
Christian Scott - Rewind That (Concord)
Chu Berry - Chu (Epic) - Reissue
Count Basie - Lester Leaps In (Epic) - Reissue
Create - A Prospect of Freedom (Sounds Are Active)
Donald Byrd - Blackjack (Blue Notge) - Reissue
Donald Byrd - Slow Drag (Blue Note) - Reissue
Doris Day / Ancre Previn - Duet (Sony) - Reissue
Duke Pearson - How Insensitive (Blue Note) - Reissue
Duke Pearson - Phantom (Blue Note) - Reissue
Duke Pearson - Right Touch (Blue Note) - Reissue
Earl Klugh - Finger Painting (Blue Note) - Reissue
Earl Klugh - Living Inside Your Love (Blue Note) - Reissue
Earl Klugh - Magic in Your Eyes (Blue Note) - Reissue
Eigsti Taylor - Lucky to Be Me (Concord)
Gene Harris - Tone Tantrums (Blue Note) - Reissue
George Benson - Essential (Sony) - Reissue
George Duke - Essential (Sony) - Reissue
Gerald Albright - New Beginnings (Peak)
Grant Green - FInal Comedown (Blue Note) - Reissue
Grant Green - Goin' West (Blue Note) - Reissue
Horace Silver - Serenade to a Soul Sister (Blue Note) - Reissue
Howard McGhee - Dusty Blue (Toshiba) - Reissue
Irving Kaufman - Anthology: Last Recording Pioneer (Archeophone) - Reissue
Jaco Pastorius Big Band - The Word is Out (Heads Up)
Jaco Pastorius Big Band - The Word is Out (Heads Up) - SACD
Janis Siegel - A Thousand Beautiful Things (Telarc)
Jimmy Knepper - Swingin' Introduction (Toshiba) - Reissue
Johnny Hodges - Hodge Podge (SOny) - Reissue
Lee Morgan - Lee Morgan (Blue Note) - Reissue
Lee Morgan - Sixth Sense (Blue Note) - Reissue
Lonnie Smith - Think (Blue Note) - Reissue
Lou Donaldson - Hot Dog (Blue Note) - Reissue
Lou Donaldson - Mr. Sing-a-ling (Blue Note) - Reissue
Mahalia Jackson - Newport 1958: Recorded at the Newport Jazz Festival (Sony) - Reissue
Marta Gomez - Entre Cada Palabrea (Chesky)
McCoy Tyner - Tender Moments (Blue Note) - Reissue
McCoy Tyner - Time for Tyner (Blue Note) - Reissue
Moacir Santos - Saudade (Blue Note) - Reissue
Monty Alexander - Concrete Jungle (Telarc)
Olmarin Unioni - Peaceful Means (Albatross)
Petr Korinek - Just Float Lightly (Cube Bohemia)
Pieces of a Dream - Pillow Talk (Heads Up)
Ramsey Lweis - The Very Best of Ramsey Lewis (GRP) - Reissue
Ronnie Laws - Pressure Sensitive (Blue Note) - Reissue
Rosemary Clooney - Blue Rose (SOny) - Reissue
Soulive - 32 Bleu - Colorado Springs, 10/7/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Aggie Theater - Fort Collins, CO (Instant Live (Ryko)) - 2+ CDs
Soulive - Banana Joe's, Columbia, SC 11/16/04 (Instant Live (Ryko)) - 2+ CDs
soulive - Beachland Ballroom - Cleveland, OH (Instant Live (Ryko)) - 2+ CDs
Soulive - Belly Up Tavern - Solana Beach, CA (Instant Live (Ryko)) - 2+ CDs
Soulive - Canal Club - Richmond, VA 11/13/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Cervantes Ballroom - Denver, CO 10/08/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Conga Room - West Hollywood (Instant Live (Ryko)) - 2+ CDs
Soulive - Double Door - Chicago, IL 9/30/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Fine Line Music Cafe - Minneapolis, Mn (Instant Live (Ryko)) - 2+ CDs
Soulive - Fox Theater - Boulder, CO 10/09/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Funk Box - Baltimore MD- 11/10/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Granada Theater - Lawrence, KS 10/04/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Higher Ground - Winooski, VT 12/9/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Independent - San Francisco, CA 10/16/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Iowa State University - Ames, IA (Instant Live (Ryko)) - 2+ CDs
Soulive - Irving Plaza - New York, NY 11/24/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Luther's Blues - Madison, WI 10/1/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Marz Theater - Wilmingon, NC 11/14/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Paradise Rock Club, Boston, MA 5/5/05 (Instant Live (Ryko)) - 2+ CDs
Soulive - Paradise Rock Club, Boston, MA 5/6/05 (Instant Live (Ryko)) - 2+ CDs
Soulive - Shaggy's - Salt Lake, UT 10/10/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - State Theater Falls - Church, VA (Instant Live (Ryko)) - 2+ CDs
Soulive - Theater of the Living Arts - Philadelphia, PA (Instant Live (Ryko)) - 2+ CDs
Stan Levy - Grand Stan (Toshiba) - Reissue
Sun Ra - Heliocentric Worlds, Vol. 1 & 2 (ESP-Disk') - Reissue
Tom Scott - The Very Best of Tom Scott (GRP) - Reissue
Tony Williams - Life Time (Blue Note) - Reissue
Various Artists - Blue Note Plays Duke (EMI) - Reissue
Wayne Shorter - Schizophrenia (Blue Note) - Reissue
Wayne Shorter - Super Nova (Blue Note) - Reissue


Sat 01-Apr-2006

Mark Birnbaum - Jelly Roll Morton's Missing New Orleans (MJB)



Information provided by allaboutjazz.com

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Saturday, March 25, 2006

Brian Bromberg | Wood II

On whatever Brian Bromberg has done, he's proven himself a very gutsy bassist, not just a virtuoso who's too notable for mere technique. The opening “Caravan” on Wood 2 does indeed begin with the sort of neo-boogaloo that young guys used to get New Orleans brass bands going again a couple of decades back. The weight of the snare drum's just right to keep the swing going, and drummer Vinnie Colaiuta has another good workout in the run into track two.

Overall Randy Waldman has a secondary role, though he does impress on a brisk ”I'll Remember April.” Bromberg's playing here generally doesn't give the pianist maximum opportunity to shine. That's just in the nature of the music: no excess of finesse—shrinking violets, stay away! A comparable bass-fronted ensemble was led on disc on recommendable occasions by the late great Dane Nils-Henning Oersted Pedersen, an extrovert who was so full of life and fun that I'm still reeling from his death last April. Bromberg's loud by comparison, less witty and lyrical, and good enough to be described as different, rather than graded above or below NHOP. Unbridled, he bends, twangs, slaps and skitters across the strings.

”I'll Remember April” is the one killer tempo item on this album. You've got to have one item per set “where everybody can go nuts”? So says Bromberg. Actually there are several, with artfully smudged notes resembling guitar downstrokes, and the pianist does have some fun.

The notes mistakenly name the three tenor saxophonists in Woody Herman's “four brothers” band as Al Cohn, Stan Getz and Zoot Sims, but one of them was Herbie Steward—an awesome player!—not Cohn. Bromberg whistles the theme, perhaps unaware that Ron McCroby was recorded whistling for longer with Herman, and without Bromberg's slippage of pitch.

Bob Haggart of course had a hit once, whistling and playing bass at the same time. Bromberg has here recorded the Sims, Getz, Steward and (baritone sax) Serge Chaloff parts in the four-saxophone out-choruses of “The Four Brothers” (arranged by Jimmy Giuffre) and dubbed them all together, the sound suggesting a super-ocarina. Different!

Bromberg practices a certain musical opportunism, choosing titles to perform because they have great lines in the bass. Two titles from the rock repertoire are taken solo, and a third adds dubs of two supporting bass parts taped earlier. Earth, Wind & Fire's “Shining Star” comes out better than Kansas's “Carry On[,] Wayward Son,” but Paul McCartney's “Let 'em In” overstays its welcome.

Visit Brian Bromberg on the web.

By Robert R. Calder allaboutjazz.com


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Russ Freeman's Rippingtons Commemorate 20th Anniversary

With All-Star New CD and Tour CD/DVD; Retrospective Scheduled for Release July 25 on Peak Records

It's hard to believe 20 years has transpired since Russ Freemen "let it ripp" with the formation of the groundbreaking group The Rippingtons, who pioneered a new musical format currently known as smooth jazz. Sixteen CDs later, thousands of tour dates, and various incarnations of the group (which launched many of the genre's top stars), Freeman has reunited past and present Ripps and guest stars for a 20th anniversary new CD coupled with a DVD retrospective being released on Peak Records July 25. The CD will be supported by a national tour in August and September, segments of which will be sponsored by Cadillac Smooth Jazz TV, with guest star appearances along with way.

Think past Rippingtons and guest stars - think Dave Koz, Brian McKnight, Patti Austin, Jeffrey Osborne, Kirk Whalum, Brandon Fields, Tony Morales, Gregg Karukas, Paul Taylor, Eric Marienthal, Jeff Kashiwa, Steve Reid, Jimmy Johnson and Jerry Hey, all of whom are among those performing on the CD. Think Lifetime Achievement Award, Best Band and producer, think group leader/founder/producer Russ Freeman, the recipient of all from the National Smooth Jazz Awards, not to forget Grammy Award nominee. Think Peak Records and the label formed by Freeman and his manager Andi Howard, who has also been with the band since its inception.

Think the "Jazz Cat" created by artist Bill Mayer, who has graced Rippingtons CD cover art since the beginning and has also starred in some of their music videos. Think of the jazz cat skiing, playing golf, riding the waves as a "tourist in paradise" and think of Rippingtons' Freeman who has shared his passions in life with his audience through his music.

Finally, think July 25th and mark down the release of the 20th Anniversary CD/ DVD/retrospective of the Rippingtons featuring Russ Freeman, a milestone in a now legendary career of a group that has set the standards for which many have followed.


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Friday, March 24, 2006

Video | Steve Tyrell 'Songs Of Sinatra'



Steve Tyrell talks about the making of his new album Songs of Sinatra on Hollywood Records. Steve Tyrell recently produced the new Regis Philbin Christmas Album. Steve Tyrell covers the classic Frank Sinatra songs, I get a kick out of you, i concentrate on you, Fly Me To The Moon, Witchcraft, In The Wee Small Hours, The One I Love Belongs To Somebody Else, Under My Skin, Bewitched Bothered and Bewildered, Night and Day, All The Way, Nice N Easy, Something Stupid, All Of Me, You Go To My Head. Album In Stores Now



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Thursday, March 23, 2006

Jazz Lover Open House on Radio

Jazz At Lincoln Cente and XM Satellite Radio will host the first annual "Jazz Lover Open House, " a day of free jazz on Sunday, April 2, 2pm - 5pm, at Jazz at Lincoln Center, Broadway at 60th Street, 5th Floor. This free jazzfest celebrates April as "Jazz Appreciation Month."

The Open House includes free jazz performances in Dizzy's Club Coca-Cola and the Jazz at Lincoln Center Atrium, interactive jazz presentations for the youngest jazz fans with the institution's WeBop! instructors, entry into the Nesuhi Ertegun Jazz Hall of Fame, a chance to win tickets to concerts, access to a behind-the-scenes look at XM Satellite Radio, a chance to meet XM on-air talent, tours of Jazz at Lincoln Center's acclaimed facilities and XM's state-of-the-art recording & broadcast studios, and free giveaways, hats, balloons and special offers.

Throughout the afternoon, Jazz at Lincoln Center will present: - The Dan Nimmer Trio in Dizzy's Club Coca-Cola - The Erica vonKleist Quartet in the Atrium - WeBop! presentations in the Rehearsal Studio


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Top Ten Smooth Jazz | Week Ended 3/24/06







LW TW Artist Title (Label)
1 - 1 - Richard Elliot - "Mystique" (Artizen)
3 - 2 - Paul Brown - "Winelight" (GRP/VMG)
2 - 3 - Nils - "Summer Nights" (Baja/TSR)
4 - 4 - Brian Simpson - "It's All Good" (Rendezvous)
5 - 5 - Kim Waters - "Steppin' Out" (Shanachie)
6 - 6 - Najee - "2nd 2 None" - (Heads Up International)
7 - 7 - Rick Braun - "Shining Star" (Artizen)
9 - 8 - Brian Culbertson - Let's Get Started - (GRP/VMG)
8 - 9 - Marion Meadows - "Suede" (Heads Up)
11 - 10 - Michael Lington - "Pacifica" (Rendezvous)

Visit radioandrecords.com to view the latest complete Smooth Jazz ® National Airplay© listings.

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Jazz Foundation of America to Present Gala Benefit May 4

The Jazz Foundation of America's annual gala on May 4 will include performances by vocalist Abbey Lincoln, bassist Ron Carter, and trumpeter Clark Terry, the organization announced.

The event takes place at the Apollo Theater in Harlem starting at 8 p.m.

Also scheduled to appear are saxophonist James "Blood" Ulmer, clarinetist Michael White and his Original Liberty Jazz Band of New Orleans, folk singer Odetta, organist Jimmy McGriff, drummer Will Calhoun, pianist Harold Mabern, drummer Ben Riley, pianist George Cables, and saxophonist Gary Bartz, as well as dozens of New Orleans musicians.

Actor Bill Cosby will host; actor Danny Glover will also appear.

The JFA, founded in 1989 to support elderly and poverty-stricken jazz musicians, has assisted hundreds of victims of Hurricane Katrina since the storm struck New Orleans last fall.

Call 212-245-3999 x 29 for tickets; for more information, visit www.jazzfoundation.org.

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Wednesday, March 22, 2006

Pieces Of A Dream | Pillow Talk

Pieces Of A Dream celebrates three decades of funky jazz. Pillow Talk set for release on March 28, 2006

Thirty Years ago, it was nothing more than a creative lark for two young kids from Philadelphia. Keyboardist James Lloyd was 11 and drummer Curtis Harmon was 13. All they wanted to do was make good music. They took the name Pieces of a Dream from the title of a 1974 Stanley Turrentine album, and the rest, as they say…

Some of the names and faces have changed over the years, but Lloyd and Harmon are still at the core of this powerhouse contemporary jazz combo, and the commitment to music that is not just good but great has never wavered in the three intervening decades. Pieces of a Dream celebrates this landmark anniversary with the worldwide release of Pillow Talk on Heads Up International March 28, 2006. The new album finds Lloyd, Harmon and company just as passionate about their craft in this new century as those two Philly youngsters back in the day.

“This is another great chapter in a great story,” says Lloyd. “It’s a privilege to still be doing it after so many years. Making your way in the music business can be a perilous undertaking, especially these days, but the fact that Pieces has been together as long as it has says something about who we are – as musicians and as people – and the kind of music that we make.”

Pillow Talk is a perfect example of how Pieces has successfully navigated the years. Filled with catchy riffs, infectious grooves and compelling vocal work, it’s the kind of record that speaks to the moment yet still holds up well over time.

“House Arrest,” the punchy opening track, is one of the clearest statements in the entire set. Co-authored by Harmon and Bennie Simms, the track is Harmon’s way of keep the longstanding Pieces groove alive for a new generation of listeners. “That’s an instrumental song with more of a house beat,” says Harmon. “Part of what wanted to accomplish with the songs that I contributed was to bring a fresh new sound to Pieces. I wanted to make some danceable instrumental music.”

Further in, guest vocalist Ramona Dunlap steps up to the microphone with the defiant and no-nonsense “Triflin’,” and later on the impassioned devotional “Those Three Words” and the sultry “Your Love.” Dunlap’s rich vocal presence has been a part of the Pieces stage show in the past, and she was first introduced to worldwide audiences on the Pieces of a Dream Acquainted With The Night album. “Ramona is very professional, very much to the point with her craft” says Harmon. “It took no more than one ore two takes to get what we needed from her. She was very clear about what she was doing.”

Also worth noting is the lively “Wake Up Call,” with piano work from Lloyd that is both punchy and melodic at the same time. “Attitude” sets Lloyd’s complex piano lines and Tony Watson Jr.’s full-bodied sax riffs against a vaguely hip-hop backbeat. The album closes with the shimmering title track, a laid back number with a persistent backbeat – a seemingly incongruous yet ultimately satisfying combination that showcases Lloyd’s prowess on piano, keyboard and programming

Pillow Talk is another satisfying set from a band that has built a thirty-year reputation on finely crafted recordings. After three decades, what’s the glue that holds it all together? “I think the high level of musicianship is what has made Pieces what it is over the years,” says Harmon. “ James is a very talented and gifted musician, and our styles and sensibilities blend well. After thirty years of working together and playing together, there’s a collaborative aspect to what we do that’s hard to explain. It just happens.”

“We’re more than just bandmates,” says Lloyd. “We’re family. We’ve been through good times and bad, and that just makes the music deeper and better. This album is just another example of what happens when two brothers who’ve grown up on the same creative track get together and bring out the best in each other.”


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Gerald Albright | New Beginnings

Make no mistake: Gerald Albright has chops — serious chops — not to mention strong improvisational skills (on both tenor and alto sax) and a healthy amount of gritty, down-home soulfulness. But having a lot of positive attributes and actually making the most of them are two different things — and while the saxman has excelled at times (1991's Live at Birdland West remains his most essential disc), he has also delivered his share of forgettable, knee-jerk fluff (1989's Bermuda Nights and 1990's Dream Come True were among the worst offenders). Drawing on both soul-jazz and smooth jazz, New Beginnings is a mixed bag that isn't in a class with Live at Birdland West but is still one of his more worthwhile commercial outings. There are some weak tracks, to be sure; Albright's note-for-note cover of the Whispers' 1979 hit "And the Beat Goes On" pales in comparison to the original version — and a few other automatic-pilot tracks are equally boring. But when Albright lets loose, New Beginnings becomes a treat that brings to mind Grover Washington, Jr. and early Ronnie Laws rather than Najee, Kenny G., or George Howard. Albright really soars on a gospel-drenched performance of Hoagy Carmichael's "Georgia on My Mind," and he has some enjoyably funky moments on "Big Shoes" and "We Got the Groove" (both of which keyboardist Jeff Lorber co-wrote with the saxman) as well as the title track (which features Patrice Rushen on acoustic piano). Is Albright capable of much more than what he does on New Beginnings? No question. Albright is quite capable of providing a five-star masterpiece, which New Beginnings is not. Nonetheless, this 2006 release has more pluses than minuses — and it is certainly superior to Dream Come True, Bermuda Nights, and some of the other duds he recorded for Atlantic in the '80s and '90s.

Review by Alex Henderson - allmusic.com

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Sunday, March 19, 2006

Upcoming Jazz Releases - 3/20/06-3/24/06

Upcoming Jazz Releases

Mon 20-Mar-2006

Incognito - Remixed (Verve) - Reissue
Invisible Session - To the Powerful (Schema)



Tue 21-Mar-2006

Ahmad Jamal - Rossiter Road (Gotham) - Reissue
Ahmad Jamal - Crystal (Gotham) - Reissue
Albert Nicholas - New Orleans Clarinet (Asy Living Era) - Reissue
Andrew Hill - Dusk (Palmetto) - Reissue
Art Tatum - 1949-53 (Classics) - Reissue
Artie Shaw - 1951-1954 (Noir Records) - Reissue
Ashley MacIsaac - Pride (Kock)
Band from Utopia - Band from Utopia: A Tribute to the Music of Frank Zappa
Ben Allison - Medicine Wheel (Palmetteo) - Reissue
Brion Gysin - One Night @ The 1001 Vol. 1 (Sub Rosa)
Bud Freeman - Bud Freeman All Stars (Sounds of Yesteryear) - Reissue
Bud Shank - Live at the Haig (Choice)
Carmen McRae - Masquerade (Passport)
Chapter 6 - Swing Shift (Primarily Acapella)
Charles Mingus - Mingus Quintet Meets Cat Anderson (Fruit Tree) - Reissue
Christooh Baumann / Franziska Baumann / Jugo Solothrunmann - Potage du Jour(Leo)
Claudine Longet - Colours (Lilith)
Coleman Hawkins - The Hawk Relaxes (Fantasy) - Reissue
Count Basie - This & That (Sounds of Yesteryear) - Reissue
Dave Brubeck - All the Things We Are (Gotham)
David Hazeltine Trio - Perambulation (Criss Cross)
David Sills - Down the Line (Origin)
Dexter Gordon - Quartet (Passport) - Reissue
Django Reinhardt - Swing Sessions Vol. 3 (Frog UK) - Reissue
Don Byas - 1952-53 (Classics) - Reissue
Donny McCaslin - Give 'n' Go (Criss Cross)
Eartha Kitt - The Bad Eartha....Plus (Universal Italy) - Reissue
Envy - Dead Sinking Story (Level Plane) - Reissue
Eric Dolphy - Out There (Fantasy) - Reissue
ESP2 - A Tribute to Miles (Naxos USA) - DVD-Video
Fred Hamilton & The Earl Marvin Trio - The Jam (City Hall) - DVD-Video
Gene Ammons - Boss Tenor (UMVD) - Reissue
George Benson - In Your Eyes (Gotham)
Glenn Miller Orchestra - Stardust (Sounds of Yesteryear) - Reissue
Gordon Beck Quartet - Seven Steps to Heaven (Art of Life) - Reissue
Herbie Mann - An Introduction to Herbie Mann (Fuel 2000) - Reissue
Hucko Peanuts & The All Stars - Jam With Peanuts (Sounds of Yesteryear)Reissue
Hustler-E - Wacocaine II: God, Money & Gun (On My Hustle)
Incognito - 20th Century Masters: The Millenium Collection (Universal)Reissue
Jam - Jam (Mel Bay) - DVD-Video
James Moody - 1951-54 (Classics) - Reissue
Jazz Influence - Jazz Influence (I!)
Jazzanova - Kings of Jazz (Rapster) - Reissue - 2+ CDs
Jesse Van Ruller - Views (Criss Cross)
Jim Rotondi Quintet - Iron Man (Criss Cross)
Jimmy Cobb - Marsalis Music Honors Series (Marsalis Music)
Joe Beck - Strangers in the Night (Venus) - Reissue
Joey Defrancesco - Organic Vibes (Concord)
John Coltrane - Lush Life (Fantasy) - Reissue
John Zorn - Filmworks XVIII (Tzadik)
Karriem Muuhammed - Pure Karriem (Bay Sound)
Kenny Burrell / John Coltrane - Kenny Burrell & John Coltrane (UMVD)Reissue
Kenny Dorham - Quiet Kenny (Fantasy) - Reissue
Lawrence Welk & His Orchestra - Bubbling Over (Asy Living Era)Reissue
Lena Horne - Empathy (Passport) - Reissue
Lester Young - Lester Leaps In (Passport) - Reissue
Lou Rawls - Best of Lou Rawls: The Capital Jazz & Blues Sessions Reissue
Marcus Shelby - Port Chicago (Noir)
Mario Pavone - Deez to Blues (Playscape Recordings)
Matt Wilson - As Wave Follows Wave (Palmetto) - Reissue
Mezei Szilard International Ensemble - Draught (Leo)
Michael Carvin - Marsalis Music Honors Series (Marsalis Music)
Miles Davis - Relaxin' with the Miles Davis Quintet (Fantasy) - Reissue
Mina Agossi - Well You Needn't (Candid)
Mingus Dynasty - Chair in the Sky (Collectables) - Reissue
Modern Jazz Quartet - Django (Fantasy) - Reissue
Modern Jazz Quartet - 40th Anniversary Tour (Naxos) - DVD-Video
Nika Rejto - Teazing Socrates (Increase)
Oliver Jones - Serenade (Justin Time) - DVD-Video
Otis Rush - Otis Rush & Friends Live at Montreux 1986 (RED) - DVD-Video
Pago Libre - Stepping Out (Leo)
Pamela Williams - Elixir (Shanachie)
Pat Britt - Let's Play (Passport)
Paul Samuels - Speak (Doc City)
Perpetual Motion - String Theory (Hapi Skratch)
Pete Malinverni - Theme & Variation (Reservoir)
Phil Perry - Heartbeats / The Classic Love Songs (Shanachie) - Reissue
Rale Micic - Serbia (CTA Records)
Randy Weston African Rhythm Trio - Zep Tepi (Random Chance) - Reissue
Red Garland - Red Garland's Piano (Fantasy) - Reissue
Reuben Radding - Fugitive Pieces (Pine Ear)
Ricardo Scales - Once Again (Bay Sound)
Rodney Jones - Live at Smoke (City Hall) - DVD-Video
Sathima Bea Benjamin - Musical Echoes (ekapa records)
Sherman Irby - Black Warrior (Black Warrior)
Simon Nabatov Quintet - Ferw Incidences (Leo)
Sondre Lerche - Duper Sessions (Astralwerks)
Sonny Rollins - Live in Europe (Fruit Tree) - Reissue
Sonny Rollins - Saxophone Colossus (Fantasy) - Reissue
Sophie Milman - Sophie Milman (Koch)
Stan Kenton - One Night Stand-Live at the Hollywood Palladium (Choice)Reissue
Sterling - Sterling (File Thirteen) - Reissue
Steve Oliver - Radiant (Koch)
Strunz & Farah - Jungle Guitars (Selva)
Szillard Mezei International Ensemble - Draught (Leo)
Take 6 - Feels Good (Take 6)
Thirteen Ways - Focus (Palmetto) - Reissue
Tim Mungenast - No Such Animal (Innova)
Victor Goines Quartet - New Adventures (Criss Cross)
Virginia Mayhew - Sandan Shuffle (Renma)
Vox One - Pure Imagination (Primarily Acapella)
Wingy Manone - 1944-46 (Classics) - Reissue
Yellowjackets - 20th Century Masters: The Millenium Collection Reissue
Yosvany Terry Cabrera - Metamorphosis (Kindred Rhythm)



Fri 24-Mar-2006

Art Farmer - 2 Trumpets (& Donald Byrd) (Victor) - Reissue
Art Farmer - Early Art (Victor) - Reissue
Art Farmer - Portrait Of (Victor) - Reissue
Art Taylor - Taylor's Wailers (Victor) - Reissue
Ballads By Four - Ballads By Four (Victor) - Reissue
Barbara Lea - Barbara Lea (Victor) - Reissue
Barney Kessel - To Swing or Not to Swing (Victor) - Reissue
Barry Harris - Magnificent (Victor) - Reissue
Blue Mitchell - Cup Bearers (Victor) - Reissue
Booker Ervin - Blues Book (Victor) - Reissue
Booker Ervin - Freedom Book (Victor) - Reissue
Booker Ervin - Gettin' With It (Victor) - Reissue
Booker Ervin - Groovin' With Golson (Victor) - Reissue
Booker Ervin - Other Side of Benny Golson (Victor) - Reissue
Booker Ervin - Space Book (Victor) - Reissue
Booker Ervin - Trance (Victor) - Reissue
Bradshaw Evans - Look Out For (Victor) - Reissue
Chet Baker - Boppin' (Victor) - Reissue
Chet Baker - Comin' On (Victor) - Reissue
Chet Baker - Cool Burnin' (Victor) - Reissue
Chet Baker - Groovin' (Victor) - Reissue
Chet Baker - Plays Lerne & Loewe (Victor) - Reissue
Chet Baker - Smokin' (Victor) - Reissue
Clark Terry - In Orbit (Victor) - Reissue
Curtis Counce - Landslide (Victor) - Reissue
Dexter Gordon - More Power (Victor) - Reissue
Dexter Gordon - Tower of Power (Victor) - Reissue
Diane Reeves - Good Night & Good Luck (Victor) - Reissue
Don Sleet - All Members (Victor) - Reissue
Elmo Hope - Informal Jazz (Victor) - Reissue
Ernie Herny - Presenting (Victor) - Reissue
Ernie Herny - Seven Standards and a Blues (Victor) - Reissue
Five Birds & a Monk - Five Birds & a Monk (Victor) - Reissue
Frank Wess - Wheelin' & Dealin' (Victor) - Reissue
Gene Ammons - Jammin' In Hifi (Victor) - Reissue
Gene Ammons - Jammin' with Gene (Victor) - Reissue
George Shearing - George Shearing & Montgomery Brothers (Victor) - Reissue
George Wallington - New York Scene (Victor) - Reissue
Gigi Gryce - Gigi Gryce & Jazz Love Quintet (Victor) - Reissue
Gil Melle - Gil's Guests (Victor) - Reissue
Hal McKusick - Triple Exposure (Victor) - Reissue
Harold Land - West Coast Blue (Victor) - Reissue
Jackie McLean - Jackie McLean & Company (Victor) - Reissue
Jackie McLean - Lights Out (Victor) - Reissue
Jackie McLean - Long Drink of the Blues (Victor) - Reissue
Jackie McLean - Makin' the Changes (Victor) - Reissue
Jackie McLean - McLean's Scene (Victor) - Reissue
Jackie McLean - Strange Blues (Victor) - Reissue
Jaki Byard - Here's Jaki (Victor) - Reissue
Jim Hall - Alone Together (Victor) - Reissue
John Coltrane - Black Pearls (Victor) - Reissue
John Coltrane - Cattin with Coltrane & Quinchette (Victor) - Reissue
John Coltrane - Dakar (Victor) - Reissue
John Coltrane - Interplay for 2 TP & 2 TS (Victor) - Reissue
John Coltrane - Last Trane (Victor) - Reissue
Johnny Griffin - Johnny Griffin Sextet (Victor) - Reissue
Johnny Griffin - Return of the Johnny Griffin (Victor) - Reissue
Junior Cook - Juniors Cookin' (% Blue Mitchell) (Victor) - Reissue
Kenny Burrell - Blue Muse (Victor) - Reissue
Kenny Burrell - Round Midnight (Victor) - Reissue
Kenny Dorham - Jazz Contrasts (Victor) - Reissue
Kenny Dorham - Kenny Dorham Quintet (Victor) - Reissue
Kenny Drew - Pal Joey (Victor) - Reissue
Kenny Drew - This is New (Victor) - Reissue
Lucy Reed - Lucy Reed with Bill Evans (Victor) - Reissue
Masahiro Sayama - Chronicles (JVC) - Reissue
McCoy Tyner - Sahara (Victor) - Reissue
Miles Davis - Miles Davis & Horns (Victor) - Reissue
Phil Woods - Phil & Quill (& Gene Quill) (Victor) - Reissue
Phil Woods - Young Bloods (& Donald Byrd) (Victor) - Reissue
Poll Winners - Ride Again (Victor) - Reissue
Prestige Allstars - Allnight Long (Victor) - Reissue
Ray Brown - Something for Lester (Victor) - Reissue
Ray Draper - Featuring John Coltrane (Victor) - Reissue
Red Garland - Can't See for Lookin' (Victor) - Reissue
Red Garland - Dig It! (Victor) - Reissue
Red Garland - P.C. Blues (Victor) - Reissue
Red Garland - Red in Bluesville (Victor) - Reissue
Red Garland - Revisited (Victor) - Reissue
Red Garland - Rojo (Victor) - Reissue
Ron Carter - Parada (Victor) - Reissue
Ron Carter - Third Plane (Victor) - Reissue
Shirley Scott - Blue Flames (Victor) - Reissue
Sonny Criss - Beat Goes On (Victor) - Reissue
Sonny Criss - Portrait Of (Victor) - Reissue
Sonny Criss - Rockin' in Rhythm (Victor) - Reissue
Sonny Rollins - Freedom Suite (Victor) - Reissue
Sonny Rollins - Tour de Force (Victor) - Reissue
Sonny Stitt - Stitt's Bits (Victor) - Reissue
Stan Getz - Brothers (Victor) - Reissue
Stan Getz - Preservation (& Al Haig) (Victor) - Reissue
Stan Getz - Sextet (& Cal Tjader) (Victor) - Reissue
Steve Lacy - Reflections (Victor) - Reissue
Tenor Conclave - Tenor Conclave (Victor) - Reissue
Wardell Gray - Vol. 1 - Memorial (Victor) - Reissue
Wardell Gray - Vol. 2 - Memorial (Victor) - Reissue
Webster Young - For Lady (Victor) - Reissue
Wes Montgomery - In Canada (Victor) - Reissue
Zoot Sims - Zoot Sims Quartet (Victor) - Reissue



Information provided by allaboutjazz.com

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Saturday, March 18, 2006

Jazz Review | 'The Magic of Toots'

Trading Rubatos With the Virtuoso Who Pioneered Solo Harmonica

There may be no living jazz musician better loved than Jean (Toots) Thielemans, the harmonica virtuoso who came to America from his native Belgium more than 50 years ago. Mr. Thielemans, who turns 84 next month, has gamboled through seemingly the entire landscape of mainstream jazz during his career; from gypsy swing to bebop and every variety since. Along the way he developed an exuberantly expressive voice on the chromatic harmonica, pioneering its use as a solo instrument. And at every turn he made friends, including an illustrious and kaleidoscopic array of fellow musicians.

Half a dozen of them made guest appearances in a tribute to Mr. Thielemans at Carnegie Hall on Thursday night, and it was no surprise that a warm and blithesome feeling prevailed. What was somewhat surprising about "The Magic of Toots: A Celebration of Toots Thielemans" was the way the feeling suffused the concert, overcoming even its all-star conceit. What could have felt tediously programmatic came across as a genuine celebration.

There were reasons for this — including the careful designs of the concert's producers, Pat Philips and Ettore Stratta — but none was more crucial than the omnipresence of Mr. Thielemans. Seated in an upholstered chair for an opening solo piano meditation by Herbie Hancock, he smiled but also fidgeted, as if it pained him not to join in duologue; on the following tune, Paul Simon's "I Do It for Your Love," he did, answering Mr. Hancock's sweeping arpeggios with trills and flurries of his own. For the rest of the night he was perched on a stool at center stage, harmonica in hand; it wasn't his intention to merely bask in acclaim.

In an all-acoustic first half, Mr. Thielemans traded sentiments not only with Mr. Hancock but also with the clarinetist Paquito D'Rivera (on "Brussels in the Rain," a song by Mr. D'Rivera) and the tenor saxophonist Joe Lovano (on the balladic essay "Body and Soul" and a gallant theme by Mr. Thielemans, "For My Lady"). The strongest chemistry, not surprisingly, was between Mr. Thielemans and his regular partner Kenny Werner, the concert's main pianist and musical director. Backed by a sensitive rhythm section, they amplified the sumptuous melancholy of Michel Legrand's "Windmills of Your Mind."

Mr. Thielemans likes to luxuriate in a melody; his most natural cadence is a regal yet confessional rubato.

He employed it to marvelous effect on "Ne Me Quitte Pas," the Jacques Brel chanson; his soaring, entreating interpretation, performed as a duet with Mr. Werner, deserved the standing ovation it received.

Much of the second half was more rhythmic, with an emphasis on the Brazilian music Mr. Thielemans has also fruitfully explored. The guitarist Oscar Castro-Neves joined the ensemble, presenting a fetching original, "Felicia e Bianca"; the pianist Eliane Elias did the same, singing in a sensuous alto and contributing a handsome ballad. Ivan Lins, the popular singer, brought star presence to a pair of songs, including "Madalena," one of his earliest hits.

Mr. Thielemans introduced his own early hit, the lilting waltz "Bluesette," on guitar, the instrument he played before picking up the harmonica. But before long, the song morphed into a samba, for a parade of solo turns. Some of the guests, like Ms. Elias, achieved a sparkling charisma. But no one stole the spotlight from Mr. Thielemans; he was having giddy fun, and the feeling was contagious.

By NATE CHINEN - nytimes.com

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Friday, March 17, 2006

Wynton Marsalis iTunes, iPod ad



iTunes iPod ad with Wynton Marsalis, silhouette style with Wynton and his band.


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Disc of Herb Alpert Remixes Debuts on Billboard Chart

Whipped Cream & Other Delights Re-Whipped, a collection of remixes of recordings by trumpeter Herb Alpert and the Tijuana Brass, debuted on the contemporary-jazz chart this week at number two.

The album includes versions of "Whipped Cream," "A Taste of Honey," and other instrumental-pop hits as reworked by the Thievery Corporation, Medeski Martin and Wood, and other electronica and jazz artists.

Other new entries on the contemporary-jazz chart included saxophonist Eric Darius's Just Getting Started at number nine and guitarist Larry Carlton's Fire Wire at number 10. Herbie Hancock's Possibilities was at number one for the 18th week.

On the jazz chart, Michael Bublé's It's Time continued its long stay at number one. A Glenn Miller compilation on the Golden Legends series entered the chart at number 19; pianist Gonzalo Rubalcaba's Solo debuted at number 23.

By Ben Mattison - playbillarts.com

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Pamela Williams Takes Bold Step With New CD

On her upcoming album called Elixer, which will be released next week, smooth jazz saxophonist Pamela Williams thanks her domestic partner Precious for her support throughout the years. Williams decided that with her sixth album – she debuted 10 years ago with Saxtress – that it was time to announce that she is gay.

Williams calls Elixer her coming-out CD and, although it’s a scary step for her, she’s glad to finally let the truth be known.

"I think it’s always something that’s very scary to do because, of course, as an entertainer you don’t want to alienate anybody," says Williams, who recently moved from Southern California's High Desert to Atlanta. "But it’s just at a point in my life I just kind of wanted everybody to really know who I really am. And I think that that’s not the biggest part of who you are. It’s a little part, but it’s important I think to be honest. And it does feel like a weight has lifted off of you, because you really don’t have to pretend or lie about who you really are. So for me I think it’s important for people to be who they are and be proud of it."

Elixer features 10 songs with titles such as “Positive Vibe,” “A Jam for Pam,” “Forbidden Fruit” and “Rejuvenation.” The CD will be released March 21 by Shanachie, which on the same day will offer a DVD of Williams in concert called A Night With the Saxtress.

posted by Brian Soergel Smooth Jazz Notes


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Top Ten Smooth Jazz | Week ended 3/17/06







LW TW Artist Title (Label)
1 - 1 - Richard Elliot - "Mystique" (Artizen)
2 - 2 - Nils - "Summer Nights" (Baja/TSR)
4 - 3 - Paul Brown - "Winelight" (GRP/VMG)
3 - 4 - Brian Simpson - "It's All Good" (Rendezvous)
5 - 5 - Kim Waters - "Steppin' Out" (Shanachie)
7 - 6 - Najee - "2nd 2 None" - (Heads Up International)
8 - 7 - Rick Braun - "Shining Star" (Artizen)
6 - 8 - Marion Meadows - "Suede" (Heads Up)
10 - 9 - Brian Culbertson - Let's Get Started - (GRP/VMG)
9 - 10 - Chris Botti - f/Jill Scott - Good Morning Heartache - (Columbia)

Visit radioandrecords.com to view the latest complete Smooth Jazz ® National Airplay© listings.

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Tuesday, March 14, 2006

Steve Oliver | Radiant

Steve Oliver's new CD Radiant contains a collection of spiritually uplifting songs that celebrate life and music. While showcasing his fascinating mix of virtuoso guitar work, driving grooves and soulful singing, the album also exposes the artist's seemingly extraterrestrial ability to vocally create a virtual orchestra of instrumental sounds. While his previous recordings included numerous tracks featuring fairly lavish production, this time Oliver committed the project's design to a slightly scaled back approach placing much more of an emphasis on his guitar and voice. The album's opener "Feeling Good" is an absolute expression of it's title and will leave you in that exact frame of mind. Once set up for fun, you've gained passage to an Oliver trademarked musical voyage, so climb aboard and enjoy. As if asked to now hoist life's anchor and cast off all lines, the second cut, "Tradewinds", beckons our submission in a gentle breezy mode. Yet once underway the sails of this composition become full and the winds whistle a jam that funks up the decks and tricks out the rigging. After catching your breath, the artist's interpretation of Buffalo Springfield's classic "For What it's Worth" will leave you leaning against the mast, singing along, recalling the course of that day and pondering the current relevance of it's manuscript. Next up is "Good To Go," a track which joyfully transports us further toward the equator and into a sea of Latin/World Music. Schools of sizzling guitar passages and white caps laced with trippy vocal percussion are at every turn of the helm in this chart. Moving into calmer waters, the moody atmospheric gem "Shadow of The Moon" seemingly drifts in from the horizon and subtly gains our attention by featuring seductive soundings from Stevie Wonder's longtime trumpet player and studio confidant Steve Madeo. "Cool" is next on the log and brings aboard sax hero and former Al Jarreau first mate Michael Paulo. Teaming up with Captain Oliver, Mr. Paulo passionately assists in bringing us back to cruising speed while heading toward deeper waters. The infectious vocal and pop arrangement of "Bend or Break" follows and deeper waters it is. If ever there were a doubt as to Oliver's ability to circumnavigate the musical globe, this song will dispel any such yarn. The acoustic pleasures of "Across the Water", the buoyant and flowing "Reach the Sky", and "Shine", a track ably enhanced by the adventurous rhythmic patterns of Christian Poezach, all follow in splendid succession. Pulling into port, Oliver bids us retrospective farewell by delivering "Radiant Dreams", a poignantly poetic reflection on life's overall voyage and it's sometimes elusive treasures. Steve Oliver averages between 150-200 live gigs a year. Frequently billed at major music festivals as the "Special Guest Artist", Oliver has recently achieved "Headlining" status at many. Perhaps most notable would be his being selected to headline the 2005 Playboy Jazz Festival's Memorial Day presentation at the world famous Pasadena Rose Bowl. This artist is also receiving a good deal of international recognition these days. One such example is his being nominated, alongside genre superstars Chris Botti, Richard Elliot and superproducer/guitarist Paul Brown, as "Best International Artist" by the 2006 Canadian Smooth Jazz Awards committee.

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Monday, March 13, 2006

A Jazz Legend Enshrined as a Rock Star?

Miles Davis is being inducted into the Rock and Roll Hall of Fame tonight. Not as an "early influence," as Hank Williams, Louis Jordan, Louis Armstrong, Bessie Smith and Jelly Roll Morton were; that category is for artists whose careers were established long before rock 'n' roll began. (The hall has not inducted anyone in that category since 2001.) Davis is being recognized as a rock star.

This seems provocative for a second, and then a little meaningless. It is not some sort of timely argument for underappreciated work; adventurous musicians like those in the Black Rock Coalition have been claiming Davis's electric period as an inspiration for decades. There are some jazz adherents who never liked Davis's long electric phase and will be mildly outraged. But after all the jagged turns of his career, and its thorough box-set gilding, most of us have long since let Davis's body of work just assume its own meaning.

Davis's so-called rock could be strange and brilliant (especially from 1969 to 1975). His jazz was less opaque, and his love for it as a language and a tradition much clearer. Jazz had been his training, the basis of his best recorded work, which would include "Walkin'," "Birth of the Cool," "Milestones," "Miles Ahead" and "Live at the Plugged Nickel," among other albums. But by the mid-1960's he sensed correctly that jazz's greatest age was closing. He listened to everything, from Karlheinz Stockhausen — who has not yet been inducted into the Rock and Roll Hall of Fame, but certainly could be in the future — to the trumpeter and record executive Herb Alpert, who is being inducted this year in the lifetime-achievement category.

Davis couldn't stand being permanently linked with jazz if it meant his becoming second-class. He wanted the music industry to take him even more seriously than before; he came into contact with rock 'n' roll simply by being himself and resisting decline. A series of women in his life during the late 1960's, particularly Betty Mabry, brought him closer to the center of rock culture, the musicians and the nightlife and the clothes; he was also working with Clive Davis at Columbia Records, who ambitiously drove his label during those years to be a rock 'n' roll contender.

As pop record-making changed, as the album-qua-album became as important as the hit single, with a wider canvas for fuller expression, Davis found himself suited to that challenge, too, during a remarkable partnership with his producer Teo Macero.

By 1970 Davis had veered hard toward funk and rock: first Jimi Hendrix, whose Band of Gypsies riffs he quoted and altered for his own purposes, and then Sly Stone and James Brown. You could call his albums "Bitches Brew" and "Live-Evil" rock by extension — especially in this context, because Mr. Brown, the Jimi Hendrix Experience and Sly and the Family Stone have already been inducted into the hall. And the album "A Tribute to Jack Johnson" from 1970 even more so. You could also call them quite amazing records, whatever they are.

Davis, who died in 1991, was finally unsentimental about jazz, yet he respected many of its forms. With rock he could be more instinctive, brusque, shocking, mystifying, wasteful. With "In a Silent Way," from 1969, he did want his music to sound "like rock." He said as much in his 1989 memoir, though at the time he was fantastically dismissive about the issue. ("What's a rock 'n' roll band?" he sneered at a journalist in 1970. "The only rock I know is the rock of cocaine.")

But if he wanted more of his music to sound like rock, he meant its sound: the volume, the riff, the electric guitar and bass, the back beat. Everything else was changeable. There were dense slabs of hammering rhythm, static harmony, great moving plates of collective improvisation, which he ordered around as he conducted onstage. In the studio, he jammed endlessly with a revolving cast of musicians and then, with Mr. Macero, cut and spliced and layered the tapes. He could treat rock and funk like abstractions. Perhaps that's why his electric period — which, let's be clear, lasted half of his career — had such vertiginous high points ("Live-Evil," "Get Up With It") as well as such drowsy lows (a lot of his music after 1980).

The program essay for tonight's induction ceremony does not acknowledge the oddness of Davis's induction; it simply describes his accomplishments. But the view of Davis as rock star is not unanimous. Ahmet Ertegun, chairman of the Rock and Roll Hall of Fame, said in a telephone interview on Friday that as a member of the nominating committee he did not vote for Davis, because he felt that his most significant work had nothing to do with rock.

Mr. Ertegun, a cofounder of Atlantic Records with a lot of jazz in his past, said he did vote early and strongly to put Davis in Jazz at Lincoln Center's Ertegun Jazz Hall of Fame, where he thinks he belongs.

"I love Miles Davis," he said, referring to the Rock and Roll Hall of Fame induction. "I also love John Coltrane and Jack Teagarden, but I'm not voting for them either."

By BEN RATLIFF - nytimes.com

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Arturo Sandoval Jazz Club to Open in Miami on April 2

Arturo Sandoval, the world-renowned jazz musician, composer, trumpet player and pianist, is set to open his own jazz club in Miami Beach, Florida, on April 2, 2006.
Located between Miami's famed Art Deco District and Bal Harbour in the Deauville Beach Resort, The Arturo Sandoval Jazz Club will showcase the talents of the Grammy Award-winning musician, as well as internationally recognized headliners such as Roberta Flack, Dee Dee Bridgewater, James Moody and Roy Haynes.

The Deauville has an illustrious music history, having hosted some of the world's most prominent artists. The Beatles, Frank Sinatra, Tony Bennett, Sammy Davis, Jr., Diana Ross, Buster Keaton, Judy Garland, Tito Puente and Barbra Streisand are among those who have performed at the hotel.

"The Deauville maintains the spirit of those great artists who shared their souls in each magnificent performance. Their energy is infused within its walls," commented Mr. Sandoval, in explaining why he personally chose the Miami Beach hotel as the site of his first jazz club.

"Miami's music and nightlife scene is already packed with stars and charged with excitement, but the opening of a club by a jazz legend like Arturo Sandoval will bring our entertainment scene to a new level," noted William D. Talbert, president & CEO of the Greater Miami Convention and Visitors Bureau. In addition to its "red hot" club scene, Miami is also home to numerous recording studios, is at the nexus of the Latin American music industry and regularly hosts numerous music awards, he noted. "Arturo has been one of Miami's great ambassadors over the years and we're delighted he has chosen Miami for his first club."

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Sunday, March 12, 2006

Upcoming Jazz Releases - March 13-17, 2006

Upcoming Jazz Releases

Mon 13-Mar-2006

Steve Lacy, Derek Bailey, John Zorn, Evan Parker, , et al - Ictus Records' 30th Anniversary Collection (Ictus Records) - Boxed Set



Tue 14-Mar-2006

Antonio Carlos Jobim - Rio Nights Live (Via Sonido) - Reissue
Archie Shepp - Blase / Live at Pan-African Festival - Reissue
Ari Roland - Sketches from a Bassist's Album (Smalls)
Art Blakey and the Jazz Messengers - Complete Concert at Coub Staint Germain (Gambit) - Reissue
Barry Harris / Donald Byrd Sextet with Yusef Lateef - Complete Recordings (Gambit) - Reissue
Berardi Jazz Connection - Way I Like (Schema)
Bernd Lhotzky - Piano Portrait (Arbors)
Billy Kilson - Pots & Pans (Arintha Star)
Billy Martin - Illy B Eats Volume 3 (Amulet)
Blossom Dearie - Blossom Time at Ronnie Scott's (Verve) - Reissue
Brian Bromberg - Wood II (Artistry)
Buck Clayton / Earl Hines All Stars - Jazz from a Swinging Era (Lonehillja) - Reissue
Buckethead - Secret Recipe (Media Blasters) - DVD-Video
Chick Corea - New Trio Live (Cohen/Ballard) (Image) - DVD-Video
Chick Corea - Now He Sings Now He Sobs Trio Live (Image) - DVD-Video
Chick Corea & Gonzaol Rubalcaba - Duet (Image) - DVD-Video
Christoffer Hrd Berg - Moving On (Dealers of Nordic)
Cidinho Teixeira - I Am In Myselt (Oceanlight)
Dennis Chambers - Planet Earth (BHM)
Django Reinhardt - Swing Guitar (Eforfilms) - Reissue
Don Braden - Workin' (Highnote)
Don Cherry - Orient / Blue Lake (Charly) - Reissue
Don Redman - Shakin' the Africann (Hep)
Duduka Da Fonseca - Samba Jazz in Black & White (Zoho)
Eric Alexander - It's All in the Game (Highnote)
Folia De Reis - Ancestors (Oceanlight)
Freddie Keppard - The Complete Set 1923-1926 (Retrieval) - Reissue
Great Jazz Trio with Sadao Watanabe - I'm Old Fashioned (Test of Time) - Reissue
Green Arrows - 4-Track Recording Session (Alula)
Gutbucket - Sludge Test (Cantaloupe)
Harry Allen - Hey Look Me Ove (Arbors)
Hi-Lo's - Listen! (E!) - Reissue
Hird - Moving On (Dealers of Nordic)
Hugh Maskela - Presents Rare & Unreleased Chisa 1965-1976 (Bbe)
Hugh Maskela - Presents the Chisa Years: 1965-1975 (Rare and Unreleased) (Bbe)
Jack Hylton - Hot Hylton 1926-1930 (Retrieval) - Reissue
James Brown - Soul Session (Hudson Street) - DVD-Video
Jazz Crusaders - Paris Concert (Music Video Dist) - DVD-Video
Jimmy Rodgers / Emmett Miller / Roy Evans - Blue Yodelers: 1928-1936 (Retrieval) - Reissue
John Rich - Underneath the Same Moon (BNA) - Reissue
Johnny Almond Music Machine - Patent Pending (Vocalion) - Reissue
Karl-Heinz Steffens / David Gazarov - Lush Life (Tudor)
Kip Hanrahan - Thousand Nights & a Night (American Clave) - Reissue
Kurt Reichenbach - Night Was Blue (Bungalo)
Luis Russell - The Luis Russell Story 1929-1934 (Retrieval) - Reissue
Manuel Valera - Melancolia (Mavo)
Marcio Montarroyos / Stone Alliance - Brazil (Mambo Maniacs) - Reissue
Martial Solal / Dave Douglas - Rue de Seine (Jam)
Matthias Lupri Group - Metalix (Summit)
Michael Garrick - October Woman (Vocalion) - Reissue
Mike Reed (Duets with Jim Baker, Nicole Mitchell and Jeff Parker) - In the Context Of (482 Music)
Mike Stern - Live: The Paris Concert (Music Video) - DVD-Video
Mingus Dynasty - Chair in the Sky (Gotham)
Odean Pope - Locked and Loaded: Live at the Blue Note (Half Note)
Original Memphis Five - Columbias 1923-1931 (Challenge) - Reissue
Oscar Castro-Neves - All One (Mack Avenue)
Paul Flaherty - The Beloved Music (Family Vineyard)
Paul Winter - Earthbeat (Living Music) - Reissue
Paul Winter - Celtic Solstice (Ladyslipper) - Reissue
Paul Winter Consort - Missa Gaia Mass (LMU) - Reissue
Pee Wee Russell - Portrait of Pee Wee (Empire) - Reissue
Phil Woods - Unheard Herd (Jazzed Media)
Ramatis - Ramatis Featuring Rosie Max (Luxo)
Ray Nance - Body and Soul (Mighty Quinn)
Roger Davidson - Ten to Twelve (Soundbrush)
Roy Ayers - West Coast Vibes (Might Quinn)
Ryan Haines Big Band - New Horizons (Sea Breeze)
Sai Ghose - New Blood (Summit)
SFJAZZ Collective - SFJAZZ Collective 2 (Nonesuch)
Shake Keane - That's the Noise (Vocalion) - Reissue
Son De Madera - Las Orquestas Del Dia (Moondo Records)
Soul Slinger - Presents Jungle Sky (Luvo)
Soulive - 32 Bleu - Colorado Springs, 10/7/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Aggie Theater - Fort Collins, CO (Instant Live (Ryko)) - 2+ CDs
Soulive - Banana Joe's, Columbia, SC 11/16/04 (Instant Live (Ryko)) - 2+ CDs
soulive - Beachland Ballroom - Cleveland, OH (Instant Live (Ryko)) - 2+ CDs
Soulive - Belly Up Tavern - Solana Beach, CA (Instant Live (Ryko)) - 2+ CDs
Soulive - Canal Club - Richmond, VA 11/13/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Cervantes Ballroom - Denver, CO 10/08/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Conga Room - West Hollywood (Instant Live (Ryko)) - 2+ CDs
Soulive - Double Door - Chicago, IL 9/30/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Fine Line Music Cafe - Minneapolis, Mn (Instant Live (Ryko)) - 2+ CDs
Soulive - fox (Instant Live (Ryko)) - 2+ CDs
Soulive - Fox Theater - Boulder, CO 10/09/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Funk Box - Baltimore MD- 11/10/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Granada Theater - Lawrence, KS 10/04/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Higher Ground - Winooski, VT 12/9/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Independent - San Francisco, CA 10/16/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Iowa State University - Ames, IA (Instant Live (Ryko)) - 2+ CDs
Soulive - Irving Plaza - New York, NY 11/24/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Luther's Blues - Madison, WI 10/1/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Marz Theater - Wilmingon, NC 11/14/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - Paradise Rock Club, Boston, MA 5/5/05 (Instant Live (Ryko)) - 2+ CDs
Soulive - Paradise Rock Club, Boston, MA 5/6/05 (Instant Live (Ryko)) - 2+ CDs
Soulive - Shaggy's - Salt Lake, UT 10/10/04 (Instant Live (Ryko)) - 2+ CDs
Soulive - State Theater Falls - Church, VA (Instant Live (Ryko)) - 2+ CDs
Soulive - Theater of the Living Arts - Philadelphia, PA (Instant Live (Ryko)) - 2+ CDs
Sun Ra - Vol. 1-2 Solar Myth Approach - Reissue
Suzahn - Paris Without His Kiss (Infinity)
Swingle Singers - Collection (Spectrum) - Reissue
Tania Marie - Tania Maria Vol. 1-Via Brasil (Sunnyside)
Thomas Stronen - Parish (ECM)
Todd Isler - Two Step (Oceanlight)
Tomas Piri - Every Child is Born a Poet (Synergy)
University Six - 1925-1927 (Retrieval) - Reissue
Various Artists - Smooth Sax Tribute to Diana Krall (Tribute SOunds)
Vincent Herring - Ends and Means (High Note)
Will Power - Shakepeare Birthday Celebration in Music (Vocalion) - Reissue
William Parker - Long Hidden: The Olmec Series (Aum Fidelity)



Fri 17-Mar-2006

Adam Unsworth - Excerpt This! (Unsworth Music)


Information provided by allaboutjazz.com

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Saturday, March 11, 2006

Jazz returns to weekly TV via 'Legends' show

Jazz, once a staple of early black-and-white TV programing, is returning to the tube with what is described as the first weekly national network jazz series in 40 years.

"Legends of Jazz," which debuts April 2 on PBS, will feature conversations with and studio performances by a range of jazz stars. The initial 13 installments, already shot, include Clark Terry, Roy Hargrove, Chris Botti, Benny Golson, Pat Metheny, Lee Ritenour, Marcus Miller, George Duke, Phil Woods, David Sanborn, Kurt Elling, Al Jarreau, Ivan Lins, Oscar Castro-Neves, Robert Cray, Keb' Mo', Tony Bennett, Chick Corea and the late Ray Barretto.

Hosted by pianist Ramsey Lewis and produced by LRSmedia and WTTW in Chicago, the half-hour shows are shot in high definition with 5.1 surround sound. An additional 13 episodes are greenlighted for next year, and a deal is already in place with WEA (Warner/Elektra/Atlantic) to distribute DVDs and CDs from the performances.

"This show will succeed in bringing jazz back to the public's attention," says Lewis, who co-founded LRSmedia with music entrepreneur Larry Rosen and investor Lee Rosenberg, who also serves as president/CEO of the venture.

RADIO IDEA

Lewis' confidence stems from hosting his two-hour weekly radio program "Legends of Jazz," which is syndicated to nearly 70 stations nationwide. "Five million people tune in each week," says Lewis, best known for his 1965 jazz-pop instrumental hits "The 'In' Crowd" and "Hang on Sloopy."

"Not all are diehard jazz fans," Lewis adds. "Some people are just curious about quality music. We researched broadening the radio idea to television, and we think interest will explode."

Rosen, the founder of the GRP and N2K labels, agrees, citing the success of Ken Burns' televised 2001 jazz documentary and the sales of its related CD compilations -- as well as the success of "American Idol" -- as proof that "people are interested in seeing music on TV."

Each "Legends of Jazz" show is theme-based and features a montage of historical footage and in-studio guests who share anecdotes and perform. The first show focuses on the trumpet's role in jazz, with featured performers Terry, Hargrove and Botti, who play solo and as a group.

Rosen understands that music on TV today is highly produced and often augmented by dancers and electronics. He admits that jazz does not conform to those production values, but says it nonetheless can be presented to audiences in a creative way.

"The music will speak for itself," Rosen says. "Each tune played is four minutes in length without long choruses and is something that an audience can relate to. We're trying to find a line between being true to the music and not dumbing it down."

Rosen reports that more than 80 percent of PBS affiliates plan to air the series. "That's huge and represents a lot of potential eyeballs," he says, and hastens to add, "one challenge is when the stations will program the show." But, he says, so far, so good. For example, WETA in Washington, D.C., and WTTW will give the show top billing in its kickoff week.

By Dan Ouellette
Reuters/Billboard

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Friday, March 10, 2006

Tom Braxton - "Let's Stay Together" Hits the Airwaves

Rendezvous Music recording artist Tom Braxton is set to release “Let's Stay Together” from his fifth CD, Bounce, on March 13, 2006.

Invitingly sexy, this Al Green classic combines old-school vibes with Braxton's smoothly seamless sax work. Smooth jazz bassist and former NBA great Wayman Tisdale, proclaims, “I love that sweet sound he gets on the horn.”


Produced by Wayman Tisdale, Bounce was released by the Dave Koz label, Rendezvous Music, in 2005. Packed full of heart-warming songs and uplifting melodies, Bounce has endeared the hearts of fans and critics alike. The Jazz Review would proclaim Bounce as “a jewel of an album.”

A native of the dusty plains of West Texas, Braxton contributes his success to his father, who has a love of life and jazz. “I have to credit my dad with connecting me to jazz at an early age. I have clear memories of music flowing through the air from my parents' bedroom...He put the alto sax in my hands in the 6th grade, after I had been playing piano for two years. At the age of 84, he still plays his tenor sax and violin everyday, and he's still gigging!”


Braxton has shared the stage with such artists as Luther Vandross, Philip Bailey, Kirk Whalum, Jonathan Butler and Paul Brown. He has appeared on The CBS Morning Show, B.E.T's Jazz Central, TBS, TNT, ESPN, CNN and more. Additionally, Braxton has toured extensively with Tisdale for over a decade.


Over the past several years, Braxton has produced four successful records on his own. In 2004, Braxton and long-time friend Wayman Tisdale teamed up for a project. After some very creative and fun moments in the studio, Bounce was given life and a new CD release was born. Tisdale's company, Tisway Productions, would later join forces with Rendezvous Entertainment and signed Braxton on-board.


Braxton is currently setting up plans for a summer tour and a new CD. Updates and tour schedules can be found at www.tombraxton.com.


“Braxton's soulful, uplifting cover of Al Green's “Let's Stay Together” gives us a great 'blast from the past.'”
- Smooth Views


“...Braxton is clearly destined for major solo success”
- Smooth Jazz Vibes

Visit Tom Braxton website

A post from allaboutjazz.com


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Elvis Costello Disc Debuts on Billboard Jazz Chart

My Flame Burns Blue, the latest album from pop star and composer Elvis Costello, debuted on the Billboard jazz chart this week at number two.

Costello, who has made forays into classical music in recent years, turns to jazz on the new disc, performing with the Dutch big band Metropole Orkest. The album includes new works, arrangements of older Costello songs, and tunes by Charles Mingus and Billy Strayhorn with words by Costello. (Costello's ballet score Il Sogno is on a bonus disc.)

Vocalist Michael Bublé's It's Time remained at number one, where it has spent 45 of the last 56 weeks.

Other new entries on the chart include vocalist Steve Tyrell's The Disney Standards at number 10 and pianist Cyrus Chestnut's Genuine Chestnut at number 17.

On the contemporary-jazz chart, Spyro Gyra's Wrapped in a Dream debuted at number five. Herbie Hancock's Possibilities remained at number one.

By Ben Mattison - playbillarts.com

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News & Notes with Ed Gordon | NPR

Bob James at the NPR West studios in Culver City, Calif.Pianist Bob James has been a major force in jazz for more than 40 years, and he's still going strong -- so don't try to tell him to hang it up just yet.

"I've had a couple of opportunities to receive what is called a 'Lifetime Achievement Award..'" he tells Ed Gordon. "What are they really saying? That your career is over, and so your lifetime is finished? I really don't think it is."

James was discovered by Quincy Jones back in 1963 at the Notre Dame Jazz Festival and the rest is, well, history. Over the years, he's produced an eclectic body of work -- composing music for Broadway and television, and making albums with jazz giants like Earl Klugh and David Sanborn.

He's also a founding member of the popular "smooth jazz" group Fourplay. His just-released a new solo CD is called Urban Flamingo.

Read more and listen to interview here

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Thursday, March 09, 2006

Top Ten Smooth Jazz | Week ended 3/10/06







LW TW Artist Title (Label)
1 - 1 - Richard Elliot - "Mystique" (Artizen)
2 - 2 - Nils - "Summer Nights" (Baja/TSR)
3 - 3 - Brian Simpson - "It's All Good" (Rendezvous)
6 - 4 - Paul Brown - "Winelight" (GRP/VMG)
5 - 5 - Kim Waters - "Steppin' Out" (Shanachie)
8 - 6 - Marion Meadows - "Suede" (Heads Up)
7 - 7 - Najee - "2nd 2 None" - (Heads Up International)
4 - 8 - Rick Braun - "Shining Star" (Artizen)
9 - 9 - Chris Botti - f/Jill Scott - Good Morning Heartache - (Columbia)
12 - 10 - Brian Culbertson - Let's Get Started - (GRP/VMG)

Visit radioandrecords.com to view the latest complete Smooth Jazz ® National Airplay© listings.

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Jazz at Lincoln Center to Salute Coltrane in 2006-07

Jazz at Lincoln Center's 2006-07 season will include a festival celebrating the 80th anniversary of John Coltrane's birth and concerts exploring avant-garde jazz and fusion, JALC announced.

The Coltrane Festival, which opens the season September 14-16, will feature the Lincoln Center Jazz Orchestra in music by the saxophonist and composer, including A Love Supreme, "My Favorite Things," and Africa/Brass, and a program celebrating the saxophonist's collaboration with pop singer Johnny Hartman; the latter event will feature pianist Eric Reed, vocalist Kevin Mahogany, and others.

The "Fusion Revolution" program, scheduled for October, will feature keyboardist Joe Zawinul, a member of Miles Davis's Bitches Brew ensemble and the fusion supergroup Weather Report. "Outer Limits!" in March 2007, will include saxophonist John Zorn, a stalwart of the Downtown scene of the 1980s and '90s, and pianist Cecil Taylor, one of the pioneers of the free jazz movement of the 1960s.

The two programs, unusual for an organization that has focused on the jazz mainstream, are part of a season that will "celebrate the emotional sweep of jazz by tracing the course of its major innovations," according to a statement.

Other highlights include the second annual Women in Jazz Festival, the induction of the class of 2006 into JALC's Nesuhi Ertegun Jazz Hall of Fame, a performance of "third stream" classical-jazz fusions with the American Composers Orchestra, a performance of blues songs by country singer Willie Nelson, the 12th annual Essentially Ellington Competition for high school bands, and a revival of artistic director Wynton Marsalis's gospel suite In This House, On This Morning.

By Ben Mattison - playbillarts.com

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Premiere of Chris Botti Live With Orchestra and Special Guests

Jazz trumpeter Chris Botti, currently on tour with saxophonist David Sanborn, has been dropping by local PBS affiliates including New York, Boston, Pittsburgh, and the New Jersey State network - to help support his current PBS Pledge Drive Special, "Chris Botti Live with Orchestra & Special Guests" Funds raised during the debut broadcasts of Botti's concert special are rivaling the totals generated by some of PBS Pledge Drives' most popular musical events.

The March 7th New York premiere of "Chris Botti Live with Orchestra & Special Guests" raised more than $100K in pledges and matching grants over the course of 90 minutes. New York's Channel 13 has scheduled several repeat broadcasts during the next two weeks.

In Boston (where the special played four times over the course of 48 hours), the first night of the Botti broadcast drew high pledges despite running against the highly-rated competitive "American Idol." The New Jersey State broadcast did similarly well, even though it ran against the Oscars. In recent years, the PBS Pledge Drive Specials have served as bellwether events, helping to establish mainstream visibility for top caliber musical artists including Josh Groban, Andrea Bocelli, and Charlotte Church.

"Chris Botti Live with Orchestra & Special Guests, " shot December 1 and 2, 2005, over a Thursday-Friday run at LA's fabled Wilshire Theatre, inspired the Los Angeles Times Don Heckman to write, "It was apparent, from the first notes Chris Botti played at the Wilshire Theatre on Friday, that the sold-out house was in for a special evening.... Botti's latest album, 'To Love Again' -- as well as the previously released 'When I Fall In Love' -- features extraordinary lineups of vocal guest artists. Six showed up for the concert -- Sting, Jill Scott, Paula Cole, Renee Olstead, Paul Buchanan and Gladys Knight -- along with Burt Bacharach...despite the inevitable audience excitement generated by the appearance of such vocal headliners and despite the artists' diversity of interpretations, it was Botti's virtuosic trumpet work, his inventive melody-making, his engaging onstage presence and his powerful band ...that ruled the evening..."

A special DVD edition of "Chris Botti Live with Orchestra & Special Guests" is being made available exclusively through PBS during the network's Pledge Drive (tune in to your local PBS affiliate for details). A full concert version of "Chris Botti Live with Orchestra & Special Guests" is slated for DVD release later.

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