Having recorded a catalogue of Top 10 albums in a vivid spectrum of jazz hues with topflight musicians for 35 years, Dan Siegel
only emerges when he has something engaging to say with his poetic
piano and crafty keyboards. Back with his first new statement in five
years, Siegel’s DSM record label will release Indigo on October
14, a set comprised of ten new compositions that he wrote, arranged and
shared production chores with Grammy-nominated bassist Brian Bromberg.
On his 20th album, Siegel creates right up the spine of the jazz
dichotomy allowing the melodies, improvisational soloing and grooves to
unfold and flourish unencumbered by restrictive genre borders and
polarizing labels. His cerebral compositions traverse the expansive jazz
terrain, but do so with heart rendering them instantly accessible. The
keyboardist has a gift for writing inviting, emotionally-evocative
material that connects soulfully.
“My tendency is it to overwrite, which can make it challenging for
the listener. I believe the emotional allure of the music on this album
(“Indigo”) transcends its compositional complexity,” said the Irvine,
California-based artist who was born in Seattle, Washington and raised
in Eugene, Oregon.
The beating heart and soul heard on “Indigo” in part comes from the
live production tracked in the cozy confines of Bromberg’s home studio
in the valley just over the hill from Los Angeles. Siegel and Bromberg
have an easy rapport and level of trust that dates back several decades
from playing and recording together. Bromberg’s 300-year-old acoustic
bass provides the rhythmic bottom end on tracks anchored by the deft
drum beats from Yellowjackets veteran Will Kennedy. Bob Sheppard plays a
prominent role using a variety of saxophones and impassioned play to
echo Siegel’s piano and keyboards leads as well as emote his own
scholarly theses. Allen Hinds and Mike Miller are afforded ample room to
dispense thoughtful guitar riffs and do so with finesse. Lenny Castro’s
percussion and Craig Fundyga’s vibraphone embellishments add texture,
color and shadow in all the right places while two different horn
sections appear on a total of six tracks providing power and depth. The
cumulative result of such masterful players animating Siegel’s poignant
piano pieces is a warm and plush album that will be serviced for airplay
at straight-ahead jazz (full album) and contemporary/smooth jazz
outlets (title cut).
Siegel inked his first record deal in 1979 with Inner City Records,
which issued his debut disc, “Nite Ride,” featuring guitar great Lee
Ritenour. Siegel’s sophomore session, “The Hot Shot,” went No. 1 on the
Radio & Records chart and spent ten weeks in the Top 10 on the
Billboard jazz chart. A couple years later, Siegel moved to Los Angeles
to focus on composing film and television scores. Subsequently, he
signed with Epic Records and altered his sound from fusion to
collections that spanned contemporary jazz, electronic, worldbeat and
R&B. Over the years, he has played and recorded with Herbie Hancock,
Boney James, Larry Carlton, Joe Sample, Ernie Watts, John Patitucci,
Bela Fleck and Ottmar Liebert in instrumental settings; Glenn Frey,
Chaka Khan, Berlin and Philip Bailey (Earth, Wind & Fire) in the pop
world; and amassed an array of television and film credits that boasts
Oscar-winner “The Usual Suspects.” For more information, please visit http://www.DanSiegelMusic.com.
The songs contained on “Indigo” are:
“To Be Continued”
“By Chance”
“Indigo”
“Beyond”
“Far and Away”
“If Ever”
“Spur of the Moment”
“First Light”
“Consider This”
“Endless”
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