Chill relies on ambient sounds, airy vocals, quietly tinkling keyboards, and the occasional alto sax bubbling away in the mix. It's so smoothed-out and laidback that it's nearly comatose. Chill is less ambitious than smooth jazz but not quite as lightweight as New Age. Take a marshmallow, pour honey over it, dip it in a sugar bowl, then swallow the gooey, gloppy mess whole in one bite. That's Chill.
There's a lot of Chill, but not much jazz to Jazzmasters VI. There's nothing left to chance. Everything is programmed, arranged and premeditated to drain away even the remotest possibility of something spontaneous, improvised or even mildly interesting. Nobody has ever confused Hardcastle's synth-driven style with Keith Jarrett, but he's done much better on previous recordings. Here he seems to be merely going through the motions.
Each song drifts languidly by like fluffy white clouds on a windy day. It's all quite pretty, dreamy and passive, and, as soon as it's over, the realization that there isn't a single memorable moment on Jazzmasters VI sets in. The album is nearly evenly divided between dreary, droning instrumentals that leave little impression and listless vocal tracks with slight variations on a theme of “I love you, but you don't love me and now my poor heart is broken.”
Hardcastle calls his “band” the Jazzmasters, but it's just a Hardcastle side project, plus the occasional vocalist and saxophonist. Becki Biggins provides some impassive vocals to lyrics that are supposed to invoke feelings of love and loss, but the only emotion that comes through is that of disinterested passivity. Paul Hardcastle Jr. is among the three sax players on the record, but none of them makes much of an impression.
“Jazz” is a catch-all for various genres that are only loosely connected to each other. Hardcastle has carved out a niche for himself as a staple of the smooth jazz/Chill division, but there's very little mastery of jazz evident on this recording.
Hardcastle's popularity was built upon creating pleasant, if not mind-blowing music, and his expertness has made him a fixture on smooth jazz radio. Unfortunately, Hardcastle is showing signs of a veteran musician merely recycling old riffs instead of breaking new ground and that makes Jazzmasters VI something of a yawner.
Track Listing: Awakening Thoughts; Touch and Go; One Chance; Cloud Watching; I Really Like; Solar Sky; I Can't Get By; In the Key of Time; The Vision; Dimensions of Light; So Into You; Return of the Rainman Reprise; One Chance (full version).
Personnel: Paul Hardcastle; keyboards, guitar, percussion; Becki Biggins: vocals; Paul Hardcastle Jr.: Saxophone; Maxine Hardcaste: backing vocals; Chris "Snake" Davis: saxophone, flute, shakuhatchi; Rock Hendrix: saxophone.
By Jeff Winbush - allaboutjazz.com
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2 comments:
OK, but Jeff Winbush above makes it clear that he loathes the entire genre of music this record is in, which makes it hard to learn much from his review. I only read it hoping he'd mention Rock Hendricks who's a wonderfully soulful sax player.
I write and reprint articles that are both favorable an unfavorable toward a particular CD. Jeff Winbush does in fact at times write favorable reviews on contemporary jazz, but I do believe as elsewhere it might be tough to get a good one at AAJ. As Paul Hardcastle said the other day: "album is 3 debut on billboard contemporary jazz sales chart Based strictly on sales, so the fans obviously disagree with the review" Personally I like the CD, and have always enjoyed his music. It didn't stop me from posting an alternate view.
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