A Christmas Jazz Tale
by Don Heckman
‘Twas the night before Christmas and the gig was running late;
No sugar plums, no candy canes, just another overtime club date,
Holidays are work days in a jazz musician’s life,
A chance to make some extra bucks to take home to the wife.
No sugar plums, no candy canes, just another overtime club date,
Holidays are work days in a jazz musician’s life,
A chance to make some extra bucks to take home to the wife.
Chanukah’s underway, Kwaanza starts tomorrow,
The Ramadan fast soon ends, and I’ll forget the others to my sorrow.
If you want to make a living in the music world these days,
You’d better learn to celebrate in many different ways.
The Ramadan fast soon ends, and I’ll forget the others to my sorrow.
If you want to make a living in the music world these days,
You’d better learn to celebrate in many different ways.
The clock slowly turned toward the midnight hour,
As we played a jazzed up version of the “Waltz of the Flowers.”
We labored on, “White Christmas,” “Frosty” and “Silent Night”;
And I wondered if we’d still be jamming “My Favorite Things” at first light.
As we played a jazzed up version of the “Waltz of the Flowers.”
We labored on, “White Christmas,” “Frosty” and “Silent Night”;
And I wondered if we’d still be jamming “My Favorite Things” at first light.
But we finally got lucky, as the leader kicked off the final medley.
The singer mauled “The Christmas Song,” a version Mel would have found deadly,
We did the “Jingle Bell Mambo” and the “Drummer Boy Bossa Nova,”
And wrapped it all up, with a rock “Hallelujah” coda.
The singer mauled “The Christmas Song,” a version Mel would have found deadly,
We did the “Jingle Bell Mambo” and the “Drummer Boy Bossa Nova,”
And wrapped it all up, with a rock “Hallelujah” coda.
I packed my horn, gave the guys my best wishes and headed into the night.
The streets were dark and quiet, the stores closed up tight.
Not that it would have mattered, since the gig barely paid the rent,
And whatever I could afford for presents had already been spent.
The streets were dark and quiet, the stores closed up tight.
Not that it would have mattered, since the gig barely paid the rent,
And whatever I could afford for presents had already been spent.
I walked through the falling snow, filled with memories of Christmas past,
Of marching bands and Christmas parades, of lighted trees and times too good to last.
And I wondered if my kids, when adulthood beckons,
Would remember their holidays with the same sweet affection.
Of marching bands and Christmas parades, of lighted trees and times too good to last.
And I wondered if my kids, when adulthood beckons,
Would remember their holidays with the same sweet affection.
My footsteps led me home to a house warm and cozy,
Where my wife and my children lay innocently dozing.
So I sat for a while in the late night still,
Watching the snow fall gently on the hill.
Where my wife and my children lay innocently dozing.
So I sat for a while in the late night still,
Watching the snow fall gently on the hill.
When I suddenly heard a familiar sound in the distance,
A rhythm section swinging with hard driving persistence.
But this one was strange, something I’d never heard before,
A brisk and spirited clatter I can only describe as hoof beats galore.
A rhythm section swinging with hard driving persistence.
But this one was strange, something I’d never heard before,
A brisk and spirited clatter I can only describe as hoof beats galore.
Then a new sound, one both familiar yet odd,
Called out through the snowflakes, like a leader commanding a squad.
“On Trane! On Dizzy! On Monk! On Duke!
On Sonny! On Bird! On Miles! On Klook!”
Called out through the snowflakes, like a leader commanding a squad.
“On Trane! On Dizzy! On Monk! On Duke!
On Sonny! On Bird! On Miles! On Klook!”
The next thing I heard was just as amazing,
A set of riffs, hard-swinging and blazing,
Played on an instrument that was new to me,
The sting of a trumpet, the silk of a sax, the tone of a bone, all blended with glee.
A set of riffs, hard-swinging and blazing,
Played on an instrument that was new to me,
The sting of a trumpet, the silk of a sax, the tone of a bone, all blended with glee.
I ran to the window to see what was coming,
And was met with a sight incredibly stunning,
What looked like a bright red ‘57 Chevy,
Pulled through the sky by eight reindeer in a bevy.
And was met with a sight incredibly stunning,
What looked like a bright red ‘57 Chevy,
Pulled through the sky by eight reindeer in a bevy.
They landed in my yard and the driver leaped out;
Grabbing a pack from the back he quickly turned about.
I blinked my eyes at this strange apparition,
His cheeks like Dizzy, his smile like Pops, as natty as Miles, a man on a mission.
Grabbing a pack from the back he quickly turned about.
I blinked my eyes at this strange apparition,
His cheeks like Dizzy, his smile like Pops, as natty as Miles, a man on a mission.
“Call me Father Jazz,” he said as he came through the door, musicians are my specialty.
I’ll even make a stop tonight with a little something for Kenny G.”
Then, opening his pack, he lightly danced to our tree,
Placing presents beneath it, ever so gently.
I’ll even make a stop tonight with a little something for Kenny G.”
Then, opening his pack, he lightly danced to our tree,
Placing presents beneath it, ever so gently.
“There’s a drum set for Alex,” he said, “that kid has great time.
And a guitar for Allegra, ’cause the songs she writes are so fine.
And the books and the wristwatch you wanted for your wife,
That you couldn’t afford, living a jazz musician’s life.”
And a guitar for Allegra, ’cause the songs she writes are so fine.
And the books and the wristwatch you wanted for your wife,
That you couldn’t afford, living a jazz musician’s life.”
This is way too weird, I thought, it must be a dream;
Something like this is too good to be what it seems.
“Oh, it’s the real deal,” said Father Jazz, with a riff-like snap of his fingers.
“You’re on my list of serious jazz swingers.”
Something like this is too good to be what it seems.
“Oh, it’s the real deal,” said Father Jazz, with a riff-like snap of his fingers.
“You’re on my list of serious jazz swingers.”
Moving to the doorway he turned back for a final review:
“And if you’re wondering why no box has been left for you,
It’s because your present has already been given.
You know what it is? It’s the spirit that makes your imagination so driven.”
“And if you’re wondering why no box has been left for you,
It’s because your present has already been given.
You know what it is? It’s the spirit that makes your imagination so driven.”
“Musicians like you know that the gift of music is the gift of love.
It’s a gift that can only have come from above.
And those non-jazz Beatles had it right, for all our sakes,
When they said, ‘The love you take is equal to the love you make’.”
It’s a gift that can only have come from above.
And those non-jazz Beatles had it right, for all our sakes,
When they said, ‘The love you take is equal to the love you make’.”
He bounded lightly through the snow to his flying red Chevy,
Blew a celestial riff on his amazing horn — so heavy!
And urged his team forward with a rallying command,
“On Dizzy! On Bird! On Miles! On Trane!”
Blew a celestial riff on his amazing horn — so heavy!
And urged his team forward with a rallying command,
“On Dizzy! On Bird! On Miles! On Trane!”
As his eager steeds rose into the winter sky,
Father Jazz called out one last stirring cry.
Looking down with a radiant smile and a farewell wave:
“Stay cool, Bro’ and keep the music playing.”
Father Jazz called out one last stirring cry.
Looking down with a radiant smile and a farewell wave:
“Stay cool, Bro’ and keep the music playing.”
copyright © 2003 Don Heckman
The International Review Of MusicBest selling smooth jazz at amazon.com
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